Category Archives: Pulp Friday

Pulp Friday: The Art of Robert E McGinnis

mcginnisMy first Pulp Friday post for 2015 is a selection of pulp paperback covers from my collection illustrated by Robert E McGinnis.

I have been keen to do a McGinnis related post on this site ever since picking up a copy of The Art of Robert E McGinnis, published by Titan Books, during my travels in the US late last year.

Most Pulp Curry readers will be familiar with McGinnis, whose striking illustrations appeared on the covers of numerous pulp novels and who is still working at the age of nearly ninety, doing the occasional cover for the Hard Case Crime imprint.

One of the main reasons there is so much contemporary interest in pulp fiction of the fifties and sixties is the striking cover art. I find this interesting given that it is often the aspect of pulp fiction we know the least about. The artists behind the wonderfully lurid images that grace the covers of most pulp books are seldom acknowledged and we know very little about most of these people and how they worked.

McGinnis was an exception. His images, including his signature illustrations of femme fatales and other female pulp characters, are well known and have appeared on books by authors as diverse as Lawrence Block, Jim Thompson, Erskine Caldwell and the US editions of Australian pulp writer Alan Geoffrey Yates, aka Carter Brown, to name just a few.… Read more

Pulp Friday: Shake Him Till He Rattles

Shake Him Till He rattles 2Drifting between a very cool girl and a very warm one… A funky nighttime love story, so vivid you can taste it, hear it, feel it…

Today’s Pulp Friday is a story of sexual jealously, drug use, lost opportunities and jazz, set in the San Francisco suburb of North Beach, ground zero of the West Coast beat scene in the early sixties.

Fawcett Gold Medal first published Shake Him Till He Rattles in 1963. The story centres on a horn-playing beatnik called Cabiness, the target of some very unwelcome attention on the part of a junkie vice cop, Carver. Not only does Carver have it in for jazz musicians, he believes Cabiness is a major player in the North Beach drug scene and wants to turn him into his snitch.

Cabiness is not a major criminal. He’s not a major anything, really. His only aim in life is to “smoke a little pot and blow my horn”, much to the chagrin of his girlfriend, Jean, who is getting tired of the scene. She hassles him about wasting his talent. To which he replies: “Music is just music until you start trying to sell it; then it changes in a lot of ways. A lot of things change. You end up with a product….… Read more

Pulp Friday: Nurse in Vietnam

Nurse in Vietnam

While Sydney-based Horwitz Publications was Australia’s largest pulp publisher, it was not the only one. Cleveland Publishing Company, publisher of today’s Pulp Friday offering, Nurse in Vietnam, was another sizeable operation.

I’ve been able to find out virtually nothing about who was behind Calvert.

All we know about Shauna Marlowe, author of Nurse in Vietnam, is she (if it is actually a woman and not a man writing under a woman’s name) is credited with writing 41 books, nearly all of them for Calvert, from the late fifties to the early seventies.

On one level, Nurse in Vietnam, is just another nurse/doctor romance story (a hugely popular sub-genre of pulp in the fifties and sixties). The nurse in question and a handsome doctor have been captured by Viet Cong rebels. The doctor’s main pre-occupation is not escape but whether she’ll agree to his marriage proposal.

But the publication date, 1965, is significant. A small number of Australian military advisors had been stationed in Vietnam since 1962. We did not start to commit significant ground forces until 1965.

What was the first mainstream Australian novel to tackle the war in Vietnam? Perhaps William Nagle’s The Odd Angry Shot, published in 1975. Nurse in Vietnam shows pulp publishers were onto Vietnam as a setting for fiction straight away.… Read more

Pulp Friday: Contrabandits – Shark Bait

Contrabandits

This week’s Pulp Friday offering is the 1968 paperback tie in to the then popular Australian Broadcasting Corporation TV series, Contrabandits.

While Crawford Productions understandably gets most of the credit for kick starting Australia’s modern television industry in the mid-sixties with the long running police drama show, Homicide, it was not the only local organisation producing gritty crime TV.

Around the same time changes were also afoot at the ABC. New staff were bought on board and a department of television drama was created that produced a number of one-off and on-gong TV series. Among these was Contrabandits, the first episode of which screened on September 22 1967.

Contrabandits focused on the activities of Customs Special Branch, an elite law enforcement squad tasked with intercepting contraband in Sydney. The four mainstays of the squad were Chief Inspector Ted Hallan (played by British actor Denis Quilley), office girl Mardi Shiel (Janet Kingsbury) a university graduate, determined to succeed in a male dominated area, Bob Piper (John Bonney), a young wise cracking spiv, and tough guy, Jim Shurley (Ben Grabiel).

CBTwenty-nine episodes of Contradbandits were made. All of them are listed on the on-line archive of the former magazine, TV Eye. Themes included tackling drug runners and smugglers of various kinds, raiding opium dens in Kings Cross and dealing with illegal immigrants.… Read more

Melbourne Writers Festival: Adrian McKinty & Australia’s pulp history

GoneThe Melbourne Writers Festival is upon us and I’ve got a a few slots in the program I wanted to pull on your coats about.

This coming Wednesday, August 27, I’ll be in conversation with crime writer, Adrian McKinty at St Kilda Library. I have written a bit about McKinty on this site, including reviews of his books Falling Glass, and his Shane Duffy trilogy, The Cold, Cold Ground, I Hear the Sirens in the Streets, and In the Morning I’ll Be Gone,  and his latest stand alone, The Sun Is God, and I’m looking forward to talking with him in person.

It’ll be a pretty relaxed affair and it is free. Proceedings will kick off at 6.30pm.

Also, join me on August 30 at the Ian Potter Centre, NGV Australia, Federation Square, for a walk down the dimly lit back alleys of the lost world of Australian pulp paperback publishing.

For a few decades in the second half of last century, Australia’s pulp scene burned brightly with tales of jaded gumshoes, valiant servicemen and women, sexually bored housewives, jazzed up beatniks, daring spies, and violent youth gangs.

It was disposable fiction, designed for a coat pocket or bag, to be read quickly, and discarded.… Read more