Category Archives: Pulp paperback cover art

Pulp Friday: passion pits and twilight zones, Kings Cross pulp fiction

The Deserters“A startling and authentic story of wartime Sydney when the American ‘invasion’ turned Kings Cross into a passion pit of vice and black marketing.”

Earlier this week I reviewed Louis Nowra’s terrific social history Kings Cross A Biography for the Overland Journal website.

Kings Cross has always had a particular place in our popular imagination as Australia’s capital of sin, sleaze and crime.

The terrific 1995 television mini-series Blue Murder and the not-so-wonderful Underbelly: Razor and Underbelly: The Golden Mile all did their bit to maintain this unsavoury reputation.

In the sixties and early seventies, Kings Cross was also a favourite setting for locally published pulp novels.

As I have discussed many times on this site, pulp fiction is a warped reflection of mainstream society, its illicit desires, fears and fascinations. Thus it was with pulp’s depiction of the Cross as a virtual Sodom and Gomorrah of sex, gambling, crime and human depravity of every description.

Wild youth gangs, criminal syndicates, black magic, pulp took all of these and turned them into portable, pocket sized key pieces of key hole voyeurism. From a publishing perspective they sold a bomb to punters eager for vicarious thrills and a peek of the dark goings on in the Cross.

Nowra’s book didn’t touch on this this particular aspect of Kings Cross’s hold on our popular imagination.… Read more

Pulp Friday: Night Squad by David Goodis

Night Squad“They gave him back his badge – and sent him down into the brutal throbbing heart of the slums.”

The first Pulp Friday for 2014 needs no introduction, Night Squad by the legendary US noir writer, David Goodis.

The cover above is from the first printed edition of the book, by Gold Medal Books in 1961.

I love the seamy noir atmosphere created by this cover. I also love the back cover blurb:

“The loneliest man on earth.

The Night Squad wanted Corey on its team, and the racket boys wanted him, too.

The trouble was that Corey wanted them both. But the cops had offered Corey only a badge, while Walter Grogan had bribed him with big money. Both sides were brutal, both knew as much about the slums as the rats infesting it. And Corey Bradford walked a tightrope between them, not knowing whether the man who smiled at him one day would be aiming a bullet at his head the next.”

Enjoy.

Read more

My year in books

InfamyWill I ever come to the end of a year without the feeling I haven’t read nearly as much as I should have?

Unlike other years I’ve at least got a clear list in terms of my top five reads for 2013.

Here they are.

Infamy, Lenny Bartulin

Infamy is set in 1830s Tasmania. British mercenary William Burr is hired by the colonial government of Van Diemen’s Land to track down an escaped convict, Brown George Coyne. While Burr may be the hero of the novel, if one exists, Coyne and his Indigenous ‘wife’, Black Betty, steal the story. Coyne is a terrifying creation, a former convict, psychopath and cannibal, also a revolutionary working to unite a motley crew of escaped convicts with what’s left of the island’s Indigenous population, to overthrow the colonial government and rule as a self styled king of Van Diemen’s Land. 

Infamy is a superbly rendered piece of historical fiction, a dark, almost noir crime story, and a unique and unashamedly Australian take on the western. Possibly my best read of 2013.

Generation Loss, Elizabeth Hand

Cass Neary made her name in the seventies as a photographer of what was then the burgeoning New York punk movement. Thirty years later she’s a washed up, semi-alcoholic mess, when out of the blue, an old acquaintance gives her an assignment to track down a famous and reclusive photographer living on a remote island of the coast of Maine.… Read more

Pulp Friday: What Now My Love and the Tao of counter cultural pulp fiction

What Now My LoveThe counter culture and protest politics of the late sixties and early seventies resulted in some fascinating pulp fiction.

A good example is What Now My Love by Floyd Salas, published by Grove Press in 1969.

I’ve been thinking a lot lately about how one defines ‘pulp fiction’. As a general rule, pulp is understood to be anything that involves fast writing and that was not meant to last. The transitory nature of pulp can be seen in a literary sense, books not deemed part of our literary heritage, as well as the physical nature of the product, the cheap paper it was printed on, the often poor binding, etc.

I have a number of problems with this definition, not least of which is a suspicion of how ‘literature’ is defined by mainstream critics.

But that’s for another post.

The ‘what is pulp’ discussion is particularly interesting in the context of the sixties and early seventies. It was a time when publishers embraced subjects relating to the counter cultural and radical politics, and the distinction between high and low brow culture began to fragment.

Most obvious pulp books about the counter culture were produced by writers trying to cash in on the salacious headlines and mainstream angst generated by bikers, beats, hippies, drug use, ‘free love’, etc.… Read more

Pulp Friday: prison pulp

The Ninth Hour“Gripping novel about a jailbreak – The bloody, death filled minutes while a murderous convict holds all the state of Massachusetts at bay.”

Jail breaks, prison life, men and woman wrongly convicted and languishing in hell hole jails, all these were popular themes in cinema in the fifties, sixties and early seventies. They were also popular topics for pulp fiction.

Exhibit A is this selection of prison pulps from my collection.

Between them, these books cover off on all the main themes associated with prison pulp.

There are tension filled jail breaks in Billy Braggs and The Ninth Hour (“Three desperate prisoners, armed with smuggled .45’s, were holed up in the Isolation Cell Block, with two guards as hostages”).

Wrongfully convicted men feature in The Fall of the Sparrow, Headed For the Hearse (“His address was Death Row and his lease was up in six days…”), and Patricia Highsmith’s The Glass Cell.

The travails of women behind bars, particularly their sensationalised sexual exploits, are the subject of the two Australian pulps represented below, The Lights of Skaro and Queen Rat (“From behind bars Dawn Arness ruled the lives of prisoners and guards alike. She was Queen Rat”).

Prison was particularly suited to my favourite sub-genre of pulp fiction, tabloid-style reporting dressed up as serious sociological inquiry.… Read more