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Recent Posts
- Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
- Book reviews: Deadly dames, midcentury Brit pulp and 1970s science fiction
- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
- Orphan Road book launch
- Orphan Road now available
- Pre-orders open for my new novel, Orphan Road
- Cover reveal: Orphan Road, my follow up to Gunshine State
- Breakfast in the Ruins podcast: New English Library Bikermania
- Why 1973 was the year Sidney Lumet took on police corruption
- Men’s Adventure Quarterly: Gang Girls issue
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Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
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- Existential Ennui
- Greenleaf Classic Books
- Irv O. Neil's Erotica is My Trade
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Category Archives: True crime
Spaces available in my online clinic for emerging crime writers
There are a few places remaining in the Writers Victoria online clinic that I am running for emerging crime writers in the second half of 2022, which starts next week.
If you’re keen to start a writing crime novel or short stories but you are unsure where to start, or if you are part-way through a manuscript and need help to finish or polish it, this online clinic will provide deadlines and support as you do so, pushing through blockages and problem passages. Participants will receive individualized feedback, including on structure, setting, pace, character and dialogue. This online course actively encourages sharing of your work with your cohort as well as with the tutor.
This is a completely safe space for you to submit drafts and have commented on by me, and/or to ask those burning questions you may have that you have never been able to get answered.
There is discount for members of Writers Victoria and other state writers organisations in Australia, but because the course is online you do not have to be in Melbourne – indeed, you don’t even have to be in Australia – to take part.
You can find all the information you need by going to this link at the Writers Victoria site here.… Read more
Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback
I know that this site has not been getting quite as much attention from me as usual over the last year. This is largely because I have been so busy with various book projects. A quick update on these might be in order.
First up is my academic monograph, Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback. Out via the Anthem Press Studies in Australian Literature and Culture series in early July, it now has a cover and is available for pre-order. It is in hardcover, with a price that reflects the fact that it is being targeted at institutions and, in particular, libraries, in the first instance, but I have negotiated with Anthem for a much cheaper paperback version of the book will be released by Anthem next year.
Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback originated in a PhD I took at Sydney’s Macquarie University and turning it into a monograph has taken a considerable amount of my time over the last year. Regular readers will no doubt be familiar with Horwitz, as the publisher of many of the paperback covers that I post on this site. My study is the first book length examination of Australian pulp and one of the few detailed studies I am aware of a specific pulp publisher to appear anywhere.… Read more
Posted in Australian crime fiction, Australian popular culture, Australian pulp fiction, Australian television history, Book cover design, British pulp fiction, Carter Brown, Crime fiction, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, Fawcett Gold Medal Books, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Gold Star Publications, Horwitz Publications, Men's Adventure Magazines, Mickey Spillane, Noir fiction, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp paperback cover art, Science fiction and fantasy, Scripts Publications, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, True crime, Vintage pulp paperback covers
Tagged Anthem Press, Australian pulp fiction, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1980, Down and Out Books, Girl Gangs Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture 1950 to 1980, Gunshine State, Horwitz Publication Pulp Fiction and the Rise of the Australian Paperback, Horwitz Publications, Orphan Road, PM Press, Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction 1950-1980
The mystery of Billy Rags
Crime fiction is just far too large a literary field to aspire to anything near being a completist in terms of reviewing. That said, the British noir author Ted Lewis has been something of a favourite on this site. I reviewed Jack’s Return Home aka Get Carter (1970) and its two sequels, as well as the novels Plender (1971) and GBH (1980). But there is one more Lewis work I want to tackle, Billy Rags, originally published in in 1973 and which, coincidentally has just been re-released by No Exit Press in the UK.
Billy Rags is very closely based on the life of the real British criminal John McVicar. Just how closely I’ll get to directly. McVicar was an armed robber, declared ‘public enemy no 1’ by Scotland Yard in the 1960s, until he was apprehended and given a 23-year sentence. He was also a serial escapee and after his final arrest in 1970 received a 26-year sentence but was paroled eight years later. McVicar was also something of a uniquely 1960s/70s phenomena, the self-aware/educated working class career criminal turned author and commentator on prison reform, a major social debate in those two decades. He studied for a university postgraduate, wrote an autobiography, McVicar by Himself, published in 1974, and authored a couple of other true crime books.… Read more
Posted in Book Reviews, British crime cinema, British pulp fiction, Crime fiction, Crime film, Neo Noir, Noir fiction, Ted Lewis, True crime
Tagged Billy Rags, Charlie Richardson, GBH, Get Carter (1971), Getting Carter: Ted Lewis and the Birth of Brit Noir, Goronwy rees, Jack's Return Home, John McVicar, Mark Chopper Read, McVicar (1980), McVicar by Himself, Nick Triplow, Plender, Roger Daltry, Sweeney 2 (1978), Ted Lewis, Tom Clegg
Projection Booth podcast #543: The Mephisto Waltz (1971)
I had a great time co-hosting for the latest episode of Mike White’s Projection Booth podcast, on Paul Wendkos’s 1971 occult thriller, The Mephisto Waltz. The episode features a very special guest, Jacqueline Bisset. The Mephisto Waltz is one my favourite 1970s occult thrillers, occupying as it does a liminal space between the aesthetic forms and conventions of made for TV horror movies – hugely popular format in the 1970s – and big screen productions. We talked a lot about the film’s similarities to Roman Polanski’s 1968 movie, Rosemary’s Baby, other examples of occult transference cinema, and how the occult, along with other strange & unexplained phenomena – UFOs, the Loch Ness monster, the Bermuda Triangle – were much more a part of everyday public discussion in the late 1960s/1970s. You can access the entire episode at the Projection Booth site here.… Read more