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- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
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- Why 1973 was the year Sidney Lumet took on police corruption
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Nothing but noir
Recommended reading
The lurid world of pulp
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Category Archives: Tartan Noir
Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
After much thought I have decided that to experiment with moving the focus of my blogging from this site to a new Pulp Curry Substack newsletter.
Why am I doing this?
The first post on this website appeared on July 2010 (about the incredibly underrated 1979 Australian heist film, Money Movers – you can read the post here). I’ve been writing on the site with varying frequency ever since (579 posts in all), and for the most part have enjoyed it immensely.
But for the last 12 or so months I just haven’t been feeling it – or getting the hits to make it seem worthwhile – and have started to wonder whether it’s worth continuing with the effort. Posting on a website has been starting to feel like the equivalent of trying to read a broadsheet newspaper in a crowded tram carriage, unwieldy and inconvenient.
And, thinking about it, I suspect the blog format is starting to get a bit stale for me and is actually now a brake on my posting more regularly.
I know that I’m no Robinson Crusoe in this regard. The majority of the blogs I used to follow have gradually fallen by the wayside, as people have moved on, grown weary of the effort, found other interests, adopted other means to get their message out, or, in some cases (gulp), died.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Adrian McKinty, Albert Dekker, Andre De Toth, Angela Savage, Angie Dickinson, Anthony Zerbe, Asian noir, Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian pulp fiction, Australian television history, Ava Gardner, Beat culture, Belmont Tower Books, Ben Wheatley, Billie Whitelaw, Black pulp fiction, Blaxsploitation, Book cover design, Book Reviews, British crime cinema, British pulp fiction, Bryan Brown, Burt Lancaster, Carter Brown, Charles Durning, Charles Willeford, Chester Himes, Christopher G Moore, Christopher Lee, Cinema culture, Claude Atkins, Coronet Books, Crawford Productions, Crime Factory, Crime Factory Publications, Crime fiction, Crime fiction and film from Africa, Crime fiction and film from Cambodia, Crime fiction and film from China, Crime fiction and film from India, Crime fiction and film from Indonesia, Crime fiction and film from Japan, Crime fiction and film from Laos, Crime fiction and film from Latin and Central America, Crime fiction and film from Malaysia, Crime fiction and film from New Zealand, Crime fiction and film from Scandinavia, Crime fiction and film from Singapore, Crime fiction and film from South Korea, Crime fiction and film from Thailand, Crime fiction and film from the Philippines, Crime Fiction and film set in Vietnam, Crime film, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, David Goodis, David Peace, David Whish-Wilson, Derek Raymond, Diana Dors, Dirk Bogarde, Don Siegel, Don Winslow, Donald Westlake aka Richard Stark, Dystopian cinema, Ernest Borgnine, Eurocrime, Fawcett Gold Medal Books, Femme fatale, Fernando Di Leo, Filipino genre films, Film Noir, Forgotten Melbourne, French cinema, French crime fiction, Garry Disher, Gene Hackman, George V Higgins, Georges Simenon, Ghost Money, Giallo cinema, Gil Brewer, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Gloria Grahame, Gold Star Publications, Gregory Peck, Gunshine State, Heist films, Horror, Horwitz Publications, Humphrey Bogart, Ian Fleming, Interviews, Ira Levin, James Caan, James Crumley, James Ellroy, James Hadley Chase, James Woods, Jim Brown, Jim Thompson, Joel Edgerton, John Frankenheimer, Joseph Losey, Karen Black, Kerry Greenwood, Kinji Fukasaku, Larry Kent, Lee Marvin, Leigh Redhead, Lindy Cameron, M Emmet Walsh, Mad Max, Mafia, Malla Nunn, Martin Limon, Megan Abbott, Melbourne International Film Festival, Melbourne Writers Festival, Men's Adventure Magazines, Michael Caine, Michael Fassbender, Mickey Spillane, Monarch Books, Ned Kelly Awards, Neo Noir, New English Library, Newton Thornburg, Noir Con, Noir fiction, Non-crime reviews, Oren Moverman, Orphan Road, Ozsploitation, Pan Books, Parker, Paul Newman, Peter Boyle, Peter Strickland, Peter Yates, Poliziotteschi, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Qui Xiaolong, Raymond Chandler, Richard Burton, Richard Conte, Robert Aldrich, Robert Mitchum, Robert Ryan, Robert Stone, Rock Hudson, Roger Smith, Rollerball, Rosaleen Norton, Roy Scheider, Rural noir, Sam Levene, Sam Peckinpah, Samuel Fuller, Science fiction and fantasy, Scripts Publications, Sidney Lumet, Sidney Poitier, Simon Harvester, Snowtown, Snubnose Press, Spies, Stanley Baker, Sterling Hayden, Steve McQueen, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, Stuart Rosenberg, Tandem Books, Tart noir, Tartan Noir, Ted Lewis, Toni Johnson Woods, True crime, Vicki Hendricks, Victor Mature, Vintage mug shots, Vintage pulp paperback covers, Wallace Stroby, War film, Westerns, William Friedkin, Woody Strode, Yakuza films, Yaphet Kotto
Register for on-line NoirCon 2022
Those of you who have been following my site for a while now may have seen me post about NoirCon previously. A celebration of all things noir in film, literature, art and anything else you care to mention, NoirCon was previously held as a face-to-face gathering in Philadelphia, but has been cancelled for the last few years, due to Covid and other problems.
Well, now it is back, this year as an online gathering.
NoirCon will take place Friday-Saturday, October 21-23, EST. Virtual NoirCon 2022 will be held on the Accelevents platform. An all-access pass covering the entire conference is $36. Registration includes access to the Accelevents platform for 30 days after the event, so attendees can re-watch events or catch up on panels they missed.
NoirCon is hands down the best literary/arts festival I have attended. The exact program is not live yet but whatever the fevered mind of NoirCon organiser Lou Boxer has dreamt up in terms of a program, I have no doubt it’ll be good, including new events and events that would have been held in previous cancelled versions of the program. So if you have any interest in noir at all and are able to make the time zone work for you, you should definitely register at this link.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Asian noir, Australian noir, Crime fiction, Crime film, David Goodis, Femme fatale, Film Noir, French cinema, Heist films, Neo Noir, Noir Con, Noir fiction, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp paperback cover art, Tart noir, Tartan Noir, True crime
Tagged Halley Sutton, Lou Boxer, Nikki Dolson, noir art, Noir Con 2022, noir fiction, noir film, NoirCon, Richie Narvaez, Scott Adlerberg
Tartan Noir panel on ABC TV Big Ideas
A quick heads up that the session on Tartan Noir I chaired at the 2013 Melbourne Writers Festival is now available for viewing at ABC TV Big Ideas.
The session features two great Scottish crime writers, Doug Johnstone and Liam Mcilvanney.
We covered a lot of territory in our allotted hour, including what, if anything, ‘Tartan noir’ means, the history of Scottish crime writing, and the upcoming 2014 referendum on independence and its implications for the arts in Scotland.
The program will be shown at the following times (in Australia):
Today (Tuesday 17th September) on ABC1 at 11am.
Saturday 21st September on ABCNEWS24 at 12 midnight.
A shortened version on Saturday 21st September on ABCNEWS24 at 2.30pm. This will be repeated on Monday 23rd September at 5.30am on ABCNEWS24.
The program will also be available on iview (ABC Online) after the program has aired here (although unfortunately this link is geo-blocked and can only be seen in Australia).
Or you can just catch the full web version here.
If you want more information, here is my review of Doug’s latest book, Gone Again, and Liam’s latest work, Where the Dead Men Go.… Read more
Posted in Tartan Noir
Tagged Doug Johnstone, Liam Mcilvanney, Melbourne Writers Festival 2013, Tartan noir
In conversation with Scottish crime writer Stuart MacBride
Hot on the heels of last weekend’s Tartan noir panel at the Melbourne Writers Festival, comes news another Scottish crime writer will be visiting our city.
Best selling author Stuart MacBride will be in Melbourne next week.
MacBride is the author of several books featuring DS Logan McRae, as well as a number of stand-alone novels. His latest McRae novel, Close to the Bone has been released.
I’ll be in conversation with MacBride at Reader’s Feast Bookstore next Tuesday, September 3 at 6.30pm. Readers Feast is located at 162 Collins Street, Melbourne.
It’ll be MacBride’s only Melbourne appearance. Tickets are $6 and bookings are essential. E-mail readers@readersfeast.com.au
Hope to see you there.… Read more
Posted in Crime fiction, Tartan Noir
Tagged Close to the Bone, Readers Feast Bookstore, Stuart MacBride