Booklet essay: “A matter of state security”: investigating official criminality in the fiction and film of Leif G. W. Persson, Radiance Film’s release of Bo Widerberg’s The Man From Majorca (1984)
Commentary (with Liam Jose), Boiling Point (James B. Harris, 1993), Umbrella Entertainment
Booklet essay: Where the action is: John Schlesinger’s Darling and the films of swinging London, Umbrella Entertainment’s re-release of Darling (John Schlesinger, 1965)
Video essay: Mission Accomplished?: Womenworlds and Male Power, Vinegar Syndrome re-release of Sex Mission (Juliusz Machulski, 1984)
Booklet essay: The 1970s and the ‘Golden Age’ of the aeroplane hijack film, Umbrella Entertainment’s re-release of Ransom (Casper Wreder, 1974)
Booklet essay: Fictional hijackers and a real life covert operative: Casper Wrede’s Ransom, Umbrella Entertainment’s re-release of Ransom (Casper Wreder, 1974)
Commentary: Stir (Stephen Wallace, 1980), Severin Films
Booklet essay: “Flesh is a trap and magic sets us free”: Clive Barker’s Lord of illusions and private investigators and the occult on film, Umbrella Entertainment’s release of Lord of Illusions (1995)
Commentary: Gang War in Milan (Umberto Lenzi, 1973), Radiance Films
Video essay: Hard to be a Hero: Piotr Szulkin’s Ga-Ga: Glory to the Heroes, Piotr Szulkin’s Apocalypse Tetralogy, Vinegar Syndrome
Booklet essay: Conspiracy of Silence: Leonardo Sciascia’s The Day of the Owl, Radiance Films release of The Day of the Owl (Damiano Damiani, 1968)
Video essay: From sea to shining sea – a look at the cross country car race film, Burt Reynolds Collector’s Edition, Umbrella Entertainment
Video essay: Welcome to violence – the evolution of the British gangster on screen, Umbrella Entertainment release of The Limey (Steven Soderbergh, 1991)
Video essay: She reached for evil: dissecting Kitten With a Whip, Imprint Films release of Kitten With a Whip (Douglas Heyes, 1964)
Booklet essay: The Hellfighter: John Wayne and America on fire in 1968, Powerhouse Films’ release of Hellfighters (Andrew V. McLaglen, 1968)
Booklet essay: The Big Fix: the end of the 1960s and cinema’s new private eyes, Powerhouse Films’ release of The Big Fix (Jeremy Kagan, 1979)
Essay: David Lynch’s “mood of Dune”, Arrow Films re-release of David Lynch’s Dune (David Lynch, 1984)
Booklet essay: Radioactive Noir: Irving Lerner’s City of Fear (Irving Lerner, 1959), Powerhouse Films, Columbia Noir 3
Commentary (with Dean Brandum): A Man, A Woman and a Bank (Noel Black, 1979), Kino Lorber
Commentary (with Dean Brandum): Cold Light of Day (Fhiona-Louise, 1989), Arrow Video
Booklet essay: Il Boss: Fernando Di Leo, Celluloid Apocalypse VHS release of Eurocrime! the Italian Cop and Gangster Films that Ruled the 70s
