MIFF report back #2: Sunrise

Sunrise

A key question for me from Partho Sen-Gupta’s second feature film, Sunrise, which played as part of the 2015 Melbourne International Film Festival, is how does one make a gripping crime film out of a pervasive social problem like child trafficking? If this was indeed Sen-Gupta’s intention, I’m not sure he has entirely succeeded. That said, there is a lot to recommend it.

The narrative spine of Sunrise is fairly straightforward. Joshi is middle aged Inspector working in a poorly resourced unit of the Mumbai police. His life has been in tatters ever since a person or persons unknown kidnapped his young daughter, Aruna, in front of her school years ago. The crime has destroyed his wife’s sanity and threatens to do the same to him. Compounding his trauma is the fact that the unit he works in deals with other parents who have had similar experiences. Joshi and his colleagues are largely unable to help these people, usually because their resources and methods are no match for those of the criminals responsible for the disappearances.

Joshi spends his nights obsessively searching for Aruna. He thinks he sees her everywhere. One night he stumbles out of the torrential monsoon rain into a nightclub called Paradise. Through the crowd Joshi spies Aruna amongst a group of young girls dancing on stage.… Read more

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MIFF report back #1: The Duke of Burgundy

DukeofBurgundyFilmPage

I watched Peter Strickland’s latest offering, The Duke of Burgundy, already being a big fan of his 2012 effort, Berberian Sound Studio. I appreciated Berberian Sound Studio as an homage to the Italian giallo horror films of the seventies and didn’t need any more encouragement to see his new one other than the fact it was Strickland’s tribute to the seventies Euro sleaze films of directors like Jesse Franco and Walerian Borowczyk.

But it wasn’t until about twenty minutes in to The Duke of Burgundy, that I felt I ‘got’ what both movies were trying to do and just how clever Strickland’s approach is.

The Duke of Burgundy is about the BDSM relationship between two female entomologists, Evelyn (Chiara D’Anna), the submissive, and her older dominant lover, Cynthia (Sidse Babett Knudsen, who you may recognise from the Danish television series, Borgen). The story is set in an unspecified provincial European town in what looks like the seventies and, as you’d expect if you’ve seen Berberian Sound Studio, Strickland nails every aspect of recreating the genre: the aesthete, the soundtrack, the surrealistic ambiance, how the characters feel and react, the sex, which alternatives between being outright smutty and languorously erotic. Woven into this are some wonderfully deft touches, including the complete absence of men and the strange, sexually charged club in which women get together to discuss matters entomological.… Read more

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My 10 anticipated films of the Melbourne International Film Festival

The Duke of BurgundyThe Melbourne International Film Festival (MIFF) is almost upon us and, this year, I am seeing more than my usual quota of films. I won’t go into detail regarding everything I’ve booked, but here are the ten films I am most excited about.

The Duke of Burgundy

Confession: I missed this in my first pass of the MIFF program and, thankfully, was alerted by a friend to the fact it was playing. Despite some problems with the last quarter of the film I adored Berberian Sound Studio (2013), Peter Strickland’s tasteful, authentic non-Tarantinoesque homage to Italian giallo films of the seventies. So The Duke of Burgundy, a tribute to the Euro sleaze films of Jess Franco and Walerian Borowczyk has me very excited.

Sunrise

My search for a decent Indian neo noir continues with Partho Sen-Gupta’s 2014 feature, Sunrise. In 2012 I sat through all six hours of Gangs of Wasseypur, the sprawling saga of two rival crime families in the Indian state of Bihar. It held together well for the first half before degenerating into a Spaghetti Western-like shoot ‘em up. In 2013, it was Monsoon, a Mumbai based crime drama about a rookie cop and his corrupt older partner. It showed promise but I felt it was too focused on achieving the right aesthete at the expense of story.… Read more

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Saying goodbye to the father of The Night Stalker

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I noted a recent news item on social media that Jeff Rice, author of the original 1970 horror novel The Night Stalker, on which the TV series of the same name was based on, had died. I meant to delve into the story further, but never got around to it. Then I saw this excellent post on the The Rap Sheet site, examining Rice’s life and the background to the series.

I was a huge Night Stalker fan in my teens, first the two made to TV movies and then the series. I loved Darren McGavin’s portrayal of Kolchak, the bumbling yet at the same time surprisingly steely and resourceful journalist. The various monsters and evil beings he battled were incredibly scary and I was unnerved by the how the show always ended with Kolchak left alone and no one believing his stories.

I never knew anything about the back ground to the series or its creator. Rice had a somewhat bizarre and unfortunate life and his mysterious death, which is still being investigated by authorities, mirrored aspects of his fiction. You can read the full post on the Rap Sheet here.

And while I’m on the subject, if you haven’t already discovered how good The Rap Sheet is, you should bookmark site and make it one of your regular visits.… Read more

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Interview: New Jersey crime writer, Wallace Stroby

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Wallace Stroby was an award-winning journalist who quit his job as an editor at New Jersey’s Star-Ledger of Newark newspaper, to write crime fiction full time. A life long New Jersey native, he is the author of six books, of which his debut, The Barb Wire Kiss, was a finalist for the 2004 Barry Award for best first novel. His last three books, Cold Shot to the Heart, Kings of Midnight, Shoot the Woman First, feature the female professional criminal character, Crissa Stone. This is an edited version of an interview, which I conducted at Noir Con 2014 in Philadelphia, that originally appeared in issue 17 of Crime FactoryHis latest Crissa Stone book The Devil’s Share, is out now.

Let’s start of with your recent books featuring the character of Crissa Stone. What was the inspiration behind writing these?

I always wanted to write a book from the point of a view of a career criminal. In my third novel, Gone ‘Til November, half of the book was from the point of view of an ageing black hit man but the main character was actually a woman, the only female sheriff’s deputy in a small town, a woman in a man’s world and I liked that idea. So coming off Gone ‘Til November I wanted to combine those two and do a story about a career criminal who was a woman in a man’s world.… Read more

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