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Nothing but noir
Recommended reading
The lurid world of pulp
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Category Archives: Robert Stone
Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
After much thought I have decided that to experiment with moving the focus of my blogging from this site to a new Pulp Curry Substack newsletter.
Why am I doing this?
The first post on this website appeared on July 2010 (about the incredibly underrated 1979 Australian heist film, Money Movers – you can read the post here). I’ve been writing on the site with varying frequency ever since (579 posts in all), and for the most part have enjoyed it immensely.
But for the last 12 or so months I just haven’t been feeling it – or getting the hits to make it seem worthwhile – and have started to wonder whether it’s worth continuing with the effort. Posting on a website has been starting to feel like the equivalent of trying to read a broadsheet newspaper in a crowded tram carriage, unwieldy and inconvenient.
And, thinking about it, I suspect the blog format is starting to get a bit stale for me and is actually now a brake on my posting more regularly.
I know that I’m no Robinson Crusoe in this regard. The majority of the blogs I used to follow have gradually fallen by the wayside, as people have moved on, grown weary of the effort, found other interests, adopted other means to get their message out, or, in some cases (gulp), died.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Adrian McKinty, Albert Dekker, Andre De Toth, Angela Savage, Angie Dickinson, Anthony Zerbe, Asian noir, Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian pulp fiction, Australian television history, Ava Gardner, Beat culture, Belmont Tower Books, Ben Wheatley, Billie Whitelaw, Black pulp fiction, Blaxsploitation, Book cover design, Book Reviews, British crime cinema, British pulp fiction, Bryan Brown, Burt Lancaster, Carter Brown, Charles Durning, Charles Willeford, Chester Himes, Christopher G Moore, Christopher Lee, Cinema culture, Claude Atkins, Coronet Books, Crawford Productions, Crime Factory, Crime Factory Publications, Crime fiction, Crime fiction and film from Africa, Crime fiction and film from Cambodia, Crime fiction and film from China, Crime fiction and film from India, Crime fiction and film from Indonesia, Crime fiction and film from Japan, Crime fiction and film from Laos, Crime fiction and film from Latin and Central America, Crime fiction and film from Malaysia, Crime fiction and film from New Zealand, Crime fiction and film from Scandinavia, Crime fiction and film from Singapore, Crime fiction and film from South Korea, Crime fiction and film from Thailand, Crime fiction and film from the Philippines, Crime Fiction and film set in Vietnam, Crime film, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, David Goodis, David Peace, David Whish-Wilson, Derek Raymond, Diana Dors, Dirk Bogarde, Don Siegel, Don Winslow, Donald Westlake aka Richard Stark, Dystopian cinema, Ernest Borgnine, Eurocrime, Fawcett Gold Medal Books, Femme fatale, Fernando Di Leo, Filipino genre films, Film Noir, Forgotten Melbourne, French cinema, French crime fiction, Garry Disher, Gene Hackman, George V Higgins, Georges Simenon, Ghost Money, Giallo cinema, Gil Brewer, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Gloria Grahame, Gold Star Publications, Gregory Peck, Gunshine State, Heist films, Horror, Horwitz Publications, Humphrey Bogart, Ian Fleming, Interviews, Ira Levin, James Caan, James Crumley, James Ellroy, James Hadley Chase, James Woods, Jim Brown, Jim Thompson, Joel Edgerton, John Frankenheimer, Joseph Losey, Karen Black, Kerry Greenwood, Kinji Fukasaku, Larry Kent, Lee Marvin, Leigh Redhead, Lindy Cameron, M Emmet Walsh, Mad Max, Mafia, Malla Nunn, Martin Limon, Megan Abbott, Melbourne International Film Festival, Melbourne Writers Festival, Men's Adventure Magazines, Michael Caine, Michael Fassbender, Mickey Spillane, Monarch Books, Ned Kelly Awards, Neo Noir, New English Library, Newton Thornburg, Noir Con, Noir fiction, Non-crime reviews, Oren Moverman, Orphan Road, Ozsploitation, Pan Books, Parker, Paul Newman, Peter Boyle, Peter Strickland, Peter Yates, Poliziotteschi, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Qui Xiaolong, Raymond Chandler, Richard Burton, Richard Conte, Robert Aldrich, Robert Mitchum, Robert Ryan, Robert Stone, Rock Hudson, Roger Smith, Rollerball, Rosaleen Norton, Roy Scheider, Rural noir, Sam Levene, Sam Peckinpah, Samuel Fuller, Science fiction and fantasy, Scripts Publications, Sidney Lumet, Sidney Poitier, Simon Harvester, Snowtown, Snubnose Press, Spies, Stanley Baker, Sterling Hayden, Steve McQueen, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, Stuart Rosenberg, Tandem Books, Tart noir, Tartan Noir, Ted Lewis, Toni Johnson Woods, True crime, Vicki Hendricks, Victor Mature, Vintage mug shots, Vintage pulp paperback covers, Wallace Stroby, War film, Westerns, William Friedkin, Woody Strode, Yakuza films, Yaphet Kotto
10 underappreciated American neo-noirs of the early 1970s
The domestic blowback of the Vietnam War. The sleaze and corruption of Watergate. The incipient rollback of the counterculture and many gains of the 1960s. Economic recession. The upheaval and uncertainty in the 1970s may have been tough on America’s collective psyche, but it resulted in some incredibly good crime cinema, particularly prior to Jaws in 1975, which helped to usher in the culture of the cinematic blockbuster.
And while I will happily admit to being a due paying member of the First-half-of-the-1970s-was-a-great-period-of-American-crime-cinema-fan-club, it does strike me that we tend to focus on the same handful of films from this period over and over. Yes, The French Connection and Shaft (1971), The Godfather (1972), The Friends of Eddie Coyle and The Long Goodbye (1973), and Chinatown (1974), are all masterful neo noirs that in some way enlarged the culture’s notion of what crime cinema could be.
But the wellspring of American neo noir on the screen in the first half of the decade runs very deep, and it pays major viewing dividends to explore it more widely. My latest piece for the US site CrimeReads looks at ten underappreciated neo noirs from the first half of the seventies that are worth your time. You can read the piece in full on the CrimeReads site via this link.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, Anthony Zerbe, Blaxsploitation, Cinema culture, Crime film, Heist films, John Frankenheimer, Neo Noir, Noir fiction, Paul Newman, Robert Stone, Stuart Rosenberg, Yaphet Kotto
Tagged 1970s American crime films, Busting (1974), Harry in Your Pocket (1973), Neo Noir, Report to the Commissioner (1975), Save the Tiger (1973), The Day of the Wolves (1971), The Laughing Policeman (1973), The Nickel Ride (1974), Top of the Heap (1972), Wanda (1970), WUSA (1970)
Ten crime films about drug trafficking to see after The French Connection
In the process of researching and writing my latest piece for the CrimeReads site, on the real-life drug trafficking network that inspired William Friedkin’s ground-breaking 1971 crime film, The French Connection, I compiled a list of other movies directly or indirectly related to the film’s themes, the actual events that informed it, or that were influenced in some way by Friedkin’s classic. I didn’t have the space to include these details in my CrimeReads piece, but the list is below.
Panic in Needle Park (1971)
Around the same time that Popeye Doyle and Buddy Russo were pursuing Frog One through the winter streets of New York, The Panic in Needle Park was giving cinema goers a very different picture of the city’s heroin trade. Based on a 1966 novel and adapted for the screen by Joan Didion and John Gregory Dunn, Jerry Schatzberg’s film is an incredibly downbeat look at the trouble romance between two denizens of New York’s heroin scene, young addict, Helen, the very underrated Kitty Winn, and small-time dealer Bobby, played by Al Pacino. It has been a while since I’ve seen The Panic In Needle Park but from memory it depicts the full spectrum of drug scene related experiences, including police harassment, prostitution, and the chemical highs and lows of addiction.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Anthony Zerbe, Crime fiction and film from Thailand, Crime film, Gene Hackman, John Frankenheimer, Mafia, Poliziotteschi, Robert Stone, Sidney Lumet, Stuart Rosenberg, William Friedkin
Tagged Air America (1990), Dirty Harry (1971), Enzo G. Castellari, Fabio Testi, Gene Hackman, Hit (1973), Jerry Schatzberg, John Frankenheimer, Midnight Express (1978), Panic In Needle Park (1971), Prince of the City (1981), Roger Spottiswoode, The French Connection (1971), The French Connection II (1975), The Godfather (1972), The Heroin Busters (1977), Who'll Stop the Rain (1978), William Friedkin, Year of the Dragon (1985)
Blowback: late 1960s and 1970s pulp and popular fiction about the Vietnam War
If you are still on the fence about purchasing a copy of my new book, Sticking it to the Man: Revolution and the Counterculture in Pulp and Popular Fiction, 1950 to 1980, the site CrimeReads is running a couple of extracts from the book. The first is my piece, ‘Blowback: late 1960s and 1970s pulp and popular fiction about the Vietnam War’.
The conflict in Vietnam cast a long shadow over pulp and popular fiction in the late 1960s and the 1970s. Vietnam veterans were hunted by small town redneck police in David Morrell’s 1972 novel, First Blood, dealt drugs in Vern E Smith’s The Jones Men, and staged an abortive bank heist in Dog Day Afternoon, both published in 1974. In the Lone Wolf series ex-New York cop and Vietnam veteran, Burt Wulff mounted a fourteen-book battle from 1973 to 1975 against the drug dealing criminal organisation, ‘The Network’, in which he treated the streets of America’s major cities as an extension of jungles of Southeast Asia. Vietnam was the training ground for many of the characters that populated men’s adventure and crime pulp in the 1970s. More broadly, Vietnam’s traumatic impact on American society would become a cypher through which pulp and popular fiction name checked cultural fragmentation, growing disillusionment with the American dream, dishonest and unaccountable government and corporations, and the power of the military industrial complex.… Read more
Posted in 1970s American crime films, 1980s American crime films, Asian noir, Australian crime fiction, Australian noir, Belmont Tower Books, Black pulp fiction, Blaxsploitation, Book cover design, Crime Fiction and film set in Vietnam, Crime film, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp paperback cover art, Robert Stone, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
Tagged CrimeReads, David Morrell, Dog Day Afternoon, First Blood (1972), Pulp and popular fiction about Vietnam, Pulp fiction in Asia, Sticking it to the Man: Revolution and the Counterculture in Pulp and Popular Fiction 1950 to 1980, Vietnam War
My top 10 books of 2015
It’s time for my annual top 10 reads for the year. In no particular order they are as follows:
Bad Penny Blues, Cathi Unsworth
Bad Penny Blues kicks off in London in the early 1960s. A young police constable finds the body of a murdered prostitute. His subsequent investigation into the crime and similar murders, spanning the better part of a decade, propels him into the heart of the city’s Soho vice district. Interspersed with this is the story of a young and up and coming fashion designer, Stella, who is plagued by nightmares about dead women.
The fact I found this book a pinch too long didn’t detract from my enjoyment of it. Bad Penny Blues is a solid piece of noir fiction and a great evocation of sixties London, taking in everything from the occult, teddy boys, bent cops, radical bohemians and debauched upper class aristocrats.
The Tattoo Murder Case, Akimitsu Takagi
First published, albeit in a slightly different form, in 1948, a young forensic medical student with post-traumatic stress after a stint as a medic in the Philippines begins a passionate affair with a beautiful woman who is covered with strange, sexually alluring traditional Japanese tattoos. Soon after the affair begins, she is murdered, dismembered and her tattooed torso stolen from the scene of the crime.… Read more
Posted in Australian noir, Book Reviews, Crime fiction, Crime fiction and film from Japan, Crime Fiction and film set in Vietnam, Robert Stone, Science fiction and fantasy
Tagged Akimitsu Takagi, American Pulp: How Paperbacks Brought Modernism to Main Street, Arkady and Boris Strugatsky, Bad Penny Blues, Candice Fox, Cathi Unsworth, Dog Soldiers, Don Carpenter, erent Vice, Hades, Hard Rain Falling, Mark Dapin, Paula Rabinowitz, R&R, Roadside Picnic, Robert Stone, The Secret Speech, The Tattoo Murder Case, Thomas Pynchon, Tim Robb Smith