Category Archives: 1970s American crime films

When You Comin’ Back, Red Ryder

Red Ryder poster

This week I’d like to welcome someone to the site who knows more about seventies popular culture that many people have forgotten, Melbourne’s own maestro of pulp sleaze, John Harrison.

I recently managed to catch the very rare 1979 Milton Katselas film, When You Comin’ Back Red Ryder. I was keen to review it for Pulp Curry, but doing a bit of research I stumbled across this piece by John that really says everything there is to say about this lost classic and more. John was nice enough to allow me to reprint it in full on my site.

Like John, I first caught the film on late night television in the eighties and it’s fascinated me ever since. I’m thrilled to be able to post such a comprehensive piece about it on Pulp Curry.

The review originally appeared on Harrison’s own excellent site, Sin Street Sleaze. It’s a great resource on horror and grindhouse movies, as well as John’s own unique brand of pop culture observation.

Welcome John.

Based on a stage play by Mark Medoff (who also penned the screenplay for this cinematic adaptation), When You Comin’ Back, Red Ryder is a hard film to categorise. Social commentary, psychological thriller, dark character study, seedy grindhouse exploitation film – all of these are applicable, yet none of them seem wholly suitable.… Read more

M Emmet Walsh and Blood Simple

Walsh“Well Ma’am if I see him, I’ll sure give him the message.” 

The late Roger Ebert called it the “Stanton-Walsh Rule”. Any movie “featuring either Harry Dean Stanton or M.Emmet Walsh in a supporting role can’t be altogether bad”.

I’ve always liked Walsh as a character actor. But it was only when I recently re-watched the Cohen Bother’s Blood Simple after many year, that I realised just how on the money Ebert was.

Walsh plays a seedy PI called Loren Visser. Visser hired by a rich Texan bar owner, Julian (Dan Hedaya), to kill his wife, Abby (a very young Francis McDormand), who is cheating with one of Julian’s employees, Ray (John Getz).

If you haven’t seen Blood Simple, it won’t spoil your viewing pleasure too much if I tell you Visser kills Julian, tries to frame Abbey for the murder, and all manner of hell is unleashed.

On one level, Blood Simple comes across as a fairly standard small town film noir. Characters chase their own shadows and do very bad things in an effort to extract themselves from an increasingly fraught and dangerous situation.

What really raises it about the pack of similar films is the Cohen brother’s signature brand of dark weirdness, which managers to be both restrained and shocking. … Read more

Warren Oates, Gloria Grahame & other subjects for fiction anthologies

OatesThe recent release of Crime Factory’s LEE, an anthology of crime fiction inspired by the life of iconic actor Lee Marvin, has got me thinking about who else would be a good subject for similar treatment.

There’s already been a bit of chatter on Twitter about other actors people would like to see as the subject of their own fictional anthology, and several authors have contacted me with ideas.

There are only two criteria involved I can think of in choosing a subject.

First, the subject concerned has got to be deceased, preferably passed a while ago. It’s just too complex, legally and other ways to do an anthology based on someone living.

Second, there’s got to be something about them. Not just an interesting body of cinematic work and an interesting life, but an ongoing cultural resonance or zeitgeist that sets them apart from other actors and allows crime writers discuss broader issues.

Here are my picks for actors I think would be good subjects. And I should stress, these are just my musings and in no way reflect what Crime Factory will do in the future.

That said, you never know….

Warren Oates

There’s already been a bit of social media chatter about the possibility of a Warren Oates inspired anthology.… Read more

The heist always goes wrong, part 2: reader picks and other favourite heist movies

ST 2My recent post The heist always goes wrong – ten of the best heist movies ever made, generated some great reader feedback. The best thing about the response was that it pointed me in the direction of a number heist films I hadn’t seen or that I need to revisit.

Based on your comments and the thoughts I’ve had on the subject since the original post, here are follow up list of other films that could be included in a best of heist films list (and my shameless editorialising regarding what I think about the merits of not of them).

Straight Time (1978)

A huge thanks to West Australian crime writer David Whish Wilson for alerting me to Straight Time, which I’d seen previously but forgotten. Dustin Hoffman plays a career criminal just out of prison, trying to stay on the right side of his ball breaking parole officer, masterfully played by one of my screen heroes, M. Emmet Walsh, and avoid the temptation of re-offending.

Straight Time is based on the book No Best So Fierce, by real life con Edward Bunker (who has a small role in the film). Everything about this film works, the script, the down at heel late seventies feel, the cast, which includes Theresa Russell, Gary Busey, Kathy Bates and Harry Dean Stanton.… Read more

The heist always goes wrong, part 1: ten of the best heist movies ever made

asphalt01I love a good heist film.

I love the genius and intricacy of their plots and the variations they come in, whether it be the all star team assembled for a job or the desperate ex-cons trying for one last score.

But most of all I love them because of the golden rule of all good heist films – for whatever reason, the heist always goes wrong.

What do you need for a good heist?

You need a plan for actual heist itself, the getaway, and moving, storing and fencing whatever it is you’ve stolen. The more complicated the plan, the more likely it is that something will go wrong.

You need a crew of people; one man or woman alone cannot do a heist. This introduces the human element and all the problems that come with it, the greed, suspicions, jealousies and uncertainties.

I’ve been thinking for a while now about what my top ten-heist films would be and the following list, in no particular order, is it.

The robbery itself is almost immaterial to how I rate a good heist film. What I like is the context and atmosphere in which the heist takes place and inevitable problems that arise after it’s been pulled off. And the darker and more broken things get, the better the film is in my book.… Read more