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Nothing but noir
Recommended reading
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Category Archives: Pulp fiction
“Every headlight’s a police car, every shadow is a cop”: Kiss the Blood Off My Hands (1948)
I have been writing a bit this year on the phenomenal popularity of faux American crime fiction in post-war culture in places like Australia and Great Britain. By this I mean crime fiction written and produced in these countries that not only mimicked the atmosphere and tropes of hardboiled American mystery novels and film, but was set in mythical versions of big American cities, such as New York, Chicago and Los Angeles. This fiction, for example many of the books written by Australian crime fiction author Alan Yates aka Carter Brown, was sometimes even mistaken for the genuine thing.
One of the countless cultural offshoots of the United States’ emergence as the dominant global power after World War II, the success of faux American crime fiction is often associated with the wide penetration of film noir and American writers such as Mickey Spillane. But as I wrote in this piece on the popularity of the controversial 1939 James Hadley Chase novel, No Orchids for Miss Blandish, its roots go much deeper; the influence of pre-war writers such as Dashiell Hammett, Raymond Chandler and W. R Burnett. Also the private detective and mystery fiction contained in the mass-produced American pulp fiction magazines that flooded into markets such as Australia and Great Britain in the 1930s.… Read more
Posted in Australian pulp fiction, British crime cinema, British pulp fiction, Burt Lancaster, Crime fiction, Crime film, Film Noir, James Hadley Chase, Mickey Spillane, Noir fiction, Pulp fiction, Pulp paperback cover art
Tagged Carter Brown, faux American crime fiction, Gerald Butler, Harold Hecht, James Hadley Chase, Joan Fontaine, Jules Dassin, Kiss the Blood off My Hands (1948), Mickey Spillane, Night and the City (1950), Robert Newton, The Unafraid
Pulp Friday: No Orchids for Miss Blandish
‘In 1939, amidst violence and wartime shortages, one hardboiled noir took the nation by storm, provoked moral outrage, and inspired legions of imitators.’
My latest piece for the CrimeReads site is a look at the popularity and controversy around James Hadley Chase’s 1939 blockbuster, No Orchids for Miss Blandish. You can read my story in full at the CrimeReads site here.
The article is a sequel of sorts to a story I did back in April on the popularity of mid-century faux American crime fiction in Australia and the career of one of the country’s least known most successful crime writers, Alan Yates, who wrote under the pseudonym, Carter Brown. A link to the full piece is here.
Posted in 1970s American crime films, Australian crime fiction, Australian pulp fiction, British crime cinema, British pulp fiction, Crime fiction, Film Noir, James Hadley Chase, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Vintage pulp paperback covers
Tagged British crime fiction, faux American crime fiction, hardboiled crimefiction, I the Jury (1947), James Hadley Chase, Mickey Spillane, mid-century crime fiction, No Orchids for Miss Blandish, Rene Lodge Brabazon Raymond
Cover reveal: Dangerous Visions and New Worlds – Radical Science Fiction 1950 to 1985
Here’s the cover for the upcoming book I have co-edited with my friend, Iain McIntyre for PM Press, Dangerous Visions and New Worlds: Radical Science Fiction 1950-1985. It follows on from Sticking it to the Man: Revolution and Counterculture in Pulp and Popular fiction l950 to 1980, and Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fictions and Youth Culture, 1950 to 1980. Dangerous Visions and New Worlds contains some terrific writing and a heap of great SF cover art. Some of the authors covered in the book you will know. Others, I hope, won’t be so familiar. The book will around mid-2021, by which time my main concern is that the fiction featured in it will not appear nearly as dystopian the real world around us. More information as I get it. … Read more
Posted in Book cover design, Book Reviews, Dystopian cinema, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp paperback cover art, Science fiction and fantasy
Tagged Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1980, Iain McIntyre, PM Press, radical science fiction, science fiction
Carter Brown and the Australian craze for faux American crime fiction
In 1950s Australia, one author – writing pulp novels about detectives and cities he’d never visited – gave birth to a phenomenon. I’m over at the CrimeReads writing about Australia’s most successful, least critically recognised, 20th century author, Alan Yates aka Carter Brown, and the popularity of faux American crime fiction in post-war Australia. You can read the entire article at their site here. … Read more
Posted in Australian crime fiction, Australian noir, Australian popular culture, Australian pulp fiction, Carter Brown, Horwitz Publications, Pulp fiction, Pulp paperback cover art
Tagged Al Wheeler, Alan Yates, Audrey Armitage, Australian pulp fiction, Bill Williams, Carter Brown, faux American crime fiction, Horwitz Publications, K. T. McCall, Marc Brody, Mickey Spillane, Muriel Watkins
Lockdown recollections of the outside world and the wonder of Space Age Books
I was saddened over the Eastern weekend to hear of the death of Mervyn ‘Merv’ Binns on April 7, at the age of 85. Binns was a major participant in Melbourne science fiction fandom going back to its earliest days in the 1950s, and established Space Age Books, Australia’s first specialist science fiction bookshop, and a frequent bolt hole for myself and no doubt so many other teenagers, desperate to escape the boredom of long suburban weekends in the 1970s and 1980s.
I only met Binns once, but his passing feels particular poignant given the circumstances we currently find ourselves in, unable to leave our houses and take part in Melbourne’s physical public culture, a field in which Binns once played a small but important role, to go to the pub with friends, browse in a bookshop or go to the cinema or film club screening.
But more than this, memories of Space Age Books briefly made concrete my fears about one of the unintended consequences of the (very necessary) restrictions evoked to combat the Covid-19 virus – its potential impact on the few remaining cultural holdouts that make living in Melbourne feel special compared to a lot of other places: bookshops, including the second-hand and antiquarian bookshops, independent cinemas and cinema clubs, record stores, and other speciality businesses that deal in material cultural items and experiences and, just as importantly, provide a space to engage in face to face discussion about them.… Read more
Posted in Australian popular culture, Australian pulp fiction, Dystopian cinema, Horror, Horwitz Publications, Pulp fiction, Science fiction and fantasy
Tagged Horwitz Publications, Lee Harding, McGill's Newsagency, Melbourne bookshops, Melbourne science fiction, Mervyn Binns, Open Leaves Bookshop, Robert Bloch, Ron Smith, science fiction, Space Age Books