Category Archives: Vintage pulp paperback covers

Pulp Friday: A Clockwork Orange

Posted on June 30, 2017 by Andrew Nette| Leave a comment

It has been a while between posts, I know. This site, as well as a number of other things in my life, has taken a back seat in order for me to meet a few pressing deadlines, in particular, working on a monograph for a English publisher on Norman Jewison’s 1975 dystopian science fiction classic, Rollerball.

While Jewison was not a great fan of science fiction he was impressed by two science fiction films, both of them made by Stanley Kubrick: 2001: A Space Odyssey (1968) and A Clockwork Orange, released in 1971 (although it was not released in Australian until 1988). It is this latter film that is the subject of today’s Pulp Friday post.

Published by Anthony Burgess in 1962, A Clockwork Orange is set in a near future dystopian England suffering from an epidemic of extreme youth violence and economic stagnation. The book’s teenage protagonist, Alex, narrates the story of his various criminal exploits and the subsequent efforts of the conservative state authorities to rehabilitate him, in a made up language Burgess called ‘Nadsat’.

Burgess’s own politics were conservative, with a streak of anarchism running through his thinking. He wrote A Clockwork Orange in three weeks, influenced by his views of the growing youth culture in early sixties England.… Read more

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Posted in British crime cinema, Dystopian cinema, Pan Books, Pulp Friday, Pulp paperback cover art, Science fiction and fantasy, Vintage pulp paperback covers

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Mike Hodges’ Pulp & mass paperback fiction on the big screen

Posted on March 21, 2016 by Andrew Nette| 15 Comments

Caine in PulpThe opening credits of Mike Hodges’ under appreciated 1972 film, Pulp, are a delight for any fan of cheap pulp paperback fiction. As text roles across the screen (in type writer font, of course), the camera pans between the faces of the three female stenographers transcribing the words of sleazy English expat pulp writer, Mickey King (Michael Caine). As Caine’s nasal voice-over recites his latest novel, The Organ Grinder, we see the different reactions of the women, disgust, shock, and excitement. It’s a reminder that once, before it was reduced to an object of outre fascination for its cover art, pulp fiction elicited strong emotions.

The movie shifts to King, in his cheap white suit and big hair, Jack Carter – the character he played in Hodges’ Get Carter only a year earlier – gone to seed, stepping out of the Italian hotel he lives in to hail a cab. As he sits in the reception area waiting for his completed manuscript, King’s voice-over goes: “The writer’s life would be ideal but for the writing. This was a problem I had to overcome. Then I read the Guinness Book of Records about Earl Stanley Gardner, the world’s fastest novelist who would dictate up to the rate of ten thousand words every day.… Read more

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Posted in 1960s American crime films, British crime cinema, Crime fiction, Crime film, Michael Caine, Pulp fiction, Pulp paperback cover art, Vintage pulp paperback covers

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Pulp Friday: The Man Who Fell to Earth

Posted on January 15, 2016 by Andrew Nette| 2 Comments

Pan 1976Like so many people, I was enormously saddened by news this week of the death of David Bowie, from cancer at the age of 69.

There is no need for me to replicate all the sentiments that have been expressed elsewhere about Bowie’s passing, except to say that for me, as for so many of you, his death has left a huge hole in my popular culture landscape and the world is a less interesting place without him.

I did want to do something on this site to commemorate Bowie, however. And what better way to pay tribute to the man who once said his perfect idea of happiness is reading, than through books. So, my first Pulp Friday offering for 2016 is dedicated to the wonderful David Bowie: a selection of paperback tie ins for The Man Who Fell to Earth, directed by Nicolas Roeg, released in 1976.

It was only when I was doing research for an article on the ‘David Bowie Is’ exception that toured Melbourne last year, that I discovered The Man Who Fell to Earth was a book before it was a film. The Man Who Fell to Earth was first published in 1961. It was written by US novelist Walter Tevis whose debut work, The Hustler, featured as a Pulp Friday post here in 2013.… Read more

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Posted in Fawcett Gold Medal Books, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Science fiction and fantasy, Vintage pulp paperback covers

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Pulp Friday: witches, sorcerers & Satan’s disciples

Posted on October 30, 2015 by Andrew Nette| 2 Comments

Satan, witches, warlocks, demons, they were everywhere in the sixties and seventies and no more so than on pulp fiction covers. To mark Halloween, today’s Pulp Friday offering is a selection of covers featuring the lord of darkness and his various disciples.

It’s hardly surprising that Satanism and witchcraft featured so prominently in pulp. Not only did these books mirror then contemporary tabloid fascinations with black magic and witches, but the subject was an excuse for a bit of gratuitous sex and nudity. Especially sex. Devil worshippers, particularly Satan’s female disciples, were nothing if not sexually promiscuous, at least in the pages of pulp fiction.

The selection of covers below hail from the UK, US and Australia. They ran the gamut of key pulp fiction sub-genres: fiction (Dennis Wheatley’s To the Devil a Daughter, one of many occult themed books he wrote); history and so-called exposes (James Holledge’s Black Magic, ‘The world of uncanny occult rights, psychic phenomena, weird sex rities’); how to guides (How to Become a Sensuous Witch); television and movie ties ins (The Witchfinder General and  The Grip of Evil, the latter part of a series of paperback spin offs based on the hugely popular early 1970s Australian television show, Number 96), and smut titles (Bride of Satan and The Cult of Flesh – ‘Violent debauchery in a Satanic Cult of Flesh Worshipers’),

Even Carter Brown, hardly the most salacious of pulp writers in the sixties, touched on occult themes in books like Blonde on a Broomstick.… Read more

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Posted in Australian popular culture, Ben Wheatley, Horror, Horwitz Publications, New English Library, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Scripts Publications, Tandem Books, Vintage pulp paperback covers

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Pulp Friday: The Brides of Dracula

Posted on October 23, 2015 by Andrew Nette| Leave a comment

Brides of dracula Monach 1960Halloween is almost upon us and to mark the occasion I’m going to be featuring a few horror themed offerings as part of my regular Pulp Friday posts.

Historically in Australia we don’t celebrate Halloween, and I’ve always been a bit iffy about what I consider to be an American cultural imposition. But Halloween actually originated with the Celts in parts of Europe. Specifically, it dates back to Celtic Festival of Samhain, which took place to mark the end of summer and the beginning of a long cold winter. The Celts believed on that night before the new year the boundary between the world of the living and the dead blurred.

Also, any excuse will do to post some horror themed pulp.

Anyway, a small Pulp Friday offering today, the 1960 paperback tie-in to the film released the same year, The Brides of Dracula. It starred Peter Cushing, David Peel, Martita Hunt and Yvonne Monlaur and was directed by Terence Fisher. The plot of The Brides of Dracula involves vampire hunter Van Helsing returning to Transylvania to destroy handsome bloodsucker Baron Meinster, who is conducted a reign of evil terror over the nearest village. I’ve re-watched it recently and think it is one of the better vampire films produced by Hammer.… Read more

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Posted in Horror, Monarch Books, Pulp Friday, Pulp paperback cover art, Vintage pulp paperback covers

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