Search Results for: hell is a city

The book about Australian TV’s most notorious address

Number 96I have a lot of time for anyone who makes the effort to preserve and curate popular (and unpopular) culture of pretty much any kind. The latest example of this kind of work to cross my radar is a book which shares the same title as the hit seventies Australian soap opera that is its subject, Number 96.

In the book’s introduction, Nigel Giles says he was eight years old when he started watching Number 96, two years after it made it sensational debut on ATVO (now known as Channel 10). I was the same age but, regrettably, my parents were not so permissive and deemed me too young to be allowed to watch the show. Nonetheless, it still registered on my pre-teen brain because of Abigail Rogan or ‘Abigail’ as she was universally referred to, who briefly played the show’s sultry blond bombshell, Bev Houghton. Thanks to the success of Number 96, Abigail would become one of Australia’s first sex symbols, starring in a raft of TV shows and movies.

Number 96 depicted the lives of the residents of a fictitious block of inner Sydney flats. It was the brainchild of two producers, expat American Bill Harmon and Don Cash, who was English born but had worked in the US.… Read more

Guest post: AC/DC noir

cover-pluck-bad-boy-boogie-600x900pxI am very happy to welcome crime writer Thomas Pluck to Pulp Curry this week. He’s got a new crime novel out called Bad Boy Boogie. He’s based in New Jersey but is also a massive – and I mean massive – fan of the iconic Australia rock band, AC/DC. You reckon the book and the band aren’t connected? You reckon wrong.

I’ll let Thomas explain.

PluckI remember first hearing the snarl of Bon Scott’s voice on the radio in my grandmother’s basement. I promptly wrote “Dirty Deeds – Done Dirt Cheap” on a scrap of lumber and put out my shingle on her desk, waiting for clients who needed whatever help a nine-year-old raised on Encyclopedia Brown could offer.

I didn’t get to give anyone concrete shoes or use TNT. I think my sister hired me to find her imaginary dog. But AC/DC stuck with me. They sounded like no other rock band I’d heard before. And I wasn’t totally sheltered. My uncle ran bars in Manhattan and the jukebox service was mob controlled, so you played what records they gave you and when they swapped them out, he came home with shoeboxes of KISS, Creedence Clearwater Revival, Marvin Gaye, Wings, and Steve Wonder.

But no AC/DC.

I wouldn’t hear much of them again until high school, when I had my own money from delivering papers and occasionally working off the books on construction sites.… Read more

Feminist vigilantes, vampires & the forgotten exploitation film career of Bob Kelljan

On the weekend I unintentionally plunged head first into the lost cultural zeitgeist that was the short but fascinating big screen career of US exploitation filmmaker, Bob Kelljan.

This started Friday evening, when I finally got around to checking out Australian outfit Ex-Films‘ DVD re-release of American International Pictures’ (AIP) controversial 1974 exploitation rape revenge film, Act of Vengeance, courtesy of my friend and film scholar, Dean Brandum. The DVD extras include an excellent essay by Dean on the film’s distribution and the controversy over the original title, Rape Squad, which the company subsequently changed at the last minute to Act of Vengeance.

Lost/unknown/unappreciated exploitation films from the 1960s and 1970s have been hot property for a while now. That said I have little tolerance for watching an exploitation film for the sake of it. But Act of Vengeance, which Kelljan was brought into direct after the previous two directors were fired, delivers on several fronts. 

The plot focuses on a group of women who have been victims of a hockey masked man dubbed the ‘Jingle Bells Rapist’ by the police, because of the song he makes his victims sing as he attacks them. Frustrated by the failure to catch the rapist and angry over their shocking treatment by police, the women band together to form a support group for victims of rape.… Read more

My top 10 books of 2015

Bad Penny BluesIt’s time for my annual top 10 reads for the year. In no particular order they are as follows: 

Bad Penny Blues, Cathi Unsworth

Bad Penny Blues kicks off in London in the early 1960s. A young police constable finds the body of a murdered prostitute. His subsequent investigation into the crime and similar murders, spanning the better part of a decade, propels him into the heart of the city’s Soho vice district. Interspersed with this is the story of a young and up and coming fashion designer, Stella, who is plagued by nightmares about dead women.

The fact I found this book a pinch too long didn’t detract from my enjoyment of it. Bad Penny Blues is a solid piece of noir fiction and a great evocation of sixties London, taking in everything from the occult, teddy boys, bent cops, radical bohemians and debauched upper class aristocrats.

TattooMurderThe Tattoo Murder Case, Akimitsu Takagi

First published, albeit in a slightly different form, in 1948, a young forensic medical student with post-traumatic stress after a stint as a medic in the Philippines begins a passionate affair with a beautiful woman who is covered with strange, sexually alluring traditional Japanese tattoos. Soon after the affair begins, she is murdered, dismembered and her tattooed torso stolen from the scene of the crime.… Read more

Interview: Eddie Muller, Film Noir Foundation

Gun Crazy hi-resA warning: the following interview with Eddie Muller does not contain any discussion of the question, ‘what is film noir?’ It’s one of the few film noir related topics I didn’t talk about with him. Muller, sometimes known as ‘the Czar of Noir’, is a busy guy, founder and president of the Film Noir Foundation, fiction and non-fiction author, publisher, film restorer and now DVD distributor. His Dark City: The Lost World of Film Noir (1998) and Dark City Dames: The Wicked Women of Film Noir (2001) are required reading for all would-be scholars film noir, and he has a new book out, Gun Crazy: The Origin of American Outlaw Cinema. Directed by Joseph H Lewis, Gun Crazy is the sordid story of a husband and wife team of criminal sociopaths, played by Peggy Cummins and John Dall. The film sank without a trace upon its release in 1950, but is now regarded as a classic and a much earlier precursor to the 1967 film, Bonnie and Clyde.

You have a new book out, Gun Crazy: The Origin of American Outlaw Cinema. As the title suggests, it’s about the making and influence of Joseph H Lewis’s 1950 film, Gun Crazy. As you stress in the book, the film hardly caused a ripple when it was first released.Read more