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Recommended reading
The lurid world of pulp
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Category Archives: Pulp fiction
Early praise for Sticking it to the Man: Revolution and the Counterculture in Pulp and Popular Fiction, 1950-1980
Just a quick reminder that the second pulp book that I have co-edited with Iain McIntyre, Sticking it to the Man: Revolution and the Counterculture in Pulp and Popular Fiction, 1950-1980, will be out in a few months.
Amid trying to finalise a PhD, I have also been working with the US based designer on the layout of the book, and can I say it looks great. In the meantime, here is the advance praise that we have received about the book.
From the profane to the sacred, this scholarly, obsessive volume reveals forgotten tribes of Amazons, Soul Brothers, Hustlers, Queers, Vigilantes, Radical Feminists and Revolutionaries – the radical exploitation of gnostic pulp.
Jon Savage, author of 1966: The Year the Decade Exploded
This is the ultimate guide to sixties and the counterculture, of which I was a part. Long hair, bellbottoms, short dresses, and a kiss-my-ass attitude to the powers that be. Real meat on real bone, the stuff of one of the most unique and revolutionary generations ever, baby. You need this.
Joe R. Lansdale
This book is a story about stories—the rough-and-tumble mass fiction of the 1950s to the 80s, written to offend The Establishment and delight the rest of us. In Sticking It to the Man, McIntyre and Nette offer us a fascinating smorgasbord of (un)savory tales—the kind whose covers entice and whose texts compel.… Read more
Posted in 1960s American crime films, 1970s American crime films, Australian popular culture, Australian pulp fiction, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Men's Adventure Magazines, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
Tagged Ann Bannon, Counterculture, Joe R Lansdale, Jon Savage, Kenneth Wishnia, Pulp fiction, Sticking it to the Man: Revolution and the Counterculture in Pulp and Popular Fiction 1950-1980
Pulp Friday: Pollen’s Action
Regular Pulp Curry readers will be aware I am a big fan of Robert Deis and Wyatt Doyle’s Men’s Adventure Library (MAL) series. These books showcase the wonderful, lurid, at times, completely bizarre material that featured in the genre of men’s adventure pulp magazines that flourished on American newsstands from the 1950s to the 1970s. I have written about the important work they have done archiving and showcasing the efforts of the one of the most prolific illustrators working for the men’s adventure magazines, Samson Pollen. I reviewed their first book about Pollen, Pollen’s Women, some months ago on this site. They have now produced a second edition on the artist, Pollen’s Action.
Pollen was one of the many people who managed to make a living as illustrators in the post war period, a time when there was plenty of work for individuals who could quickly produce attention grabbing, ready made art to order for pulp magazines, book covers, comics, advertisements and movie posters. As Deis discusses in his introduction to Pollen’s Action, Pollen started out painting paperback covers. But when this market started began to dry up in the late 1960s, as photographic book covers came into vogue, he began working for Magazine Management, one of the largest American publishers of men’s adventure magazines.… Read more
Posted in Crime fiction, Donald Westlake aka Richard Stark, Men's Adventure Magazines, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art
Tagged Donald Westlake aka Richard Stark, Erskine Caldwell, Magazine Management, Mario Puzo, Men's adventure magazines, Men's pulp magazines, Mort Kunstler, Pulp Friday, Samson Pollen
Farewell to Victor J. Banis, pioneer of gay pulp & popular fiction
I am a bit late to the sad news that Victor J. Banis, a long time writer, who some have called ‘the godfather of modern popular gay fiction’, died on February 22, after finally succumbing to cancer.
I didn’t know Banis personally, but I was very aware of his work. He published his first short story in 1963 in the Swiss gay journal, Der Kreis. He went on to write heterosexual, bisexual and gay erotic and pulp fiction for Brandon House, Greenleaf Press and Sherburne Press.
Of particular note, from 1966 to 1968, he wrote eight pulp fiction titles in his ‘Man From C.A.M.P.’ series, a overtly queer takeoff of the television spy series, Man From UNCLE. The central protagonist of the successful series, was the openly gay undercover agent, Jackie Holmes, who did battle with BUTCH (Brothers United To Crush Homosexuality). The series helped establish that gay audiences were particularly hungry for stories which portrayed characters in a fun and positive light. In doing so, Banis saw himself as playing a consciously activist role.
In all, Banis wrote over 160 books – pulp, porn, queer and straight fiction and non-fiction, under his own name and pseudonyms such as Victor Jay, Don Halliday, Jan Alexander and Lyn Benedict. He wrote everything from romance, to marital guides, to installments of the Mack Bolan Executioner series.… Read more
Posted in Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Pulp fiction, Pulp fiction set in Asia, Pulp paperback cover art, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, Vintage pulp paperback covers
Tagged Brandon House, Don Holliday, Earl Kemp, Greenleaf Press, Mack Bolan, Man From CAMP, Milton Luros, Pulp culture, Queer popular culture, Richard Geis, Sherburne Press, The Man From Uncle, Victor Banis
Street Players: Black Pulp Fiction and the Making of a Literary Underground
While many Pulp Curry readers will be familiar with names such as Iceberg Slim and Donald Goines, I’d wager far fewer know very much about them. Fewer still would be across the details of how they came to be published and their enormous influence. Filling in the gaps in this relatively little known but important aspect of mid-20th century pulp history is Kinohi Nishikawa’s Street Players: Black Pulp Fiction and the Making of a Literary Underground.
Street Players is the story of the now defunct Los Angeles based publishing company, Holloway House. Founded by two white men, Bentley Morriss and Ralph Weinstock, throughout the 1960s it published run of the mill smut paperbacks, mainly sexology and spicy confessional stories, as well as the pin-up magazines Adam and Knight, all written by white writers and aimed at white readers.
The company’s trajectory radically changed with the release of Pimp in 1967. It appeared under the by-line, Iceberg Slim, the street name of a former Black hustler, prisoner and pimp called Robert Beck. Pimp was a huge hit. White readers enjoyed the voyeuristic peek it offered into the subterranean world of pimping. Despite the fact the Beck’s story was heavily fictionalised, Black readers saw in it a genuine slice of their urban ghetto experience.… Read more
Posted in Black pulp fiction, Crime fiction, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Neo Noir, Pulp fiction, Pulp fiction in the 70s and 80s, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
Tagged Bentley Morriss, Donald Goines, Holloway House, Iceberg Slim, Joe Nazel, Kinohi Nishikawa, Pinnacle Books, Plantation pulp, Players Magazine, Ralph Weinstock, Robert Beck, Street Players: Black Pulp Fiction and the Making of a Literary Underground, The Naked Soul of Iceberg Slim