Search
-
Recent Posts
- Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
- Book reviews: Deadly dames, midcentury Brit pulp and 1970s science fiction
- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
- Orphan Road book launch
- Orphan Road now available
- Pre-orders open for my new novel, Orphan Road
- Cover reveal: Orphan Road, my follow up to Gunshine State
- Breakfast in the Ruins podcast: New English Library Bikermania
- Why 1973 was the year Sidney Lumet took on police corruption
- Men’s Adventure Quarterly: Gang Girls issue
Categories
- 1960s American crime films
- 1970s American crime films
- 1980s American crime films
- 1990s American crime films
- Adrian McKinty
- Albert Dekker
- Andre De Toth
- Angela Savage
- Angie Dickinson
- Anthony Zerbe
- Asian noir
- Australian crime fiction
- Australian crime film
- Australian noir
- Australian popular culture
- Australian pulp fiction
- Australian television history
- Ava Gardner
- Beat culture
- Belmont Tower Books
- Ben Wheatley
- Billie Whitelaw
- Black pulp fiction
- Blaxsploitation
- Book cover design
- Book Reviews
- British crime cinema
- British pulp fiction
- Bryan Brown
- Burt Lancaster
- Carter Brown
- Charles Durning
- Charles Willeford
- Chester Himes
- Christopher G Moore
- Christopher Lee
- Cinema culture
- Claude Atkins
- Coronet Books
- Crawford Productions
- Crime Factory
- Crime Factory Publications
- Crime fiction
- Crime fiction and film from Africa
- Crime fiction and film from Cambodia
- Crime fiction and film from China
- Crime fiction and film from India
- Crime fiction and film from Indonesia
- Crime fiction and film from Japan
- Crime fiction and film from Laos
- Crime fiction and film from Latin and Central America
- Crime fiction and film from Malaysia
- Crime fiction and film from New Zealand
- Crime fiction and film from Scandinavia
- Crime fiction and film from Singapore
- Crime fiction and film from South Korea
- Crime fiction and film from Thailand
- Crime fiction and film from the Philippines
- Crime Fiction and film set in Vietnam
- Crime film
- Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985
- David Goodis
- David Peace
- David Whish-Wilson
- Derek Raymond
- Diana Dors
- Dirk Bogarde
- Don Siegel
- Don Winslow
- Donald Westlake aka Richard Stark
- Dystopian cinema
- Ernest Borgnine
- Eurocrime
- Fawcett Gold Medal Books
- Femme fatale
- Fernando Di Leo
- Filipino genre films
- Film Noir
- Forgotten Melbourne
- French cinema
- French crime fiction
- Garry Disher
- Gene Hackman
- George V Higgins
- Georges Simenon
- Ghost Money
- Giallo cinema
- Gil Brewer
- Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980
- Gloria Grahame
- Gold Star Publications
- Gregory Peck
- Gunshine State
- Heist films
- Horror
- Horwitz Publications
- Humphrey Bogart
- Ian Fleming
- Interviews
- Ira Levin
- James Caan
- James Crumley
- James Ellroy
- James Hadley Chase
- James Woods
- Jim Brown
- Jim Thompson
- Joel Edgerton
- John Frankenheimer
- Joseph Losey
- Karen Black
- Kerry Greenwood
- Kinji Fukasaku
- Larry Kent
- Laura Elizabeth Woolett
- Lee Marvin
- Leigh Redhead
- Lindy Cameron
- M Emmet Walsh
- Mad Max
- Mafia
- Malla Nunn
- Martin Limon
- Megan Abbott
- Melbourne International Film Festival
- Melbourne Writers Festival
- Men's Adventure Magazines
- Michael Caine
- Michael Fassbender
- Mickey Spillane
- Monarch Books
- Ned Kelly Awards
- Neo Noir
- New English Library
- Newton Thornburg
- Noir Con
- Noir fiction
- Non-crime reviews
- Oren Moverman
- Orphan Road
- Ozsploitation
- Pan Books
- Parker
- Paul Newman
- Peter Boyle
- Peter Corris
- Peter Strickland
- Peter Yates
- Poliziotteschi
- Pulp fiction
- Pulp fiction in the 70s and 80s
- Pulp fiction set in Asia
- Pulp Friday
- Pulp paperback cover art
- Qui Xiaolong
- Raymond Chandler
- Richard Burton
- Richard Conte
- Robert Aldrich
- Robert Mitchum
- Robert Ryan
- Robert Stone
- Rock Hudson
- Roger Smith
- Rollerball
- Rosaleen Norton
- Roy Scheider
- Rural noir
- Sam Levene
- Sam Peckinpah
- Samuel Fuller
- Science fiction and fantasy
- Scripts Publications
- Sidney Lumet
- Sidney Poitier
- Simon Harvester
- Snowtown
- Snubnose Press
- Spies
- Stanley Baker
- Sterling Hayden
- Steve McQueen
- Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
- Stuart Rosenberg
- Tandem Books
- Tart noir
- Tartan Noir
- Ted Lewis
- Toni Johnson Woods
- True crime
- Vicki Hendricks
- Victor Mature
- Vintage mug shots
- Vintage pulp paperback covers
- Wallace Stroby
- War film
- Westerns
- William Friedkin
- Woody Strode
- Yakuza films
- Yaphet Kotto
Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
- Comics Down Under
- Everything second hand
- Existential Ennui
- Greenleaf Classic Books
- Irv O. Neil's Erotica is My Trade
- Killer Covers
- Lost Classics of Teen Lit 1939-1989
- Luminist Archives
- Men's Pulp Mags
- Mporcius Fiction Log
- Murder, Mayhem and Long Dogs
- Neglected Books
- Nocturnal Revelries
- Paperback Warrior
- Paperbacks of the Gods
- Pop Sensation
- Pulp artists
- Pulp Covers
- Pulp Crazy
- Pulp Flakes
- Pulp International
- Pulp Magazines Project
- Pulp Serenade
- Realms of the Night
- Romance Fiction Has a History
- Rough Edges
- Sin Street Sleaze
- Spy Guys and Gals
- The department of Afro American Research Arts & Culture
- The Dusty Bookcase
- The Haunted World of Richard Sala
- The Moon Lens
- The Nick Carter & Carter Brown Blog
- The Pulp & Paperback Fiction Reader
- Too Much Horror Fiction
- True Pulp Fiction
- Vault of Horror
- Vintage Nurse Romance Novels
- Vintage Romance Novels
- Welcome to the Pan Paperback
- Yellow and Creased
Support This Site
If you like what I do please support me on Ko-fi
Category Archives: Vintage pulp paperback covers
Pulp Friday: Open House
“To protect her young daughter she would have to expose the truth of her own affair with their virile young boarder.”
Sounds complicated.
This Friday’s pulp offering is Open House by Joan Ellis. It was published by Star Books, Crow’s Nest Sydney, and printed by Griffin Press in South Australia. There’s no publication date.
To the best of my knowledge, Star Books was a local outfit that did Australian mass market print runs of overseas pulp authors. It was active in the late sixties and early seventies. One day I’m actually going to have to spend a bit of time and track down the details of some of these local pulp publishing houses, as I’d love to know more about them.
Through the wonder of the Internet I discovered Ellis certainly was a prolific author, mainly erotic pulps and campus exploitation tales very popular in the US in the early sixties. So prolific, in fact, I suspect it was name used by several authors to ghost under.
I’m not sure whether Joan did her own titling. If so, she certainly had an talent for creative sleaze. Some of the titles I was able to track down, included Campus Pet (“With her one-track mind and breath taking body, she was bound to be a hit on campus”), Campus Jungle (She wondered if he’d still want her once he found out about the things she’d done at a not-so-private campus party”), High School Hellions, Faculty Wife and Cool Co-Eds (“They came in search of knowledge, the kind not found in text books…”), and Third Street (The place where questions were asked, the street where few men were ever seen”).… Read more
Posted in Australian pulp fiction, Pulp Friday, Vintage pulp paperback covers
Tagged Joan Ellis, Open House, Star Books
Pulp Friday: Headed for a Hearse
“His address was Death Row and his lease was up in six days… “
They don’t write cover blurbs like that any more.
Today’s Pulp Friday contribution is the 1960 UK Pan edition of the 1935 novel, Headed for a Hearse, by Jonathan Latimer.
Latimer was a crime reporter for newspapers in his native Chicago before going on to write a series of hard-boiled novels. He also worked in Hollywood where he wrote a number of screenplays, including The Glass Key (1942), The Big Clock (1948) and Nocturne (1946).
My parents had a good collection of Pan paperbacks on their bookshelf and I can remember, even as a very small child, being fascinated by the fantastic cover art.
The story sounds good, too.
“SIX DAYS to go before Westland would go to the electric chair for the murder of his wife…
SIX DAYS for him to sweat in the death cell – with a gangster and a fiend for company.
SIX DAYS for private investigator William Crane to flirt with death and to find the real killer…”
Pulp Friday: Hell is My Destination
Welcome to the first of what I hope is going to be a weekly series known as Pulp Friday.
I love the pulp fiction of the fifties, sixties and seventies. I love the artwork and the cadence of their lurid, often totally over the top front and back cover text.
I’m particularly fascinated by Australian pulp paperback novels, how they were written and put together, the stories and themes they looked at.
I’ve amassed a pretty good collection of these books over the years, from opportunity shops, garage sales, and the like. Most were written by unknown authors, many using pseudonyms, and put out by publishing houses that no longer exist.
For me they represent a period in Australian publishing history that has been largely forgotten by the book industry’s emphasis on creating capital ‘L’ literature. This situation is only now being challenged by e-publishing, which is allowing small, niche publishers to get out there and produce genre fiction, including pulp fiction.
Anyway, as a way of celebrating my and others interest in these books, from now on each Friday I’m going to post one pulp paperback cover.
I’ll try to make most of them either Australian pulps or local reproductions of foreign books. That said, I’ve also got a hell of a lot of US and British pulps I’d just love to share with you.… Read more
Behind the bamboo screen: Asian pulp covers of the sixties and seventies
Regular readers of Pulp Curry will by now be familiar with my obsession with pulp paperbacks from the fifties, sixties and seventies (previous posts on which you can be see here, here and here).
The following selection, sourced from my collection, is one I’ve wanted to do for a while now – Asian themed pulp paperback covers from the sixties and seventies. These are mainly from the United States with a smattering of Pan Books from the United Kingdom thrown in.
Not surprisingly, given the hysteria generated by the Cold War, the threat posed by the so-called “red menace” is a key theme of most of these titles, such as The Bamboo Screen, the story of an innocent Westerner thrown into “a savage world of spies and Oriental beauty,” a place where “life was cheap and love was a tool”.
Hong Kong was a favoured location for many of the do or die battles with Communism, as can be seen in Assignment Hong Kong and Twelve Hours to Destiny. Operation Hong Kong is one of a number of titles put out by Solider of Fortune magazine in the seventies: “Rainey has to stop Chinese agents from turning Hong Kong into a bloodbath”.
Other popular locations were Vietnam (Simon Harvester’s Battle Road), and jungles of Malaya in Mark Darby’s The Tigress, a place where “death stalked…with a Sten gun in its hands.”… Read more
Books my father read
July 24 was the fourth anniversary of the death of my father, William Nette.
He died peacefully in hospital on the Queensland Gold Coast, where he had retired with my mother many years earlier. He was 86.
Like many father-son relationships, we didn’t always get on. That’s putting it mildly. But he brought a lot of positive influences to my life.
He turned me onto the joy of jazz, Ella Fitzgerald, Louis Armstrong, Art Blakey and Dave Brubeck. He had a large collection of 78s wrapped in brown paper that he’d secreted out of Papua New Guinea, where he was an armed forces disc jockey during the war, along with cartons of cigarettes he later sold in Australia.
Only recently have I realised he’s also responsible for much of the delight I find in reading and my particular fondness of crime fiction.
I remember the pivotal moment quite clearly. I was thirteen. He came home from work one day and, to my complete horror, announced he was withholding my allowance until I started reading books (comics, which I loved, didn’t count).
He set the first two books, Robinson Crusoe, followed by Treasure Island. They were heavy looking volumes with no pictures that had belonged to my father when he was a boy.… Read more
Posted in Australian crime fiction, Australian pulp fiction, Carter Brown, Crime fiction, Horwitz Publications, Larry Kent, Pan Books, Pulp paperback cover art, Vintage pulp paperback covers
Tagged Alistair Maclean, Authur Hailey, Carter Brown, Harold Robbins, James Bond, John MacDonald, Larry Kent, Mickey Spillane