Adventures in noir land

Pumpkin-JPEG

It has been a while since I’ve posted here on Pulp Curry. This is because I’ve spent the last few weeks travelling in the US. I spent time in New York and Washington DC. I also visited the City of Brotherly Love, Philadelphia, the home of Edgar Allen Poe, David Goodis and, every two years, one of the most interesting literary festivals I have experienced, NoirCon.

NoirCon is not your common or garden-variety festival. No way. And that is a very good thing.

First of all, the focus is firmly on noir, mainly fiction, but also film, poetry or whatever (and that last category, ‘whatever’, encapsulates some pretty bizarre material). I’m not saying there’s not a place for broader events that include a wider range of contributors and crime fiction sub-genres. But it’s also great to sit in a room of people who are, for once, more or less, all on the same page in terms of their love of noir, and not have to feel you have to justify or explain the focus.

Second, although it’s not exactly an exclusive event, neither does it try to be any bigger than need be. I get the feeling that while organiser, Lou Boxer, does his best to come up with new presenters and topics, he’s happy for the event not to get out of control or stray beyond the noir remit.… Read more

Share

Policing Melbourne’s TV mean streets: Homicide at 50

HomicideIt’s been a day for nostalgia. Foremost I’ve been thinking about the passing of Australia’s great reforming Labor Prime Minister, Gough Whitlam, who died this morning at the age of 98.

But I’ve also been giving a lot of consideration lately to another Australian icon, probably the most influential Australian television show ever made, the crime drama, Homicide.

At 7.30pm on Tuesday 20 1964, Channel 7 showed the first episode of Homicide and what Australians would see on their TV screens would never be the same. Homicide’s influence was truly revolutionary. It was introduced at a time when an estimated 97 per cent of drama content came from the US and Great Britain. It was the first locally produced show to hit number one. It spawned several similar programs, including Matlock Police and Division 4 and established many of the key conventions of Australian true crime television: the team of dedicated police solving a crime per episode and a commitment to realism.

Homicide ran until 1975. The individual Homicide episodes have aged remarkably well in my opinion as self contained hour-long pieces of hard hitting TV crime drama. They are also a fascinating glimpse into the class, gender and social relations of Melbourne society in the sixties and seventies. If you want proof, check out this clip for episode 475, which aired in 1975, towards the end of Homicide’s run.… Read more

Share

Kinda Hot: The making of Peter Bogdanovich’s Saint Jack

Towards the end of Kinda Hot: The Making of Saint Jack in Singapore, Peter Bogdanovich tells the book’s author Ben Slater: “Some of the best things are things that just happen once and then don’t happen again. They just don’t. No matter how much you want them to.”

It’s a fitting observation for a film I have always regarded as a one of a kind, Bogdanovich’s 1979 adaption of the book by the same name by Paul Theroux, about a small time Italian American hustler (played by Ben Gazzara in the film) living in Singapore in the early seventies whose ambition is to open up his own high-class brothel.

As the film begins, Flowers is very much a bottom feeder, eking out a precarious existence on the fringes of Singaporean society. He’s so skint he has to haggle with his Chinese bosses for the taxi fare to pick up William Leigh (Denholm Elliott in the film), a mild mannered English accountant sent from head office in Hong Kong to audit the books. The one currency Flowers has no shortage of is contacts. Taking Leigh and a visiting American businessman on a tour of the island’s nightlife, Flowers is on first name terms with every hooker and tout he meets.

Flowers eventually establishes his brothel in a magnificent British colonial villa.… Read more

Share

Crime Factory Publications launches new novella, Freight

Front

A quick heads up that Crime Factory Publications, Melbourne’s only dedicated crime fiction publisher, will launch its latest ‘Single Shot’ novella, Freight, by Ed Kurtz, at Loop Bar, 23 Meyers Place, Melbourne, Monday October 13, from 8pm

Freight a hardboiled heist story set in early seventies Texas.

To Enoch and Doc, two down and out men working as railway brakemen in an impoverished Texas town, it seemed like a simple enough heist: steal the copper wire off a train in the middle of the night.

But the carriage contains more than metal. Soon lives are at stake and an unfathomable evil has to be dealt with. And there is no one in Blackwood, Texas for the job but a no-account ex-con.

Think Jim Thompson meets Sam Pekinpah and you’re getting warm.

We will also be celebrating the launch of issue 16 of our award winning magazine, Crime Factory. Plus it’s your chance to stock up on all our other publications, including our last novella, Saint Homicide, and hard copies of our super sexy adults only special issue, Pink Factory.

In addition, you’ll get the advance word about our exciting upcoming projects, including our first novel and our first locally authored novella, both scheduled for publication in early 2015.… Read more

Share

Book Review: Jacks and Jokers by Matthew Condon

tpm3ftt5-1395618559Meticulously researched, broad in its historical scope, Jacks and Jokers (QUP, 2014), the second books in Matthew Condon’s examination of police corruption in Queensland from the late 1950s to the late 1980s, is among a wave of recent books that have redefined the craft of Australian true crime writing (John Safran’s Murder in Mississippiand Anna Krien’s Night Games, are two others).

Indeed, the label ‘true crime’ almost doesn’t seem a fitting way to describe what Condon has done in Jacks and Jokers or the first instalment, Three Crooked Kings (2013). The books almost form an alternative history of a period of Queensland’s development that has been much talked about and often parodied, but little known or understood, both in and outside of the Sunshine State.

As was the case with Three Crooked Kings, the narrative spine of Jacks and Jokers is the career of Terry Lewis. Lewis joined the Queensland police force at twenty and rose to be commissioner before the Fitzgerald Inquiry in the late 80s or, as it was formally known, The Commission of Inquiry into Possible Illegal Activities and Associated Police Misconduct, which led to his trial and conviction on various charges, including accepting vast amounts in bribes to protect vice and illegal gambling.… Read more

Share