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Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
- Comics Down Under
- Everything second hand
- Existential Ennui
- Greenleaf Classic Books
- Irv O. Neil's Erotica is My Trade
- Killer Covers
- Lost Classics of Teen Lit 1939-1989
- Luminist Archives
- Men's Pulp Mags
- Mporcius Fiction Log
- Murder, Mayhem and Long Dogs
- Neglected Books
- Nocturnal Revelries
- Paperback Warrior
- Paperbacks of the Gods
- Pop Sensation
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- Pulp Magazines Project
- Pulp Serenade
- Realms of the Night
- Romance Fiction Has a History
- Rough Edges
- Sin Street Sleaze
- Spy Guys and Gals
- The department of Afro American Research Arts & Culture
- The Dusty Bookcase
- The Haunted World of Richard Sala
- The Moon Lens
- The Nick Carter & Carter Brown Blog
- The Pulp & Paperback Fiction Reader
- Too Much Horror Fiction
- True Pulp Fiction
- Vault of Horror
- Vintage Nurse Romance Novels
- Vintage Romance Novels
- Welcome to the Pan Paperback
- Yellow and Creased
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Category Archives: Pulp fiction
Pulp Friday: ‘The godfather of the airport novel’
Have you ever noticed, whenever someone pens one of those articles listing the most influential books of the second half of the 20th century, how worthy the titles are? You’ll usually find books like Harper Lee’s To Kill A Mockingbird, Solzhenitsyn’s The Gulag Archipelago, Richard Bach’s Jonathan Livingston Seagull or E. M Forster’s Maurice, published in 1971, a year after the author’s death. But no one ever mentions influential books I suspect people were actually reading in large numbers, Peyton Place, Jacqueline Susan’s Valley of the Dolls, Mario Puzo’s The Godfather or the subject of today’s Pulp Friday offering, the novels of Harold Robbins.
Growing up in the 1970s, when popular culture was still mass rather than the niche individual choice it is increasingly now, Robbins was still a big deal. I don’t know about your household, but prominently placed amongst the Alistair Maclean and Ian Fleming thrillers, Desmond Morris’s The Naked Ape and Erich von Daniken’s 1968 sensation, Chariot of the Gods, were a large number of paperback books by Robbins.
Robbins has been called ‘the godfather of the airport novel’ and the ‘Onassis of supermarket literature’. He wasn’t a good writer by any stretch of the imagination but starting with his debut novel, Never Love A Stranger, in 1948, he produced fast paced, meaty narratives with larger than life characters, corporate executives and adventurers, accompanied by lashings of drama and explicit sex.… Read more
Posted in New English Library, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art
Tagged Airport novels, Alistair Maclean, Andrew Wilson, Chariot of the Gods, Desmond Morris, Erich von Daniken, Harold Robbins, Harold Robbins: The Man Who Invented Sex, Ian Fleming, Jacqueline Susan, Mario Puzo, Never Love A Stranger, Peyton Place, The Godfather, The Naked, Valley of the Dolls
Pre-orders open for Girl Gangs, Biker Boys, and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 to 1980
Here is the updated cover for the book I have edited with my friend, Iain McIntyre, Girl Gangs, Biker Boys & Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980. This beauty will be out through PM Press in October.
It is available for pre-order here.
Long terms readers of Pulp Curry may remember this book was originally scheduled to appear, with a different publisher and under a slightly different name, in late 2016. But the publisher concerned experienced finance problems which resulted in the book being pulled from their schedule.
Thanks to PM Press that project is a going concern again.
The book is the first comprehensive account of how the rise of postwar youth culture was depicted in mass-market pulp fiction. As the young created new styles in music, fashion, and culture, pulp fiction shadowed their every move, hyping and exploiting their behaviour, dress, and language for mass consumption and cheap thrills. From the juvenile delinquent gangs of the early 1950s through the beats and hippies, on to bikers, skinheads, and punks, pulp fiction left no trend untouched. With their lurid covers and wild, action-packed plots, these books reveal as much about society’s deepest desires and fears as they do about the subcultures themselves.
Girl Gangs features approximately 400 full-colour covers, many of them never reprinted before.… Read more
Posted in Australian popular culture, Australian pulp fiction, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Horwitz Publications, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp paperback cover art
Tagged Girl Gangs Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture 1950 to 1980, PM Press, Pulp fiction and youth culture
Pulp Friday: Patrick
I am partial to a good paperback movie tie-in and this week’s Pulp Curry features a beauty, Patrick, which I found in an excellent second hand book shop during recent travels in rural Victoria.
Published by Sun Books in 1978, the novel is based on the original screenplay by Everett de Roche of the influential Ozploitation film of the same name about man in a coma after murdering his mother and her lover by electrocuting them in a bath. The man, Patrick (Robert Thomspon), who strange psychokinetic powers, falls in love with his nurse, Kathy (Susan Penhaligon) communicating with her via an electric typewriter. He also uses his powers to ward off other potential male suiters in Kathy’s life and battle the hospital staff, particularly the Nurse Ratched-like Matron, Cassidy (Julia Blake).
The book was written Australian writer Keith Hetherington, who we have featured previously on this site. Hetherington, who was born in 1929 and I believe is still alive, had a long career, including writing Westerns and Larry Kent crime thrillers for Cleveland Publishing, fiction for Man and Pocket Man magazine, radio plays, television scripts, and various stand alone thrillers and a paperback tie ins for films such as Snapshot (1979) and The Chain Reaction (1980).
I love the cover for this paperback tie in, Robert Thompson aka Patrick’s creepy, penetrating eyes, although the copy I have, from which the front and back cover scan is taken, is slightly askew, the product of a printing fault.… Read more
Posted in Australian popular culture, Australian pulp fiction, Horror, Ozsploitation, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Science fiction and fantasy
Tagged Julia Blake, Keith Hetherington, Man, Patrick (1978), Pocket Man, Robert Thomspon, Snapshot (1979), Sun Books, Susan Penhaligon, The Chain Reaction (1980
Pulp Friday: The Thing From Another World
Today’s Pulp Friday is an absolute thing of beauty.
The Australian edition of John W Campbell’s The Thing From Another World, published by Malian Press in Sydney, in 1952. The wonderful cover is by the prolific local artist, Stan Pitt, who illustrated comics and pulp paperback covers for a number of Australian pulp publishers over a lengthy career that stretched form 1942 to the 1970s.
This edition is particularly interesting because it is the first to anywhere in the world to reference the 1951 film, The Thing From Another World, directed by Howard Hawks. I originally saw it when it was posted by a chap called Morgan Wallace on the Vintage Paperback and Pulp site on Facebook.
Investigating Campbell on the Internet, I discovered a host of terrific images associated with this particular work.
The story was originally known by the title Who Goes There?, and first appeared in the August 1938 edition of Astounding Magazine under Campbell’s pen name, Don A Stuart.
It was published in hard cover as part of a collection of Campbell’s short fiction by Shasta Books in 1948. And then appeared in various editions, with various titles, leading up to the last one below, Bantam paperback tie-in to the 1982 film version by John Carpenter, The Thing.… Read more
Pulp Friday: Weird stories & terrifying tales
A belated happy 2017 to Pulp Curry readers. I have had a very busy start to the year, with my PhD studies and various writing projects, hence the first post of the year has taken me a while to get around to.
The first Pulp Friday of 2017 is a stunning collection of horror themed 1960s pulp titles by Horwitz Publications. These are a mixture of titles I own and books from other collectors.
While horror tales were a staple of American and British pulp fiction in the 1950s and 1960s, they failed to achieve similar popularity in Australia. Australia’s censorship regime – both at the state and federal levels – were far stricter and, as a result, our publishers were much more timid. According to Canberra based scholar, James Doig, horror never had the commercial appear amongst Australian pulp buyers of other genres, such as crime and romance.
That’s not to say there was a total absence of local horror pulp. Influenced by the US magazine Weird Tales, Currowong published a series of horror titles in the 1940s. And Cleveland and Horwitz published some novelettes and pocket books in the 1950s and 1960s.
The earliest Horwitz effort in the 1960s appears to be Weird Stories, published in 1961, part of an anthology series edited by Charles Higham, which was most likely a response to the very successful Pan Book of Horror Stories series that began to appear under the editorship of Herbert Van Thal in 1959.… Read more
Posted in 1970s American crime films, Australian popular culture, Australian pulp fiction, Horror, Horwitz Publications, Pulp fiction, Pulp Friday, Pulp paperback cover art
Tagged Australian horror pulp, Chales Higham, Cleveland, Currowong, Frank Benier, Herbert Van Thal, Horwitz Publications, James Doig, James Workman, Kay Keavney, Pan Pulp