I have been pre-occupied with my Phd and various other commitments, so I’ve been a little bit slow off the mark to publicise my latest book, a monograph on Norman Jewison’s 1975 dystopian science fiction classic, Rollerball, out now on various platforms in the US, UK and Australia, through Auteur Publishing.
The book originated out of my curiosity to see whether I had it in me to write 40k based on a single film. The film I chose, in consultation with the publisher, was Rollerball. Only you can be the judge as to how good a job I have done, but I’ll let you all in on the first rule of writing a film monograph, make sure you like the film because you not only have to watch it numerous times but immerse yourself in everything to do with it.
I have always like Rollerball, ever since first seeing it twenty years ago. But I didn’t realise until I got stuck into researching the film for this book, just what a good viewing experience it still is and what a chilling dystopian vision it remains.
Rollerball depicts a future dominated by anonymous corporations and their executive elite, in which all individual effort and aggressive emotions are subsumed into a horrifically violent global sport, remains critically overlooked.… Read more
San Francisco based crime writer Domenic Stansberry recently sent me a copy of a book he has just put out through his very cool looking small publisher, Molotov Editions. The book is a re-released edition ofThe Syndicate by a little known Black crime writer, Clarence Cooper Jr.
