American Snipers

Deadly Tower

Watching Clint Eastwood’s American Sniper (2015) reminded me of Sunday nights spent in front of the television with my parents in the late seventies and early eighties.  It was a time before the plethora of viewing options available now and  the Sunday movie was a big deal, sometimes the highlight of the week’s viewing. Commercial television was my parent’s drug of choice. More often than not, it seemed, the movie on offer was a war film.

American Sniper is about the life of Chris Kyle (Bradley Cooper), a former US Navy Seal and one of the most lethal snipers in US military history. It is recorded that he had as many as a 160 ‘confirmed kills’, which were accumulated during four tours of duty in the second Iraq war. The film is based on a bestselling book of the same name that Kyle helped write (which I have not read). Prior to watching the film, I’d heard about the controversy around  it, including numerous claims it is little more than a pro-Iraq war, Republican Hawk propaganda piece. I am always sceptical when such sweeping statements are used to describe a film. Indeed, despite his conservative views, Eastwood is a veteran director  with a proven ability  to create a reasonably nuanced depiction of America’s involvement in war.… Read more

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Pulp Friday: Scobie Malone & “our new Errol Flynn”

Movie newsSomething a little different for this week’s Pulp Friday.

I recently watched the 1975 Australian film, Scobie Malone, starring Jack Thompson. Also known as Murder at the Opera House and Helga’s Web, the latter from the title of the 1970 Jon Cleary it is based on, the film was long unavailable until its recent re-release by Umbrella Entertainment.

The plot involves larrikan Sydney homicide detective Sergeant Scobie Malone (Jack Thompson) investigating the murder of a women whose body is found in the Sydney Opera House. In the course of his inquires, Malone discovers the women, Helga (Judy Morris), was a high priced prostitute involved with several important clients, including the Minister for Culture (James Workman), who she was blackmailing, and film director Jack Savannah (Joe Martin).

There are numerous suspects for her death, including the Minister’s  wife and a local criminal going by the wonderful name of Mister Sin (Noel Ferrier). The events leading up to Helga’s death are told in a series of flashbacks. Most of the police work is done by Malone’s hapless offsider (Shane Porteous), leaving the title character to spend most of his screen time having sex with a bewildering variety of women, including nearly all the female inhabitants of the singles only block of flats he lives in.… Read more

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Shining a light into Melbourne’s clandestine drag history

In the beginning there was the incredibly successful 1994 movie, Priscilla, Queen of the Desert. And, as if out of nowhere, drag was everything. “People saw the movie and all of a sudden every man and his dog wanted drag at their staff Xmas party,” a drag queen told Melbourne’s gay newspaper Star Observer that year.

At least, that must be how it seemed at the time. For a longer, more in-depth take on the history of drag, its role in creating awareness and acceptance of gay culture, and the evolution of Melbourne’s gay community more generally, you should check out the What A Drag! exhibition, showing as part of Melbourne’s Midsumma Festival.

Priscilla’s success proved what anyone brought up on ’70s British television series such asDad’s Army, It Ain’t Half Hot Mum and Are You Being Served? with their frequent plot lines involving men dressing as women, knew already, if only subconsciously; there’s an allure to cross dressing.

You can read the rest of this piece here on Crikey’s Daily Review site.

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2015 mid-summer reading report back: Perfidia, Japanese tattoos, eighties sleaze

Perfidia

Summer in Melbourne is usually the one time of the year I can be guaranteed to get a fair amount of personal reading done. As has become my annual practice, a short report back on the books I have got through is in order.

Perfidia, James Ellroy

I need to preface my comments on Perfidia by stressing I am a massive Ellroy fan. I have read all of his books – ALL of them – many more than once. I even liked The Cold Six Thousand and Blood’s A Rover, the two books that most divided readers. So, it is with a heavy heart that I say Perfidia is very disappointing. The long awaited prelude to Ellroy’s LA Quintet, Perfidia takes place in Los Angeles over 23 days in December 1941, a period in which American went from being at piece to the attack on Pearl Harbour and the country being at war.

The focal point of the book is the brutal murder on the eve of Pearl Harbour of a Japanese family. The killings have all the hallmarks of traditional Japanese ritual deaths. Drawn into the murder investigation are future LAPD chief William H Parker, the meanest crime fiction cop ever created, Dudley Smith, a brilliant young Japanese police forensic scientist, and Kay Lake, a woman with a major thing for bad men.… Read more

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Pulp Friday: The Art of Robert E McGinnis

mcginnisMy first Pulp Friday post for 2015 is a selection of pulp paperback covers from my collection illustrated by Robert E McGinnis.

I have been keen to do a McGinnis related post on this site ever since picking up a copy of The Art of Robert E McGinnis, published by Titan Books, during my travels in the US late last year.

Most Pulp Curry readers will be familiar with McGinnis, whose striking illustrations appeared on the covers of numerous pulp novels and who is still working at the age of nearly ninety, doing the occasional cover for the Hard Case Crime imprint.

One of the main reasons there is so much contemporary interest in pulp fiction of the fifties and sixties is the striking cover art. I find this interesting given that it is often the aspect of pulp fiction we know the least about. The artists behind the wonderfully lurid images that grace the covers of most pulp books are seldom acknowledged and we know very little about most of these people and how they worked.

McGinnis was an exception. His images, including his signature illustrations of femme fatales and other female pulp characters, are well known and have appeared on books by authors as diverse as Lawrence Block, Jim Thompson, Erskine Caldwell and the US editions of Australian pulp writer Alan Geoffrey Yates, aka Carter Brown, to name just a few.… Read more

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