Pulp Friday: A Clockwork Orange

Posted on June 30, 2017 by Andrew Nette| Leave a comment

It has been a while between posts, I know. This site, as well as a number of other things in my life, has taken a back seat in order for me to meet a few pressing deadlines, in particular, working on a monograph for a English publisher on Norman Jewison’s 1975 dystopian science fiction classic, Rollerball.

While Jewison was not a great fan of science fiction he was impressed by two science fiction films, both of them made by Stanley Kubrick: 2001: A Space Odyssey (1968) and A Clockwork Orange, released in 1971 (although it was not released in Australian until 1988). It is this latter film that is the subject of today’s Pulp Friday post.

Published by Anthony Burgess in 1962, A Clockwork Orange is set in a near future dystopian England suffering from an epidemic of extreme youth violence and economic stagnation. The book’s teenage protagonist, Alex, narrates the story of his various criminal exploits and the subsequent efforts of the conservative state authorities to rehabilitate him, in a made up language Burgess called ‘Nadsat’.

Burgess’s own politics were conservative, with a streak of anarchism running through his thinking. He wrote A Clockwork Orange in three weeks, influenced by his views of the growing youth culture in early sixties England.… Read more

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Posted in British crime cinema, Dystopian cinema, Pan Books, Pulp Friday, Pulp paperback cover art, Science fiction and fantasy, Vintage pulp paperback covers

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Pre-orders open for Girl Gangs, Biker Boys, and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 to 1980

Posted on April 24, 2017 by Andrew Nette| 4 Comments

Girl Gangs Jpeg

Here is the updated cover for the book I have edited with my friend, Iain McIntyre, Girl Gangs, Biker Boys & Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980. This beauty will be out through PM Press in October.

It is available for pre-order here.

Long terms readers of Pulp Curry may remember this book was originally scheduled to appear, with a different publisher and under a slightly different name, in late 2016. But the publisher concerned experienced finance problems which resulted in the book being pulled from their schedule.

Thanks to PM Press that project is a going concern again.

The book is the first comprehensive account of how the rise of postwar youth culture was depicted in mass-market pulp fiction. As the young created new styles in music, fashion, and culture, pulp fiction shadowed their every move, hyping and exploiting their behaviour, dress, and language for mass consumption and cheap thrills. From the juvenile delinquent gangs of the early 1950s through the beats and hippies, on to bikers, skinheads, and punks, pulp fiction left no trend untouched. With their lurid covers and wild, action-packed plots, these books reveal as much about society’s deepest desires and fears as they do about the subcultures themselves.

Girl Gangs features approximately 400 full-colour covers, many of them never reprinted before.… Read more

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Posted in Australian popular culture, Australian pulp fiction, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Horwitz Publications, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp paperback cover art

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Pulp Friday: Patrick

Posted on April 21, 2017 by Andrew Nette| 3 Comments

Patrick #1I am partial to a good paperback movie tie-in and this week’s Pulp Curry features a beauty, Patrick, which I found in an excellent second hand book shop during recent travels in rural Victoria.

Published by Sun Books in 1978, the novel is based on the original screenplay by Everett de Roche of the influential Ozploitation film of the same name about man in a coma after murdering his mother and her lover by electrocuting them in a bath. The man, Patrick (Robert Thomspon), who strange psychokinetic powers, falls in love with his nurse, Kathy (Susan Penhaligon) communicating with her via an electric typewriter. He also uses his powers to ward off other potential male suiters in Kathy’s life and battle the hospital staff, particularly the Nurse Ratched-like Matron, Cassidy (Julia Blake).

The book was written Australian writer Keith Hetherington, who we have featured previously on this site. Hetherington, who was born in 1929 and I believe is still alive, had a long career, including writing Westerns and Larry Kent crime thrillers for Cleveland Publishing, fiction for Man and Pocket Man magazine, radio plays, television scripts, and various stand alone thrillers and a paperback tie ins for films such as Snapshot (1979) and The Chain Reaction (1980).

I love the cover for this paperback tie in, Robert Thompson aka Patrick’s creepy, penetrating eyes, although the copy I have, from which the front and back cover scan is taken, is slightly askew, the product of a printing fault.… Read more

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Posted in Australian popular culture, Australian pulp fiction, Horror, Ozsploitation, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Science fiction and fantasy

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A new publisher for Gunshine State

Posted on April 18, 2017 by Andrew Nette| Leave a comment

Anyone with a knowledge of the history of pulp and popular fiction publishing will know that publishers, particularly small publishers, come and go.

They appear on the scene, often amid a flash of initial excitement and publicity, prosper and become bigger. Or they may do well for a while until economic problems, changes in the publishing industry or the fortunes of the, often few, individuals running them, cause them to falter and close shop. The latter was the unfortunately fate of 280 Steps, the publisher of my second novel, Gunshine State, and the work of many other fine crime writers.

I don’t want to dwell on the reasons behind  280 Steps closure, which took effect at the end of April, except to say that when I signed with them in 2015, they appeared to be very going concern. They had a good business model, had their publicity act together, produced terrific cover art, and where putting together an excellent roster of existing and up and coming crime writers I was happy to number among.

The upshot of the 280 Steps closure is that, for the time being, Gunshine State will no longer be available to purchase either digitally or in hard copy. I say ‘for the time being’ because Gunshine State will be re-released in February 2018 by the US crime publisher Down and Out Books.… Read more

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Posted in Australian crime fiction, Australian noir, Gunshine State

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Sexy Beast: the last good British gangster film

Posted on April 2, 2017 by Andrew Nette| 3 Comments

KingsleyOkay, I’m calling it. Sexy Beast is the last good British gangster film.

I was reminded of just how good a film Sexy Beast is – and how anaemic and derivative just about every single Brit gangster film made since is in comparison – after re-watching it on the weekend.

Gary ‘Gal’ Dove (Ray Winstone) is a retired safecracker now living the good life with his illegal proceeds in a Spanish villa with his ex-porn star wife, Deedee (Amanda Redman). Gal wants to do nothing more than sit in the sun with Deedee, and fellow London underworld refugees, Aitch (Cavan Kendall) and Aitch’s wife, Jackie (Julianne White).

Their peaceful life is thrown into complete chaos with the arrival of former underworld associate, Don Logan (a stellar turn by Ben Kingsley), a foul mouthed, psychotic gangster, who has come on behalf London crime lord Teddy Bass (Ian McShane), to recruit Gal to help pull a heist Bass is planning.

Gal wants no part in the job, setting the scene for a gradually escalating series of confrontations between he and Logan, who simply will not take no for an answer. Logan’s attempts to bully Gal to take part in the job start humourlessly enough but soon escalate, first in a wave of expletive laden threats, then rehashing the sordid underworld pasts of Deedee and Jackie.… Read more

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Posted in British crime cinema, Heist films, Joseph Losey, Michael Caine, Peter Yates, Richard Burton, Stanley Baker

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