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Recent Posts
- Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
- Book reviews: Deadly dames, midcentury Brit pulp and 1970s science fiction
- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
- Orphan Road book launch
- Orphan Road now available
- Pre-orders open for my new novel, Orphan Road
- Cover reveal: Orphan Road, my follow up to Gunshine State
- Breakfast in the Ruins podcast: New English Library Bikermania
- Why 1973 was the year Sidney Lumet took on police corruption
- Men’s Adventure Quarterly: Gang Girls issue
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Recommended reading
The lurid world of pulp
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Category Archives: Pulp fiction in the 70s and 80s
Video of my talk, The motorcycle – rebel in pop culture, now available
For those of you who were unable to attend my recent talk hosted by the Queensland Gallery of Modern Art, ‘The Motorcycle: Rebel in Pop Culture’, there is now a video of the entire presentation on Youtube. The wonderful folks at QAGOMA have even done an Auslan interpretation of it for the vision impaired.
My talk will take you on a journey through the various representations of the motorcycle in youth and popular culture history, mainly in the United States, Australia and Great Britain. I examine what has given the motorbike its cool reputation and discuss how it has also functioned as a lightning rod for post war concerns around various youth subcultures. In addition to film, I also look at the representation of the motorbike in music and pulp fiction. You can also find it on YouTube here.… Read more
Posted in 1960s American crime films, 1970s American crime films, Australian crime film, Australian popular culture, Australian pulp fiction, Book cover design, British pulp fiction, Crime fiction and film from Japan, Dystopian cinema, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Horwitz Publications, Mad Max, Men's Adventure Magazines, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp paperback cover art, Scripts Publications, Steve McQueen, True crime, Vintage pulp paperback covers
Tagged Andrew Nette, Bikers, Bikies, Marlon Brando, QAGOMA, The Motorcycle Design Art Desire, The motorcycle in pop culture, Youthsploitation, Youthsploitation pulp
Upcoming talk: The motorcycle – rebel in pop culture
A heads up to Pulp Curry readers, that on Thursday April 22 EST, I’ll be giving a talk to coincide with the exhibition currently being hosted by the Queensland Gallery of Modern Art, The Motorcycle: Design, Art, Desire. The talk is entitled, ‘The Motorcycle: Rebel in Pop Culture’.
Throughout the decades, motorbikes have been portrayed as a symbol of freedom and rebellion in fiction, music and on the screen. I’ll be taking you on a journey through the different representations of the motorcycle in youth and popular culture history, mainly in the United States, Australia and Great Britain. I’ll be examining what has given the motorbike its cool reputation as well as discussing how it has also functioned as a lightning rod for post war concerns around various youth subcultures. The talk will focus on film, but I’ll also look at the representation of the motorbike in music and pulp fiction.
The talk, which will take place on Zoom, will start at 7pm EST, is free & your time zone permitting open to anyone anywhere to attend. All you have to do is book at this link. I hope you can attend.
Posted in 1960s American crime films, 1970s American crime films, Australian crime film, Beat culture, Book cover design, British pulp fiction, Crime film, Dystopian cinema, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Horwitz Publications, Men's Adventure Magazines, Neo Noir, New English Library, Ozsploitation, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Rollerball, Vintage pulp paperback covers
Tagged Bikers, Bikies, Motorbikes in popular culture, motorbikes in pulp fiction, Motorcycle Rebel in Pop Culture, QAGOMA, The Motorcycle Design Art Desire, The Wild One (1953), Youthsploitation
Pulp Friday: Cover Me: The Vintage Art of Pan Books 1950-1965
Pan paperbacks are among the first adult books I can remember making a serious impression on me. My father had a number of Pan editions of Ian Fleming’s James Bond books in the collection of paperbacks he had in his den and from an early age I was entranced by their colourful, energetic, somewhat carnal covers.
Colin Larkin’s Cover Me: The Vintage Art of Pan Books: 1950-1965 notes the Fleming series was, not surprisingly, a huge seller for Pan. The books my father owned, which I still have, include cover art by Pat Owen and ‘Peff’ or Samuel John Peff, the latter one of Pan’s most used artists in the 1950s and the first half of the 1960s. I also discovered from Larkin’s book that the small drawing of a suave looking Bond holding a pistol that appears in a banner at the bottom of the main cover design in some of the Fleming Pan editions, was an illustration of Ralph Vernon-Hunt, the company’s managing director at the time.
Pan paperbacks appeared in Australia in large numbers in the three decades after World War II, and can still be found relatively easily in second-hand bookstores and thrift shops throughout the country. I have a fairly large collection, including I am happy to say, many of those that appear in Larkin’s simply sumptuous work.… Read more
Posted in Crime fiction, Horror, Ian Fleming, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Vintage pulp paperback covers
Tagged British paperback cover art, Colin Larkin, Cover Me The Vintage Art of Pan Books 1950-1980, James Bond, mushroom publishers, Pan paperbacks, Peff, Ralph Vernon-Hunt, Samuel John Peff, Telos Publishing
Pulp Friday: No Orchids for Miss Blandish
‘In 1939, amidst violence and wartime shortages, one hardboiled noir took the nation by storm, provoked moral outrage, and inspired legions of imitators.’
My latest piece for the CrimeReads site is a look at the popularity and controversy around James Hadley Chase’s 1939 blockbuster, No Orchids for Miss Blandish. You can read my story in full at the CrimeReads site here.
The article is a sequel of sorts to a story I did back in April on the popularity of mid-century faux American crime fiction in Australia and the career of one of the country’s least known most successful crime writers, Alan Yates, who wrote under the pseudonym, Carter Brown. A link to the full piece is here.
Posted in 1970s American crime films, Australian crime fiction, Australian pulp fiction, British crime cinema, British pulp fiction, Crime fiction, Film Noir, James Hadley Chase, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Vintage pulp paperback covers
Tagged British crime fiction, faux American crime fiction, hardboiled crimefiction, I the Jury (1947), James Hadley Chase, Mickey Spillane, mid-century crime fiction, No Orchids for Miss Blandish, Rene Lodge Brabazon Raymond
Cover reveal: Dangerous Visions and New Worlds – Radical Science Fiction 1950 to 1985
Here’s the cover for the upcoming book I have co-edited with my friend, Iain McIntyre for PM Press, Dangerous Visions and New Worlds: Radical Science Fiction 1950-1985. It follows on from Sticking it to the Man: Revolution and Counterculture in Pulp and Popular fiction l950 to 1980, and Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fictions and Youth Culture, 1950 to 1980. Dangerous Visions and New Worlds contains some terrific writing and a heap of great SF cover art. Some of the authors covered in the book you will know. Others, I hope, won’t be so familiar. The book will around mid-2021, by which time my main concern is that the fiction featured in it will not appear nearly as dystopian the real world around us. More information as I get it. … Read more
Posted in Book cover design, Book Reviews, Dystopian cinema, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp paperback cover art, Science fiction and fantasy
Tagged Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1980, Iain McIntyre, PM Press, radical science fiction, science fiction