Search
-
Recent Posts
- Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
- Book reviews: Deadly dames, midcentury Brit pulp and 1970s science fiction
- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
- Orphan Road book launch
- Orphan Road now available
- Pre-orders open for my new novel, Orphan Road
- Cover reveal: Orphan Road, my follow up to Gunshine State
- Breakfast in the Ruins podcast: New English Library Bikermania
- Why 1973 was the year Sidney Lumet took on police corruption
- Men’s Adventure Quarterly: Gang Girls issue
Categories
- 1960s American crime films
- 1970s American crime films
- 1980s American crime films
- 1990s American crime films
- Adrian McKinty
- Albert Dekker
- Andre De Toth
- Angela Savage
- Angie Dickinson
- Anthony Zerbe
- Asian noir
- Australian crime fiction
- Australian crime film
- Australian noir
- Australian popular culture
- Australian pulp fiction
- Australian television history
- Ava Gardner
- Beat culture
- Belmont Tower Books
- Ben Wheatley
- Billie Whitelaw
- Black pulp fiction
- Blaxsploitation
- Book cover design
- Book Reviews
- British crime cinema
- British pulp fiction
- Bryan Brown
- Burt Lancaster
- Carter Brown
- Charles Durning
- Charles Willeford
- Chester Himes
- Christopher G Moore
- Christopher Lee
- Cinema culture
- Claude Atkins
- Coronet Books
- Crawford Productions
- Crime Factory
- Crime Factory Publications
- Crime fiction
- Crime fiction and film from Africa
- Crime fiction and film from Cambodia
- Crime fiction and film from China
- Crime fiction and film from India
- Crime fiction and film from Indonesia
- Crime fiction and film from Japan
- Crime fiction and film from Laos
- Crime fiction and film from Latin and Central America
- Crime fiction and film from Malaysia
- Crime fiction and film from New Zealand
- Crime fiction and film from Scandinavia
- Crime fiction and film from Singapore
- Crime fiction and film from South Korea
- Crime fiction and film from Thailand
- Crime fiction and film from the Philippines
- Crime Fiction and film set in Vietnam
- Crime film
- Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985
- David Goodis
- David Peace
- David Whish-Wilson
- Derek Raymond
- Diana Dors
- Dirk Bogarde
- Don Siegel
- Don Winslow
- Donald Westlake aka Richard Stark
- Dystopian cinema
- Ernest Borgnine
- Eurocrime
- Fawcett Gold Medal Books
- Femme fatale
- Fernando Di Leo
- Filipino genre films
- Film Noir
- Forgotten Melbourne
- French cinema
- French crime fiction
- Garry Disher
- Gene Hackman
- George V Higgins
- Georges Simenon
- Ghost Money
- Giallo cinema
- Gil Brewer
- Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980
- Gloria Grahame
- Gold Star Publications
- Gregory Peck
- Gunshine State
- Heist films
- Horror
- Horwitz Publications
- Humphrey Bogart
- Ian Fleming
- Interviews
- Ira Levin
- James Caan
- James Crumley
- James Ellroy
- James Hadley Chase
- James Woods
- Jim Brown
- Jim Thompson
- Joel Edgerton
- John Frankenheimer
- Joseph Losey
- Karen Black
- Kerry Greenwood
- Kinji Fukasaku
- Larry Kent
- Laura Elizabeth Woolett
- Lee Marvin
- Leigh Redhead
- Lindy Cameron
- M Emmet Walsh
- Mad Max
- Mafia
- Malla Nunn
- Martin Limon
- Megan Abbott
- Melbourne International Film Festival
- Melbourne Writers Festival
- Men's Adventure Magazines
- Michael Caine
- Michael Fassbender
- Mickey Spillane
- Monarch Books
- Ned Kelly Awards
- Neo Noir
- New English Library
- Newton Thornburg
- Noir Con
- Noir fiction
- Non-crime reviews
- Oren Moverman
- Orphan Road
- Ozsploitation
- Pan Books
- Parker
- Paul Newman
- Peter Boyle
- Peter Corris
- Peter Strickland
- Peter Yates
- Poliziotteschi
- Pulp fiction
- Pulp fiction in the 70s and 80s
- Pulp fiction set in Asia
- Pulp Friday
- Pulp paperback cover art
- Qui Xiaolong
- Raymond Chandler
- Richard Burton
- Richard Conte
- Robert Aldrich
- Robert Mitchum
- Robert Ryan
- Robert Stone
- Rock Hudson
- Roger Smith
- Rollerball
- Rosaleen Norton
- Roy Scheider
- Rural noir
- Sam Levene
- Sam Peckinpah
- Samuel Fuller
- Science fiction and fantasy
- Scripts Publications
- Sidney Lumet
- Sidney Poitier
- Simon Harvester
- Snowtown
- Snubnose Press
- Spies
- Stanley Baker
- Sterling Hayden
- Steve McQueen
- Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
- Stuart Rosenberg
- Tandem Books
- Tart noir
- Tartan Noir
- Ted Lewis
- Toni Johnson Woods
- True crime
- Vicki Hendricks
- Victor Mature
- Vintage mug shots
- Vintage pulp paperback covers
- Wallace Stroby
- War film
- Westerns
- William Friedkin
- Woody Strode
- Yakuza films
- Yaphet Kotto
Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
- Comics Down Under
- Everything second hand
- Existential Ennui
- Greenleaf Classic Books
- Irv O. Neil's Erotica is My Trade
- Killer Covers
- Lost Classics of Teen Lit 1939-1989
- Luminist Archives
- Men's Pulp Mags
- Mporcius Fiction Log
- Murder, Mayhem and Long Dogs
- Neglected Books
- Nocturnal Revelries
- Paperback Warrior
- Paperbacks of the Gods
- Pop Sensation
- Pulp artists
- Pulp Covers
- Pulp Crazy
- Pulp Flakes
- Pulp International
- Pulp Magazines Project
- Pulp Serenade
- Realms of the Night
- Romance Fiction Has a History
- Rough Edges
- Sin Street Sleaze
- Spy Guys and Gals
- The department of Afro American Research Arts & Culture
- The Dusty Bookcase
- The Haunted World of Richard Sala
- The Moon Lens
- The Nick Carter & Carter Brown Blog
- The Pulp & Paperback Fiction Reader
- Too Much Horror Fiction
- True Pulp Fiction
- Vault of Horror
- Vintage Nurse Romance Novels
- Vintage Romance Novels
- Welcome to the Pan Paperback
- Yellow and Creased
Support This Site
If you like what I do please support me on Ko-fi
Category Archives: Pulp Friday
Pulp Friday: Outback Heiress
“Her past was a secret but she couldn’t hide her feelings for this daredevil cropduster!”
It wasn’t just men who wrote for Australia’s burgeoning pulp publishing industry in the fifties, sixties and seventies, many women did, too.
One of these was Irena Dickman AKA Rena Cross, the author of today’s Pulp Friday contribution, Outback Heiress, published by Sydney company Horwitz in 1963.
Biographical details for Dickman, like many local pulp authors, are thin on the ground. She was born in England and arrived in Australia in 1950. She appears to have been one of the stable of local writers put together by Horwitz in the early sixties.
The Austlit site credits her with twenty books. Her subjects included nurse and doctor yarns and torrid tales set in Sydney’s Kings Cross. The latter include Model School (publishing in 1963 under the pseudonym Christine James) and Flat 4 Kings Cross (three editions of which were published, in 1963, 1965 and 1966, under the name Geoffrey Tolhurst).
The Keys of Corruption another of her books (written as Rena Crane), was an Australian take on one of pulp’s favourite obsessions in the sixties – wife swapping.
If this post has piqued your interest about Australian pulp, join me on August 30 at the Ian Potter Centre, NGV Australia, Federation Square, for an illustrated talk about the hidden history of Australian pulp publishing in the fifties, sixties and seventies, part of the Melbourne Writers Festival.… Read more
Posted in Australian popular culture, Australian pulp fiction, Horwitz Publications, Melbourne Writers Festival, Pulp fiction, Pulp Friday, Pulp paperback cover art, Vintage pulp paperback covers
Tagged Christine James, Flat 4 Kings Cross, Geoffrey Tolhurst, Melbourne Writers Festival, Melbourne Writers Festival 2014, Outback Heiress, Rebecca Dee, Rena Cross
Pulp Friday: The Country Club Set
“When married life started to bore her – Virginia turned to a teenager for kicks.”
Today’s Pulp Friday is a wonderful example of early sixties pulp sleaze, The Country Club Set by Elaine Dorian.
The story is about a devious middled aged woman who engages in an affair with a young male tennis player she picks up at the local country club. It was published by Beacon Books in 1963, the same year as the Charles Webb’s blockbuster, The Graduate, appeared, and was perhaps an attempt to cash in on its success.
‘Elaine Doran’ appears to have been a pen name for a writer called Isabel Moore, who wrote for a couple of decades, including penning a number of sleaze pulps for Beacon in the early sixties, titles like The Sex Cure, Second Time Wife and Double Trouble.
She appears to have made no secret of her writing activities and a November 2, 1962 article in the Schenectady Gazette, the local paper of Schenectady County in the US state of New York, reported, “obscene words and threats” where painted on her house after The Sex Cure appeared in print. The book was a take on the behind the scenes sexual activities of the upper strata of her local area, Cooperstown.”… Read more
Pulp Friday: The Hands of Orlac
“Had a brilliant skin graft left him with a murderer’s hands? A tense and eerie film starring Mel Ferrer.”
French writer Maurice Renard’s 1920 novel The Hands of Orlac concerned a concert pianist called Paul Orlac who loses his hands in a terrible accident and is given new ones in a transplant. Unbeknownst to him, the donor was a recently deceased murderer. Not only is Orlac unable to play piano with his new hands, but he slowly starts to assume the deceased murderer’s predisposition for killing.
The Hands of Orlac was filmed as a movie three times. A silent movie, The Hands of Orlac, was made in 1924 by Austrian director Robert Weine. A US version appeared in 1935 as Mad Love. A British/French production starring Christopher Lee and Mel Ferrer was made in 1960.
Today’s Pulp Friday offering is the 1962 local Horwitz edition of the Four Square Books paperback tie in to the British/French movie.
The name of the author, which you might not be able to discern from the cover scan, was Robert Bateman. Bateman was a UK writer who worked in radio and TV. He also wrote a number of novels, including this one.
And please note, I will be giving an illustrated talk on Australian pulp fiction from the fifties, sixties and seventies as part of the upcoming Melbourne Writers Festival.… Read more
Pulp Friday: The Tip
“A scorching novel of horse-racing and desperate men and exciting women and big gambler Johnny Broadway’s bid to parlay the killing of all time.”
Ray Slattery must rank as one of the most prolific of the in-house hacks employed by Australian pulp publisher Horwitz Publications in the sixties and early seventies.
He is also one about which the least is known. Despite his incredible output, very little information is available about him. Austlit credits him with 118 titles, including our featured book today, The Tip, published in 1965, but has no further biographic information about him.
His books cover all of Horwitz’s staple obsessions, including bikers, bondage, sleaze and sex books, war stories, surgeons and what I have seen referred to as “Nazi romance novels”, books with titles such as Camp of Terror (1963) and Women of Warsaw (1964), Buchenwald Hell (1967), Prisoner of Dachau (1967), Valley of Slaves (1967), to name but a few.
In addition to writing under his own name, he worked under at least six pseudonyms, including Roger Hunt, Frank O’Hara, Terry West, James Bent, Frank F Gunn and John Slater (the name he used for most of his sleaze and Nazi-themed pulp, of which he wrote 84).
There’s a little bit more information on Slattery here, as well as a full bibliography.… Read more
Pulp Friday: Notorious Women
“They were beautiful, dangerous and shocking – high voltage wantons who stopped at nothing to get their men.”
This week’s Pulp Friday, Notorious Women, is another offering from former clerk turned prodigious pulp hack, James Holledge.
Holledge, who has featured previously on this site, wrote approximately 45 books between 1961 and 1970. Most of these were heavily sensationalised, salacious examinations of social issues such as prostitution and the occult, which he dressed up as serious sociological expose.
Notorious Women, published in 1962 by Horwitz Publications, Australia’s premier pulp publisher in the fifties and sixties, is fairly typical of Holledge’s work. Purporting to be an examination of “a few of the Wantons of the World who have been branded forever as Notorious Women,” the boom is divided into 13 chapters.
These include ‘Wanton on the beach’ (“A reckless, sensation-seeking Bohemian, she had a mania for performing unrehearsed striptease dances”) and ‘Women with the serpent’s tongue’ (“The police actually feared this heartless hussy who was obsessed by money hunger”). But my favourite is ‘Edward who was really Ellen’ (“One of Australia’s most baffling sex masquerades was was finally exposed in startling circumstances”).
The one undeniable fact about Holledge’s books is that they sold, presumably to working stiffs eager for a few cheap thrills.… Read more