Search
-
Recent Posts
- Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
- Book reviews: Deadly dames, midcentury Brit pulp and 1970s science fiction
- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
- Orphan Road book launch
- Orphan Road now available
- Pre-orders open for my new novel, Orphan Road
- Cover reveal: Orphan Road, my follow up to Gunshine State
- Breakfast in the Ruins podcast: New English Library Bikermania
- Why 1973 was the year Sidney Lumet took on police corruption
- Men’s Adventure Quarterly: Gang Girls issue
Categories
- 1960s American crime films
- 1970s American crime films
- 1980s American crime films
- 1990s American crime films
- Adrian McKinty
- Albert Dekker
- Andre De Toth
- Angela Savage
- Angie Dickinson
- Anthony Zerbe
- Asian noir
- Australian crime fiction
- Australian crime film
- Australian noir
- Australian popular culture
- Australian pulp fiction
- Australian television history
- Ava Gardner
- Beat culture
- Belmont Tower Books
- Ben Wheatley
- Billie Whitelaw
- Black pulp fiction
- Blaxsploitation
- Book cover design
- Book Reviews
- British crime cinema
- British pulp fiction
- Bryan Brown
- Burt Lancaster
- Carter Brown
- Charles Durning
- Charles Willeford
- Chester Himes
- Christopher G Moore
- Christopher Lee
- Cinema culture
- Claude Atkins
- Coronet Books
- Crawford Productions
- Crime Factory
- Crime Factory Publications
- Crime fiction
- Crime fiction and film from Africa
- Crime fiction and film from Cambodia
- Crime fiction and film from China
- Crime fiction and film from India
- Crime fiction and film from Indonesia
- Crime fiction and film from Japan
- Crime fiction and film from Laos
- Crime fiction and film from Latin and Central America
- Crime fiction and film from Malaysia
- Crime fiction and film from New Zealand
- Crime fiction and film from Scandinavia
- Crime fiction and film from Singapore
- Crime fiction and film from South Korea
- Crime fiction and film from Thailand
- Crime fiction and film from the Philippines
- Crime Fiction and film set in Vietnam
- Crime film
- Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985
- David Goodis
- David Peace
- David Whish-Wilson
- Derek Raymond
- Diana Dors
- Dirk Bogarde
- Don Siegel
- Don Winslow
- Donald Westlake aka Richard Stark
- Dystopian cinema
- Ernest Borgnine
- Eurocrime
- Fawcett Gold Medal Books
- Femme fatale
- Fernando Di Leo
- Filipino genre films
- Film Noir
- Forgotten Melbourne
- French cinema
- French crime fiction
- Garry Disher
- Gene Hackman
- George V Higgins
- Georges Simenon
- Ghost Money
- Giallo cinema
- Gil Brewer
- Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980
- Gloria Grahame
- Gold Star Publications
- Gregory Peck
- Gunshine State
- Heist films
- Horror
- Horwitz Publications
- Humphrey Bogart
- Ian Fleming
- Interviews
- Ira Levin
- James Caan
- James Crumley
- James Ellroy
- James Hadley Chase
- James Woods
- Jim Brown
- Jim Thompson
- Joel Edgerton
- John Frankenheimer
- Joseph Losey
- Karen Black
- Kerry Greenwood
- Kinji Fukasaku
- Larry Kent
- Laura Elizabeth Woolett
- Lee Marvin
- Leigh Redhead
- Lindy Cameron
- M Emmet Walsh
- Mad Max
- Mafia
- Malla Nunn
- Martin Limon
- Megan Abbott
- Melbourne International Film Festival
- Melbourne Writers Festival
- Men's Adventure Magazines
- Michael Caine
- Michael Fassbender
- Mickey Spillane
- Monarch Books
- Ned Kelly Awards
- Neo Noir
- New English Library
- Newton Thornburg
- Noir Con
- Noir fiction
- Non-crime reviews
- Oren Moverman
- Orphan Road
- Ozsploitation
- Pan Books
- Parker
- Paul Newman
- Peter Boyle
- Peter Corris
- Peter Strickland
- Peter Yates
- Poliziotteschi
- Pulp fiction
- Pulp fiction in the 70s and 80s
- Pulp fiction set in Asia
- Pulp Friday
- Pulp paperback cover art
- Qui Xiaolong
- Raymond Chandler
- Richard Burton
- Richard Conte
- Robert Aldrich
- Robert Mitchum
- Robert Ryan
- Robert Stone
- Rock Hudson
- Roger Smith
- Rollerball
- Rosaleen Norton
- Roy Scheider
- Rural noir
- Sam Levene
- Sam Peckinpah
- Samuel Fuller
- Science fiction and fantasy
- Scripts Publications
- Sidney Lumet
- Sidney Poitier
- Simon Harvester
- Snowtown
- Snubnose Press
- Spies
- Stanley Baker
- Sterling Hayden
- Steve McQueen
- Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
- Stuart Rosenberg
- Tandem Books
- Tart noir
- Tartan Noir
- Ted Lewis
- Toni Johnson Woods
- True crime
- Vicki Hendricks
- Victor Mature
- Vintage mug shots
- Vintage pulp paperback covers
- Wallace Stroby
- War film
- Westerns
- William Friedkin
- Woody Strode
- Yakuza films
- Yaphet Kotto
Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
- Comics Down Under
- Everything second hand
- Existential Ennui
- Greenleaf Classic Books
- Irv O. Neil's Erotica is My Trade
- Killer Covers
- Lost Classics of Teen Lit 1939-1989
- Luminist Archives
- Men's Pulp Mags
- Mporcius Fiction Log
- Murder, Mayhem and Long Dogs
- Neglected Books
- Nocturnal Revelries
- Paperback Warrior
- Paperbacks of the Gods
- Pop Sensation
- Pulp artists
- Pulp Covers
- Pulp Crazy
- Pulp Flakes
- Pulp International
- Pulp Magazines Project
- Pulp Serenade
- Realms of the Night
- Romance Fiction Has a History
- Rough Edges
- Sin Street Sleaze
- Spy Guys and Gals
- The department of Afro American Research Arts & Culture
- The Dusty Bookcase
- The Haunted World of Richard Sala
- The Moon Lens
- The Nick Carter & Carter Brown Blog
- The Pulp & Paperback Fiction Reader
- Too Much Horror Fiction
- True Pulp Fiction
- Vault of Horror
- Vintage Nurse Romance Novels
- Vintage Romance Novels
- Welcome to the Pan Paperback
- Yellow and Creased
Support This Site
If you like what I do please support me on Ko-fi
Category Archives: Pulp Friday
Pulp Friday: Headed for a Hearse
“His address was Death Row and his lease was up in six days… “
They don’t write cover blurbs like that any more.
Today’s Pulp Friday contribution is the 1960 UK Pan edition of the 1935 novel, Headed for a Hearse, by Jonathan Latimer.
Latimer was a crime reporter for newspapers in his native Chicago before going on to write a series of hard-boiled novels. He also worked in Hollywood where he wrote a number of screenplays, including The Glass Key (1942), The Big Clock (1948) and Nocturne (1946).
My parents had a good collection of Pan paperbacks on their bookshelf and I can remember, even as a very small child, being fascinated by the fantastic cover art.
The story sounds good, too.
“SIX DAYS to go before Westland would go to the electric chair for the murder of his wife…
SIX DAYS for him to sweat in the death cell – with a gangster and a fiend for company.
SIX DAYS for private investigator William Crane to flirt with death and to find the real killer…”
Pulp Friday: The Spungers
This Friday’s pulp offering comes via Line of Sight author, David Whish Wilson.
Julian Spencer’s The Spungers was put out in 1967 by Scripts, a publishing company based in London, Melbourne and Sydney, that released a lot of the more explicit Australian pulp fiction I’ve come across from the sixties and early seventies.
As I’ve written previously, the sixties saw Australian pulp publishers start to produce kitchen sink and exploitation fiction, often dressed up as lurid exposés of drug use and sexual promiscuity. These fed off mainstream society’s fears of youth rebellion and changing sexual standards.
The focus of many of these tales was Sydney’s Kings Cross, which in the sixties became well known as a centre for prostitution, sly grog and drugs, often to meet the demand of American servicemen on R&R during the Vietnam War.
The Spungers is a classic piece of exploitation pulp dressed up quasi social commentary on the declining moral values of youth in the sixties. Not that much has really changed. Update the language a bit and whack in a TV crew from A Current Affair and The Spungers would be right at home in Australian in 2011.
The inside front cover blurb is priceless:
“The Vicious, sordid activities of a scruffy Kings Cross beatnik clash with those of a young surfie who decides to spend a misspent holiday rorting up the Cross.… Read more
Pulp Friday: Hell is My Destination
Welcome to the first of what I hope is going to be a weekly series known as Pulp Friday.
I love the pulp fiction of the fifties, sixties and seventies. I love the artwork and the cadence of their lurid, often totally over the top front and back cover text.
I’m particularly fascinated by Australian pulp paperback novels, how they were written and put together, the stories and themes they looked at.
I’ve amassed a pretty good collection of these books over the years, from opportunity shops, garage sales, and the like. Most were written by unknown authors, many using pseudonyms, and put out by publishing houses that no longer exist.
For me they represent a period in Australian publishing history that has been largely forgotten by the book industry’s emphasis on creating capital ‘L’ literature. This situation is only now being challenged by e-publishing, which is allowing small, niche publishers to get out there and produce genre fiction, including pulp fiction.
Anyway, as a way of celebrating my and others interest in these books, from now on each Friday I’m going to post one pulp paperback cover.
I’ll try to make most of them either Australian pulps or local reproductions of foreign books. That said, I’ve also got a hell of a lot of US and British pulps I’d just love to share with you.… Read more