Book review: Galveston

GalvestonNic Pizzolatto’s first novel, Galveston, was published in 2010. Prior to that he wrote a book of short stories that appeared in 2006. It’s fair to say most people didn’t hear about Galveston until the screening in January this year of Pizzolatto’s groundbreaking television show, True Detective.

Since then I have not been able to move on social media for the number of people talking about how good Galveston is (which begs the question, is True Detective the longest book trailer ever made?).

Given my obsession with True Detective (which I reviewed for the Overland Journal site here), I was keen to read Galveston as soon as possible.

The short version of this review is that if you like True Detective, you’ll love this book. It’s as simple as that. The book and the show have a number of things in common, including the same rural southern US setting, a number of similar plot devices and the writing style.

Roy Cady is a bagman and thug for a New Orleans’ mobster called Stan Ptitko. The same day a doctor tells Cady he has terminal cancer, Ptitko orders him and another man to visit the president of the local dockworkers local, now the target of a federal criminal investigation.… Read more

Share

True Detective

true-detectiveLong before it was a television series, True Detective was the name of an American magazine that specialised in lurid, sensationalised stories of real-life crimes, often told from the point-of-view of the grizzled police veterans who investigated them.

This reference point is important when discussing the television incarnation of True Detective. The central thread and internal mythology of the show – two tough, damaged police detectives, hell-bent on avenging the murder of innocent women and children in the face of considerable official complacency – owes much to the true-crime magazine genre. It’s also been a standard trope in crime fiction since the 1930s.

The eight-part series (and careful, some spoilers follow) begins in Louisiana in the mid-90s. Two police detectives, Marty Hart (Woody Harrelson) and his new partner Rust Cohle (Matthew McConaughey) are assigned to investigate the murder of a young woman. Particularly shocking are the presence of strange occult symbols on the woman’s body and surrounding crime scene. All we know about the woman is that she was a drifter and a prostitute. With the exception of Marty and Rust, no-one wants to spend too much time and energy finding out what happened to her.

As the investigation proceeds, the detectives begin to link her killing to a string of apparently unrelated disappearances across the huge expanse of rural Louisiana.… Read more

Share

When You Comin’ Back, Red Ryder

Red Ryder poster

This week I’d like to welcome someone to the site who knows more about seventies popular culture that many people have forgotten, Melbourne’s own maestro of pulp sleaze, John Harrison.

I recently managed to catch the very rare 1979 Milton Katselas film, When You Comin’ Back Red Ryder. I was keen to review it for Pulp Curry, but doing a bit of research I stumbled across this piece by John that really says everything there is to say about this lost classic and more. John was nice enough to allow me to reprint it in full on my site.

Like John, I first caught the film on late night television in the eighties and it’s fascinated me ever since. I’m thrilled to be able to post such a comprehensive piece about it on Pulp Curry.

The review originally appeared on Harrison’s own excellent site, Sin Street Sleaze. It’s a great resource on horror and grindhouse movies, as well as John’s own unique brand of pop culture observation.

Welcome John.

Based on a stage play by Mark Medoff (who also penned the screenplay for this cinematic adaptation), When You Comin’ Back, Red Ryder is a hard film to categorise. Social commentary, psychological thriller, dark character study, seedy grindhouse exploitation film – all of these are applicable, yet none of them seem wholly suitable.… Read more

Share

South Korean cinema influences

Today, I’m very happy to welcome Chris Irvin to Pulp Curry.

Chris is a short story writer, one of the editors of the great short fiction site, Shotgun Honey, and the author of the recently released novella, Federales. Federales is  about a Mexican federal agent, drugs, and politics. It’s on my to-read list and I’m pretty certain it should be on yours, too.

Chris wanted to write about how South Korean crime cinema has influenced his own crime writing. Welcome Chris.

And by the way, if you are interested in winning a copy of the Federales e-book, just leave a comment on this post. I’ll pick a winner from among them a little later in the week.

fullsizephoto254644Perhaps like many fans of South Korean (Korean) Cinema, I was first introduced through Park Chan Wook’s Oldboy (2003), a brutal revenge tale adapted from a Japanese manga.

Revenge is central to many Korean thrillers Oldboy, Sympathy for Lady Vengeance (2005) Sympathy For Mr Vengeance (2002), I Saw the Devil (2010), Bittersweet Life (2005), etc.

But take a step back and look at the common themes that set Korean films apart from their American cousins, and what I find inspiring and influential to my writing.

I find many themes and layers of Korean cinema to be fascinating, especially those informed/influenced by Korean history/society, but for the sake of brevity I’ll focus on three:

The Dysfunctional Family – The dysfunctional family bands together to defeat the foreign menace and overcome its own natural flaws.… Read more

Share

Pulp Friday: Key of Corruption

Keys of Corruption“She wanted her man to be sophisticated and successful – but there was a price to pay.”

Life is busy at the moment, but not so busy I don’t have time to post a little Pulp Friday offering for your enjoyment.

Key of Corruption was published by Horwitz Publications in 1963. Rene Crane was one of several pseudonyms for Rena Cross, a regular Horwitz author.

Cross featured in a previous Pulp Friday post as the author of Flat  4 Kings Cross. Flat 4 Kings Cross originally appeared in 1963 under the name Geoffrey Tolhurst, and was was republished twice by Horwitz.

Key of Corruption is of interest because it’s a local book that gives an Australian take on one of pulp’s favourite obsessions in the sixties – wife swapping.

Here’s what the back cover says about the story:

“The key of corruption is a dangerous game and the stakes are high. Meet the players…

Marilyn and Keith – unsophisticated young newlyweds, fresh from the country, anxious to get ahead and be accepted by the city;

Jo-Anne – Marilyn’s pretty teenage sister, brimming over with youthful enthusiasm, ready to dare anything for a thrill;

Grant – the too-experienced older man whose charm Marilyn accepted at face value;

Greda – fabulous, sophisticated, beautiful divorcee, leader of a fast set… who organised the game for kicks… “

Share
Read more
Share