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Search Results for: hell is a city
The 10 essential films of Stanley Baker
Welsh born actor Stanley Baker didn’t live to see his 50th birthday, but he left an impressive body of work. Like his friend Richard Burton, he escaped life as a coalminer for acting after a chance sighting in a school play by the casting director of Ealing Studios led to Baker’s first role in the 1943 war drama, Undercover. His rugged physique and hard grace meant he was most often cast as the tough guy in crime movies and spearheaded the evolution of the British film criminal from the gentlemen thief to more ruthless figures, often working-class, in films such Hell Drivers (1957), Joseph Losey’s The Criminal and Peter Yate’s 1967 heist film, Robbery.
Last weekend he would have been 88, were he still alive. To mark his career, I have a piece on the British Film Institute site looking at his 10 essential films. You can read it in full here.… Read more
Posted in British crime cinema, Heist films, Joseph Losey, Richard Burton, Stanley Baker, War film
Tagged Accident (1967), Anne Heywood, Cy Enfield, David McCullum, David Warner, Dirk Bogarde, Donald Pleasence, Eva (1962), Hell Drivers (1957), Innocent Bystanders (1972), Jacqueline Sassard, James Booth, Jeanne Moreau, Joseph Losey, Michael Caine, Patrick McGoohan, Perfect Friday (1970), Peter Yates, Robbery (1967), Stanley Baker, The Criminal (1960), The Guns of Navarone (1961), Ursula Andress, Violent Playground (1957), Zulu (1964)
Warren Oates, Gloria Grahame & other subjects for fiction anthologies
The recent release of Crime Factory’s LEE, an anthology of crime fiction inspired by the life of iconic actor Lee Marvin, has got me thinking about who else would be a good subject for similar treatment.
There’s already been a bit of chatter on Twitter about other actors people would like to see as the subject of their own fictional anthology, and several authors have contacted me with ideas.
There are only two criteria involved I can think of in choosing a subject.
First, the subject concerned has got to be deceased, preferably passed a while ago. It’s just too complex, legally and other ways to do an anthology based on someone living.
Second, there’s got to be something about them. Not just an interesting body of cinematic work and an interesting life, but an ongoing cultural resonance or zeitgeist that sets them apart from other actors and allows crime writers discuss broader issues.
Here are my picks for actors I think would be good subjects. And I should stress, these are just my musings and in no way reflect what Crime Factory will do in the future.
That said, you never know….
Warren Oates
There’s already been a bit of social media chatter about the possibility of a Warren Oates inspired anthology.… Read more
Posted in 1960s American crime films, 1970s American crime films, Film Noir, Gloria Grahame, Lee Marvin, Richard Burton, Stanley Baker, Sterling Hayden
Tagged 92 in the Shade (1975), Asphalt Jungle (1950), Badlands (1973), Bit Heat (1953), Bring Me the Head of Alfredo Garcia (1969), Cockfighter (1975), Dillinger (1973), Hell Drivers (1957) The Criminal (1960), Hell is a City (1966), In a Lonely Place (1950), innocent Bystanders, Johnny Guitar (1954), LEE, Lee Marvin, Major Dundee (1965), Naked Alibi (1954), Odds Against Tomorrow (1959), Race with the Devil (1975), Sam Peckinpah, Stanley Baker, Stanley Kubrick, Sterling Hayden, Stripes (1981), The Godfather (1972), The Guns of Navarone (1961), The Killing (1956), The Wild Bunch (1969), Two Lane Black Top, Warren Oates
DVD commentaries and booklet/video essays
Booklet essay: “A matter of state security”: investigating official criminality in the fiction and film of Leif G. W. Persson, Radiance Film’s release of Bo Widerberg’s The Man From Majorca (1984)
Commentary (with Liam Jose), Boiling Point (James B. Harris, 1993), Umbrella Entertainment
Booklet essay: Where the action is: John Schlesinger’s Darling and the films of swinging London, Umbrella Entertainment’s re-release of Darling (John Schlesinger, 1965)
Video essay: Mission Accomplished?: Womenworlds and Male Power, Vinegar Syndrome re-release of Sex Mission (Juliusz Machulski, 1984)
Booklet essay: The 1970s and the ‘Golden Age’ of the aeroplane hijack film, Umbrella Entertainment’s re-release of Ransom (Casper Wreder, 1974)
Booklet essay: Fictional hijackers and a real life covert operative: Casper Wrede’s Ransom, Umbrella Entertainment’s re-release of Ransom (Casper Wreder, 1974)
Commentary: Stir (Stephen Wallace, 1980), Severin Films
Booklet essay: “Flesh is a trap and magic sets us free”: Clive Barker’s Lord of illusions and private investigators and the occult on film, Umbrella Entertainment’s release of Lord of Illusions (1995)
Commentary: Gang War in Milan (Umberto Lenzi, 1973), Radiance Films
Video essay: Hard to be a Hero: Piotr Szulkin’s Ga-Ga: Glory to the Heroes, Piotr Szulkin’s Apocalypse Tetralogy, Vinegar Syndrome
Booklet essay: Conspiracy of Silence: Leonardo Sciascia’s The Day of the Owl, Radiance Films release of The Day of the Owl (Damiano Damiani, 1968)
Video essay: From sea to shining sea – a look at the cross country car race film, Burt Reynolds Collector’s Edition, Umbrella Entertainment
Video essay: Welcome to violence – the evolution of the British gangster on screen, Umbrella Entertainment release of The Limey (Steven Soderbergh, 1991)
Video essay: She reached for evil: dissecting Kitten With a Whip, Imprint Films release of Kitten With a Whip (Douglas Heyes, 1964)
Booklet essay: The Hellfighter: John Wayne and America on fire in 1968, Powerhouse Films’ release of Hellfighters (Andrew V.… Read more
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John le Carre, my 2020 and The Looking Glass War
It is fitting that my last post on this site for 2020 is a short tribute to the passing of a writer who has given me an enormous amount of pleasure during this difficult year, David John Moore Cornwell or as he is better known, John le Carré. Since his death on December 12, a sea of ink has been spilt on le Carré’s influence on the spy novel and his undoubted merits as a writer. I don’t intend to go over this territory again. Instead, I want to briefly discuss what it is about his George Smiley series I have found so fascinating. I also want to talk about one of the films based on his work that I believe does not get nearly enough praise, Frank R Pierson’s 1970 adaptation of le Carré’s 1965 novel, The Looking Glass War.
Melbourne, the city I live in, spent the better part of 2020 in hard lockdown in response to the Covid 19 virus. Reading was one of my many responses to suddenly finding myself with more free time. One very wet, cold Saturday morning at the outset of winter I picked up a paperback I bought ages ago – I can’t even remember when and where – the 1964 Penguin Crime edition of Call for the Dead.… Read more
Posted in British crime cinema, Neo Noir, Noir fiction, Non-crime reviews, Sidney Lumet, Spies
Tagged Alistair Maclean, Anthony Hopkins, Call for the Dead, Christopher Jones, Frank R Pierson, George Smiley, John Le Carre, Pia Degermark, Ralph Richardson, Ray McAnally, Sidney Lumet, Susan George, The Honourable Schoolboy, The Little Drummer Girl (2018), The Looking Glass War (1970), The Spy Who Came in from the Cold (1963), Tinker Tailor Soldier Spy (2011), When Eight Bells Toll (1971)