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Recommended reading
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Category Archives: True crime
The real French Connection
My latest piece for the US site CrimeReads is a look at the real-life crimes that inspired William Friedkin’s 1971 classic, The French Connection. It is a tangled tale of Corsican gangsters, international heroin smuggling, the CIA and the war in Indochina – with a dash of my own experience in Laos. You can read the piece in full here.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, Asian noir, Crime fiction and film from Cambodia, Crime fiction and film from Thailand, Crime Fiction and film set in Vietnam, Crime film, Gene Hackman, Mafia, Roy Scheider, True crime, William Friedkin
Tagged 1970s American crime film, Gene Hackman, Roy Scheider, The French Connection (1971), William Friedkin
Phoenix: down Melbourne’s 1990s means streets
The recent inclusion of the 1995 Australian true crime mini-series Blue Murder as an offering on Netflix Australia provided an opportunity for many critics, present company included, to once again laud it as our best piece of true crime television made so far. While not walking back on this claim, there is another show that I would argue gives Blue Murder a run for its money in terms of being a gritty, true life depiction of policing, which I watched recently – the thirteen-part 1992 Australian Broadcasting Commission series, Phoenix.
A lot of 1990s Australian popular culture exists in a rather liminal space for me due to the fact that I spent a large chunk of the decade working in Southeast Asia. I don’t think I saw any episodes of Phoenix when it first came out, but I am pretty sure I caught parts of the first series (there were two) on VHS tapes that my partner’s mother sent us in the post when we were living in Hanoi, Vietnam. I am not even sure if Phoenix has as a current DVD release, as the discs I found were second hand and seem to have been released at least a decade ago.
Phoenix focuses on the Major Crimes squad, an elite group of Victorian cops.… Read more
Punchdrunk at the Yarra Valley Writers Festival
With a bit on my plate at the moment, I have not been posting as much as I would like to this site. I have a few things up my sleeve in terms of posts over the coming weeks that will hopefully turn this situation around but, in the meantime, I just wanted to hit you all with news of an event I am taking part in a few weeks that may be of interest.
The Yarra Valley Writers Festival is taking place, in person, on the weekend of July 16 and 18. You can check out the entire program online here. On the Saturday of the program, July 17, at 10.30am at the Warburton RSL, I’ll be interviewing author Michael Winkler about wonderful book, Grimmish. Grimmish tells the story of Joe Grimm, one of the most flamboyant boxers ever to our visit Australia’s shores in the early part of last century. Partly based on real events and part fiction, the book can best be described as a literary fever dream that speaks to our collective relationship to physical power, masculinity and pain. I’ll be talking to Michael about all these topics, the process of research Joe Grimm’s life and whether a traditional sport such as boxing add to the evolving discussion on what is to be male.… Read more
Video of my talk, The motorcycle – rebel in pop culture, now available
For those of you who were unable to attend my recent talk hosted by the Queensland Gallery of Modern Art, ‘The Motorcycle: Rebel in Pop Culture’, there is now a video of the entire presentation on Youtube. The wonderful folks at QAGOMA have even done an Auslan interpretation of it for the vision impaired.
My talk will take you on a journey through the various representations of the motorcycle in youth and popular culture history, mainly in the United States, Australia and Great Britain. I examine what has given the motorbike its cool reputation and discuss how it has also functioned as a lightning rod for post war concerns around various youth subcultures. In addition to film, I also look at the representation of the motorbike in music and pulp fiction. You can also find it on YouTube here.… Read more
Posted in 1960s American crime films, 1970s American crime films, Australian crime film, Australian popular culture, Australian pulp fiction, Book cover design, British pulp fiction, Crime fiction and film from Japan, Dystopian cinema, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Horwitz Publications, Mad Max, Men's Adventure Magazines, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp paperback cover art, Scripts Publications, Steve McQueen, True crime, Vintage pulp paperback covers
Tagged Andrew Nette, Bikers, Bikies, Marlon Brando, QAGOMA, The Motorcycle Design Art Desire, The motorcycle in pop culture, Youthsploitation, Youthsploitation pulp
My top 10 British gangster films
One of my favourite British gangster films, Mike Hodges’s Get Carter, is 50 years old. It premiered in the UK in the northern British city of Newcastle, where it was filmed, on March 7, and in the US on March 18. I have penned a piece for a prominent crime fiction/related site on the influence of Get Carter on crime cinema, but am not exactly sure when this will come out. For now, I thought the film’s half century anniversary was as good a time as any to hit you with my top 10 British gangster films.
They Made Me a Fugitive (1947)
I wrote about They Made Me a Fugitive in some length on this site here. It was one of a trio of early post-war British gangster films that caused a stir with censors, the others being No Orchids for Miss Blandish and Brighton Rock, both of which appeared in 1948. Fugitive stars Trevor Howard as Clem Morgan, a demobbed Royal Air Force pilot who reluctantly joins a criminal gang headed by a flash gangster with a very nasty streak, Narcy, but baulks when his discovers his new employer is into drug trafficking. What I love about this film, and the aspect that attracted the most critical condemnation when it first appeared, is its depiction of the poverty and desperation of post-war British life.… Read more
Posted in Billie Whitelaw, British crime cinema, British pulp fiction, Crime film, Heist films, James Hadley Chase, Joseph Losey, Michael Caine, Peter Yates, Richard Burton, Stanley Baker, True crime
Tagged Alfred Dimer, Billie Whitelaw, Billy Whitelaw, Bob Hoskins, British crime film, Get Carter (1971), Helen Mirren, James Hadley Chase, Joanna Pettet, John Guillermin, John McVicar, Jonathan Glazer, McVicar (1980), Mike Hodges, Never let Go (1960), No Orchids for Miss Blandish (1948), Peter Sellers, Peter Yates, Richard Burton, Robbery (1967), Roger Daltry, Sexy Beast (2000), Stanley Baker, Stephen Berkoff, The Criminal (1960), The Great Training Robbery, The Krays (1990), The Long Goodbye (1973), They Made Me A Fugitive (1947), Trevor Howard, Villain (1971)