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Category Archives: Crime fiction and film from South Korea
Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
After much thought I have decided that to experiment with moving the focus of my blogging from this site to a new Pulp Curry Substack newsletter.
Why am I doing this?
The first post on this website appeared on July 2010 (about the incredibly underrated 1979 Australian heist film, Money Movers – you can read the post here). I’ve been writing on the site with varying frequency ever since (579 posts in all), and for the most part have enjoyed it immensely.
But for the last 12 or so months I just haven’t been feeling it – or getting the hits to make it seem worthwhile – and have started to wonder whether it’s worth continuing with the effort. Posting on a website has been starting to feel like the equivalent of trying to read a broadsheet newspaper in a crowded tram carriage, unwieldy and inconvenient.
And, thinking about it, I suspect the blog format is starting to get a bit stale for me and is actually now a brake on my posting more regularly.
I know that I’m no Robinson Crusoe in this regard. The majority of the blogs I used to follow have gradually fallen by the wayside, as people have moved on, grown weary of the effort, found other interests, adopted other means to get their message out, or, in some cases (gulp), died.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Adrian McKinty, Albert Dekker, Andre De Toth, Angela Savage, Angie Dickinson, Anthony Zerbe, Asian noir, Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian pulp fiction, Australian television history, Ava Gardner, Beat culture, Belmont Tower Books, Ben Wheatley, Billie Whitelaw, Black pulp fiction, Blaxsploitation, Book cover design, Book Reviews, British crime cinema, British pulp fiction, Bryan Brown, Burt Lancaster, Carter Brown, Charles Durning, Charles Willeford, Chester Himes, Christopher G Moore, Christopher Lee, Cinema culture, Claude Atkins, Coronet Books, Crawford Productions, Crime Factory, Crime Factory Publications, Crime fiction, Crime fiction and film from Africa, Crime fiction and film from Cambodia, Crime fiction and film from China, Crime fiction and film from India, Crime fiction and film from Indonesia, Crime fiction and film from Japan, Crime fiction and film from Laos, Crime fiction and film from Latin and Central America, Crime fiction and film from Malaysia, Crime fiction and film from New Zealand, Crime fiction and film from Scandinavia, Crime fiction and film from Singapore, Crime fiction and film from South Korea, Crime fiction and film from Thailand, Crime fiction and film from the Philippines, Crime Fiction and film set in Vietnam, Crime film, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, David Goodis, David Peace, David Whish-Wilson, Derek Raymond, Diana Dors, Dirk Bogarde, Don Siegel, Don Winslow, Donald Westlake aka Richard Stark, Dystopian cinema, Ernest Borgnine, Eurocrime, Fawcett Gold Medal Books, Femme fatale, Fernando Di Leo, Filipino genre films, Film Noir, Forgotten Melbourne, French cinema, French crime fiction, Garry Disher, Gene Hackman, George V Higgins, Georges Simenon, Ghost Money, Giallo cinema, Gil Brewer, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Gloria Grahame, Gold Star Publications, Gregory Peck, Gunshine State, Heist films, Horror, Horwitz Publications, Humphrey Bogart, Ian Fleming, Interviews, Ira Levin, James Caan, James Crumley, James Ellroy, James Hadley Chase, James Woods, Jim Brown, Jim Thompson, Joel Edgerton, John Frankenheimer, Joseph Losey, Karen Black, Kerry Greenwood, Kinji Fukasaku, Larry Kent, Lee Marvin, Leigh Redhead, Lindy Cameron, M Emmet Walsh, Mad Max, Mafia, Malla Nunn, Martin Limon, Megan Abbott, Melbourne International Film Festival, Melbourne Writers Festival, Men's Adventure Magazines, Michael Caine, Michael Fassbender, Mickey Spillane, Monarch Books, Ned Kelly Awards, Neo Noir, New English Library, Newton Thornburg, Noir Con, Noir fiction, Non-crime reviews, Oren Moverman, Orphan Road, Ozsploitation, Pan Books, Parker, Paul Newman, Peter Boyle, Peter Strickland, Peter Yates, Poliziotteschi, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Qui Xiaolong, Raymond Chandler, Richard Burton, Richard Conte, Robert Aldrich, Robert Mitchum, Robert Ryan, Robert Stone, Rock Hudson, Roger Smith, Rollerball, Rosaleen Norton, Roy Scheider, Rural noir, Sam Levene, Sam Peckinpah, Samuel Fuller, Science fiction and fantasy, Scripts Publications, Sidney Lumet, Sidney Poitier, Simon Harvester, Snowtown, Snubnose Press, Spies, Stanley Baker, Sterling Hayden, Steve McQueen, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, Stuart Rosenberg, Tandem Books, Tart noir, Tartan Noir, Ted Lewis, Toni Johnson Woods, True crime, Vicki Hendricks, Victor Mature, Vintage mug shots, Vintage pulp paperback covers, Wallace Stroby, War film, Westerns, William Friedkin, Woody Strode, Yakuza films, Yaphet Kotto
My 2014 Melbourne International Film Festival top ten
The Melbourne International Film Festival (MIFF) kicks off in few days. As usual, there’s a packed program full of cinematic goodness. If you’re wanting to check some films out but are stumped as to what to see, here’s my ten picks.
Sorcerer, 1977
The newly remastered print of Sorcerer, William Freidkin’s 1977 homage to Henri-Georges Clouzot’s 1953 classic, The Wages of Fear, is up there as one of my top MIFF picks for the festival. The story is about a group of four men, each of them on the run from various sins committed in their past life, who are hired to transport a truck load of volatile dynamite across an incredibly hostile stretch of Central American jungle. Freidkin may be better known as the director of The French Connection (1971) and The Exorcist (1973) but this hard boiled slice of pure cinematic noir is, in my opinion, his best film.
Electric Boogaloo: The Wild Untold Story of Cannon Films – 2014
I really enjoyed Mark Hartley’s documentaries, Not Quite Hollywood (2008), about Australia’s Ozsploitation film scene, and Machete Maidens Unleashed (2010), his look at American film making in the Philippines in the seventies and eighties, so expectations are high for this one. Electric Boogaloo is the story of Cannon Films, the Hollywood B-studio responsible for such cinema gems as Lifeforce (1985) and the pre-Rambo, Rambo film, Missing In Action (1984).… Read more
Posted in Crime fiction and film from China, Crime fiction and film from South Korea, Crime film, Melbourne International Film Festival, True crime
Tagged 2014, A Hard Day (2014), Alejandro Jodorowsky, Black Coal, Concerning Violence (2014), Don't Think I've Forgotten (2014), Dune, Electric Boogaloo: The Wild Untold Story of Cannon Films (2014), Frank Herbert, Jodorowsky's Dream, Mark Hartley, Not Quite Hollywood (2008), Phase IV (1974) Saul Bass, Sorcerer, The Exorcist (1973), The French Connection (1971), The Legend Maker (2014), Thin Ice (2014), Whitey: The United States of America v. James Buglar (2014), William Freidkin
South Korean cinema influences
Today, I’m very happy to welcome Chris Irvin to Pulp Curry.
Chris is a short story writer, one of the editors of the great short fiction site, Shotgun Honey, and the author of the recently released novella, Federales. Federales is about a Mexican federal agent, drugs, and politics. It’s on my to-read list and I’m pretty certain it should be on yours, too.
Chris wanted to write about how South Korean crime cinema has influenced his own crime writing. Welcome Chris.
And by the way, if you are interested in winning a copy of the Federales e-book, just leave a comment on this post. I’ll pick a winner from among them a little later in the week.
Perhaps like many fans of South Korean (Korean) Cinema, I was first introduced through Park Chan Wook’s Oldboy (2003), a brutal revenge tale adapted from a Japanese manga.
Revenge is central to many Korean thrillers Oldboy, Sympathy for Lady Vengeance (2005) Sympathy For Mr Vengeance (2002), I Saw the Devil (2010), Bittersweet Life (2005), etc.
But take a step back and look at the common themes that set Korean films apart from their American cousins, and what I find inspiring and influential to my writing.
I find many themes and layers of Korean cinema to be fascinating, especially those informed/influenced by Korean history/society, but for the sake of brevity I’ll focus on three:
The Dysfunctional Family – The dysfunctional family bands together to defeat the foreign menace and overcome its own natural flaws.… Read more
Posted in Crime fiction and film from South Korea, Crime film
Tagged A Company Man (2012), Beat to a Pulp, Bittersweet Life (2005), Christopher Irvin, Federales, I Saw the Devil (2010), Memories of Murder (2003), Oldboy (2003), Pieta (2012), Shotgun Honey, South Korean crime cinema, Sympathy for Lady Vengeance (2005), Sympathy For Mr Vengeance (2002), The Chaser (2008), The Good The Bad The Weird (2008), The Host (2006), The Yellow Sea (2010)
Great crime reads set in Asia
Okay, I’ve sat patiently through the hype about Scandinavian crime fiction, which shows no sign of ending, only to read recently that the next big thing in crime fiction is central Europe.
I keep thinking people will eventually discover Asia as a fascinating place to set crime fiction, but it looks like I’ll have to keep on waiting on that score.
Not that there aren’t some great crime reads set in the region. A few weeks ago I wrote the following post on some of my favourites for the site, Crime Fiction Lover. One book I could’ve included but didn’t was David Peace’s Tokyo Year Zero. One CFL reader suggested the books of Seicho Matsumoto. I’d live to hear other suggestions as I’m sure there are heaps more.
Jade Lady Burning – Martin Limon
Low profile crime writer Martin Limon has so far written six books featuring Sueno and Bascom, officers in the Criminal Intelligence Division of the US military based in South Korea, and a seventh is on the way.
Jade Lady Burning was the first of the series, written in 1992, and for my money it’s still one of the best. Sueno and Bascom are assigned to investigate the brutal murder of a local prostitute which turns into something much more sinister.… Read more
Posted in Angela Savage, Christopher G Moore, Crime fiction, Crime fiction and film from Cambodia, Crime fiction and film from China, Crime fiction and film from South Korea, Crime fiction and film from Thailand, Don Winslow, Martin Limon
Tagged Angela Savage, Cheng Cao, Christopher G Moore, Crime fiction set in Asia, David Peace, Diane Wei, Don Winslow, Jade Lady Burning, Martin Limon, Mei Wang, Qiu Xialong, Satori, Shibumi, The Half-Child, Tokyo Year Zero, Trevanian, Vincent Calvino, Zero Hour in Phnom Penh
Report back from the Korean Film Festival in Australia
I’ve been meaning to report back for a while now on the Korean Film Festival in Australia, which recently took place in Melbourne and Sydney (and to thank the organisers for the media pass – thanks).
The two films I managed to catch in the Melbourne program where LEE Joeng-beom’s The Man From Nowhere and Jang Hun’s Secret Reunion, the number one and two box office hits in South Korea respectively in 2010.
I would have made it three films, but for some reason Ryoo Seung-wan’s The Unjust only played in the Sydney part of the program.
That a film like The Man From Nowhere did so well with South Korean audiences fascinates me. It’s a standard revenge flick, but it also contains a pretty staggering body count and a sub plot in which children are kidnapped to work in an illegal drug laboratory and then harvested for their organs when they can’t perform their duties any longer (that said what would a South Korean audience make of the popularity of Animal Kingdom, one of the highest grossing Australian made films in 2010?).
A solitary pawnshop owner, Won Bin (played by Cha Tae-sik) gets sucked into bloody feud between two rival gangs of drug traffickers, when the junkie mother of a little girl he has befriended in his apartment building leaves stolen heroin in a camera she pawns to him.… Read more