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Category Archives: Pulp fiction
Pulp Friday: pulp from the seventies and eighties
“When he has to, Shannon can be as vicious as the worst Mafia thug who ever used a blow torch on a stoolie.”
We usually associate pulp fiction with the classic hard-boiled covers of the fifties and sixties. But pulp endured well into the seventies and beyond, before finally dying out and in the late eighties.
Today’s Pulp Friday is a selection of pulp covers from that latter period of pulp, the seventies and eighties.
I’m not sure why, but the pulp from this period seemed more extreme than it’s earlier iterations, if that’s possible, more turbo changed and over the top. The violence was more pronounced. The characters were PIs, mercenaries, spies and adventurers, like their predecessors, but they were even more starkly drawn, often to the point of being bizarre.
If you doubt me, check out the following.
Shannon #3: The Mindbenders features a private eye who lives “in a penthouse on Manhattan’s swank Upper East Side, but most of his work is done in the gutter”. He is the number one agent for a boutique government spy agency called Morituri, run by a priest referred to as Number One. Shannon is handsome, independently wealth and writes PI novels in his spare time. This book involves the suicide of a woman Shannon was close to which he ties to other deaths involving the UN.… Read more
Pulp Friday: biker pulp
“Lusting females with sadism and sex on their mind.”
Bikers were one of the major themes of pulp fiction in the late sixties and seventies.
Society’s fascination with bikers obviously dates back much further than this, but by the late sixties it had well and truly seeped into popular culture, thanks to the well publicised violence at Aldamont, movies like Easy Rider (1969) and the success of Hunter S Thompson’s 1965 gonzo journalism classic, Hells Angels.
Australia was no exception to this trend, with concerns about law and order arising from the growth of the counter culture and the popularity of movies like Stone (1974) and Mad Max (1979) resulting in our own fascination with bikie culture.
The result was wave of pulp novels focusing on the exploits of outlaw biker gangs and the cops trying to break them. The books mirrored mainstream society’s fascination/loathing of bikie culture, real and imagined, mixed with lashings of gratuitous sex and hard-core violence.
Wheels of Death (1975) and Bikie Birds (1973) are two Australian examples of biker pulp fiction. Both were written by Stuart Hall, who penned approximately 45 pulp novels between 1970 and 1980, including a number of biker pulps for Scripts, the adults-only inprint of Sydney-based pulp publisher Horwitz Publications.
In addition to writing about the denim clad male members of these bikie gangs, Hall devoted considerable attention to the women (or ‘birds’ as women were often referred to in popular working class Australian slang) who rode with them, characters every bit as sexually loose and violent as their male counterparts.… Read more
Posted in Australian crime fiction, Australian pulp fiction, Fawcett Gold Medal Books, Horwitz Publications, New English Library, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Scripts Publications, Vintage pulp paperback covers
Tagged Alex R Stuart, Angels on My Mind, Bikie Birds, Bikie Rumble, Birds of Destruction, Blood Circus, Easy Rider (1969), Fawcett Gold Medal Books, Hells Angels, Hip Pocket Sleaze, Horwitz Publications, Hunter S Thompson, Jon Harrison, Mad Max (1979), Mick Norman, New English Library, Scripts Publications, Stone (1974), Stuart Hall, The Devil's Rider, Thomas K.Fitzpatrick, Vengeance is a Woman, Wheelie, Wheels of Death