Search
-
Recent Posts
- Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
- Book reviews: Deadly dames, midcentury Brit pulp and 1970s science fiction
- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
- Orphan Road book launch
- Orphan Road now available
- Pre-orders open for my new novel, Orphan Road
- Cover reveal: Orphan Road, my follow up to Gunshine State
- Breakfast in the Ruins podcast: New English Library Bikermania
- Why 1973 was the year Sidney Lumet took on police corruption
- Men’s Adventure Quarterly: Gang Girls issue
Categories
- 1960s American crime films
- 1970s American crime films
- 1980s American crime films
- 1990s American crime films
- Adrian McKinty
- Albert Dekker
- Andre De Toth
- Angela Savage
- Angie Dickinson
- Anthony Zerbe
- Asian noir
- Australian crime fiction
- Australian crime film
- Australian noir
- Australian popular culture
- Australian pulp fiction
- Australian television history
- Ava Gardner
- Beat culture
- Belmont Tower Books
- Ben Wheatley
- Billie Whitelaw
- Black pulp fiction
- Blaxsploitation
- Book cover design
- Book Reviews
- British crime cinema
- British pulp fiction
- Bryan Brown
- Burt Lancaster
- Carter Brown
- Charles Durning
- Charles Willeford
- Chester Himes
- Christopher G Moore
- Christopher Lee
- Cinema culture
- Claude Atkins
- Coronet Books
- Crawford Productions
- Crime Factory
- Crime Factory Publications
- Crime fiction
- Crime fiction and film from Africa
- Crime fiction and film from Cambodia
- Crime fiction and film from China
- Crime fiction and film from India
- Crime fiction and film from Indonesia
- Crime fiction and film from Japan
- Crime fiction and film from Laos
- Crime fiction and film from Latin and Central America
- Crime fiction and film from Malaysia
- Crime fiction and film from New Zealand
- Crime fiction and film from Scandinavia
- Crime fiction and film from Singapore
- Crime fiction and film from South Korea
- Crime fiction and film from Thailand
- Crime fiction and film from the Philippines
- Crime Fiction and film set in Vietnam
- Crime film
- Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985
- David Goodis
- David Peace
- David Whish-Wilson
- Derek Raymond
- Diana Dors
- Dirk Bogarde
- Don Siegel
- Don Winslow
- Donald Westlake aka Richard Stark
- Dystopian cinema
- Ernest Borgnine
- Eurocrime
- Fawcett Gold Medal Books
- Femme fatale
- Fernando Di Leo
- Filipino genre films
- Film Noir
- Forgotten Melbourne
- French cinema
- French crime fiction
- Garry Disher
- Gene Hackman
- George V Higgins
- Georges Simenon
- Ghost Money
- Giallo cinema
- Gil Brewer
- Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980
- Gloria Grahame
- Gold Star Publications
- Gregory Peck
- Gunshine State
- Heist films
- Horror
- Horwitz Publications
- Humphrey Bogart
- Ian Fleming
- Interviews
- Ira Levin
- James Caan
- James Crumley
- James Ellroy
- James Hadley Chase
- James Woods
- Jim Brown
- Jim Thompson
- Joel Edgerton
- John Frankenheimer
- Joseph Losey
- Karen Black
- Kerry Greenwood
- Kinji Fukasaku
- Larry Kent
- Laura Elizabeth Woolett
- Lee Marvin
- Leigh Redhead
- Lindy Cameron
- M Emmet Walsh
- Mad Max
- Mafia
- Malla Nunn
- Martin Limon
- Megan Abbott
- Melbourne International Film Festival
- Melbourne Writers Festival
- Men's Adventure Magazines
- Michael Caine
- Michael Fassbender
- Mickey Spillane
- Monarch Books
- Ned Kelly Awards
- Neo Noir
- New English Library
- Newton Thornburg
- Noir Con
- Noir fiction
- Non-crime reviews
- Oren Moverman
- Orphan Road
- Ozsploitation
- Pan Books
- Parker
- Paul Newman
- Peter Boyle
- Peter Corris
- Peter Strickland
- Peter Yates
- Poliziotteschi
- Pulp fiction
- Pulp fiction in the 70s and 80s
- Pulp fiction set in Asia
- Pulp Friday
- Pulp paperback cover art
- Qui Xiaolong
- Raymond Chandler
- Richard Burton
- Richard Conte
- Robert Aldrich
- Robert Mitchum
- Robert Ryan
- Robert Stone
- Rock Hudson
- Roger Smith
- Rollerball
- Rosaleen Norton
- Roy Scheider
- Rural noir
- Sam Levene
- Sam Peckinpah
- Samuel Fuller
- Science fiction and fantasy
- Scripts Publications
- Sidney Lumet
- Sidney Poitier
- Simon Harvester
- Snowtown
- Snubnose Press
- Spies
- Stanley Baker
- Sterling Hayden
- Steve McQueen
- Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
- Stuart Rosenberg
- Tandem Books
- Tart noir
- Tartan Noir
- Ted Lewis
- Toni Johnson Woods
- True crime
- Vicki Hendricks
- Victor Mature
- Vintage mug shots
- Vintage pulp paperback covers
- Wallace Stroby
- War film
- Westerns
- William Friedkin
- Woody Strode
- Yakuza films
- Yaphet Kotto
Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
- Comics Down Under
- Everything second hand
- Existential Ennui
- Greenleaf Classic Books
- Irv O. Neil's Erotica is My Trade
- Killer Covers
- Lost Classics of Teen Lit 1939-1989
- Luminist Archives
- Men's Pulp Mags
- Mporcius Fiction Log
- Murder, Mayhem and Long Dogs
- Neglected Books
- Nocturnal Revelries
- Paperback Warrior
- Paperbacks of the Gods
- Pop Sensation
- Pulp artists
- Pulp Covers
- Pulp Crazy
- Pulp Flakes
- Pulp International
- Pulp Magazines Project
- Pulp Serenade
- Realms of the Night
- Romance Fiction Has a History
- Rough Edges
- Sin Street Sleaze
- Spy Guys and Gals
- The department of Afro American Research Arts & Culture
- The Dusty Bookcase
- The Haunted World of Richard Sala
- The Moon Lens
- The Nick Carter & Carter Brown Blog
- The Pulp & Paperback Fiction Reader
- Too Much Horror Fiction
- True Pulp Fiction
- Vault of Horror
- Vintage Nurse Romance Novels
- Vintage Romance Novels
- Welcome to the Pan Paperback
- Yellow and Creased
Support This Site
If you like what I do please support me on Ko-fi
Category Archives: Pulp paperback cover art
Pulp Friday: The Tip
“A scorching novel of horse-racing and desperate men and exciting women and big gambler Johnny Broadway’s bid to parlay the killing of all time.”
Ray Slattery must rank as one of the most prolific of the in-house hacks employed by Australian pulp publisher Horwitz Publications in the sixties and early seventies.
He is also one about which the least is known. Despite his incredible output, very little information is available about him. Austlit credits him with 118 titles, including our featured book today, The Tip, published in 1965, but has no further biographic information about him.
His books cover all of Horwitz’s staple obsessions, including bikers, bondage, sleaze and sex books, war stories, surgeons and what I have seen referred to as “Nazi romance novels”, books with titles such as Camp of Terror (1963) and Women of Warsaw (1964), Buchenwald Hell (1967), Prisoner of Dachau (1967), Valley of Slaves (1967), to name but a few.
In addition to writing under his own name, he worked under at least six pseudonyms, including Roger Hunt, Frank O’Hara, Terry West, James Bent, Frank F Gunn and John Slater (the name he used for most of his sleaze and Nazi-themed pulp, of which he wrote 84).
There’s a little bit more information on Slattery here, as well as a full bibliography.… Read more
Pulp Friday: Notorious Women
“They were beautiful, dangerous and shocking – high voltage wantons who stopped at nothing to get their men.”
This week’s Pulp Friday, Notorious Women, is another offering from former clerk turned prodigious pulp hack, James Holledge.
Holledge, who has featured previously on this site, wrote approximately 45 books between 1961 and 1970. Most of these were heavily sensationalised, salacious examinations of social issues such as prostitution and the occult, which he dressed up as serious sociological expose.
Notorious Women, published in 1962 by Horwitz Publications, Australia’s premier pulp publisher in the fifties and sixties, is fairly typical of Holledge’s work. Purporting to be an examination of “a few of the Wantons of the World who have been branded forever as Notorious Women,” the boom is divided into 13 chapters.
These include ‘Wanton on the beach’ (“A reckless, sensation-seeking Bohemian, she had a mania for performing unrehearsed striptease dances”) and ‘Women with the serpent’s tongue’ (“The police actually feared this heartless hussy who was obsessed by money hunger”). But my favourite is ‘Edward who was really Ellen’ (“One of Australia’s most baffling sex masquerades was was finally exposed in startling circumstances”).
The one undeniable fact about Holledge’s books is that they sold, presumably to working stiffs eager for a few cheap thrills.… Read more
Pulp Friday: Newton Thornburg’s heist novel, Knockover
“The scheme was so perfect, the take was so big, you couldn’t ask for anything more-but one of them did.
I’ve got a little gem of a Pulp Friday today, the very rare Australian release of Newton Thornburg’s little known heist novel, Knockover.
Although he was a great success in the seventies, the peak period of his literary output, Thornburg kept a low profile in successive decades. So much so that when he died in 2011, it took a month before the first proper literary obituary appeared.
He is best known for the 1976 novel, Cutter and Bone. While I love the book and the 1981 movie version, Cutter’s Way (and which I reviewed on this site here), I have a preference for, To Die In California, a 1973 novel about a father’s investigation into the murder of his son in post-Summer of Love Los Angeles.
Knockover, Thornburg’s second book was originally published by Fawcett Gold Medal in 1968. Thornburg said he wrote Knockover explicitly with the hope of a movie sale in mind. Apparently the rights were optioned but nothing ever came of it. The story revolves around a former advertising executive, Cross, who puts together a team of criminals to pull off an armoured car robbery.… Read more
Posted in Australian pulp fiction, Crime fiction, Neo Noir, Newton Thornburg, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art
Tagged Cutter and Bone, Cutter's Way (1981), Eclipse Books, Knockover, Newton Thornburg, Seventies Australian pulp fiction, To Die In California
Pulp Friday: Avakoum Zahov Vs 07 and Soviet spy fiction
“A battle to the death between two crack Secret Agents of East and West!”
This week’s Pulp Friday is one of the strangest cultural artefacts to come out of Australian pulp publishing in the sixties, the spy thriller Avakoum Zahov vs 07 by Bulgarian author, Andrei Gulyashki.
While spies first came to prominence as popular culture figures during World War One, it was the first Bond novel, Casino Royale, published in 1953, that really kick-started the modern fascination with spies. A host of well known authors as well as a legion of lesser know writers and pulp imitators, all followed in Bond’s wake.
These days it’s easy to view Bond as little more than a clotheshorse with a few snappy lines of dialogue and a lot of high-tech gadgets, facing off against the latest embodiment of the West’s global fears.
But in the fifties and sixties, Bond was a blunt weapon in dinner suit whose sole purpose was to smash the West’s enemies. He was also the epitome of sexual and social permissiveness, licensed to kill and swing. The casual sex, alcohol consumption, fine living and travel to exotic destinations were all potent symbols of the West’s economic and cultural affluence in the sixties.
Not only were the Soviet authorities aware of the global popularity of James Bond, they saw him as a major propaganda coup for the West.… Read more
Posted in Horwitz Publications, Ian Fleming, Pulp fiction, Pulp Friday, Pulp paperback cover art, Scripts Publications, Spies, Vintage pulp paperback covers
Tagged Andrei Gulyashki, Avakoum Zahov vs 07, Casino Royale, Cold War Soviet era spy fiction, James Bond, Scripts Publications, Yulian Semyonov
Pulp Friday: the pulp of John D MacDonald
“He Sold His Soul For Another Man’s Wife.”
This weeks Pulp Friday is a selection of covers from the prolific US thriller writer, John D MacDonald.
MacDonald got his start writing for pulp magazines in the late forties, then rode the paperback boom that occurred in the fifties and early sixties. He was the author of over sixties books, as well as numerous short stories and articles.
He is probably best know for creating the fictional private investigator Travis McGee, who featured in 21 of McDonald’s books.
A number of his books have been adapted for film and television. His novel The Executioners was filmed as Cape Fear, starring Gregory Peck, Robert Mitchum and Polly Bergen, in 1962, and again by Martin Scorsese in 1991. One of the McGee books, Darker Than Amber, was made into a film of the same name, starring Rod Taylor, in 1970.
The following selection of covers spans the late fifties to the early seventies and include many of the Fawcett Gold Medal editions of McDonald’s work, as well as the UK Pan paperback additions.
Enjoy.
Posted in Fawcett Gold Medal Books, Gregory Peck, Noir fiction, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp paperback cover art
Tagged Cape Fear, Cape Fear (1962), Darker Than Amber, Death Trap, Dress Her in Indigo, Fawcett Gold Medal Books, John D MacDonald, Neon Jungle, On The Run, One Monday We Killed Them All, Pan Books, The Damned, The Drowner, The Only Girl In the Game, The Quick Red Fox, Travis McGee, You Live Once