Search
-
Recent Posts
- Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
- Book reviews: Deadly dames, midcentury Brit pulp and 1970s science fiction
- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
- Orphan Road book launch
- Orphan Road now available
- Pre-orders open for my new novel, Orphan Road
- Cover reveal: Orphan Road, my follow up to Gunshine State
- Breakfast in the Ruins podcast: New English Library Bikermania
- Why 1973 was the year Sidney Lumet took on police corruption
- Men’s Adventure Quarterly: Gang Girls issue
Categories
- 1960s American crime films
- 1970s American crime films
- 1980s American crime films
- 1990s American crime films
- Adrian McKinty
- Albert Dekker
- Andre De Toth
- Angela Savage
- Angie Dickinson
- Anthony Zerbe
- Asian noir
- Australian crime fiction
- Australian crime film
- Australian noir
- Australian popular culture
- Australian pulp fiction
- Australian television history
- Ava Gardner
- Beat culture
- Belmont Tower Books
- Ben Wheatley
- Billie Whitelaw
- Black pulp fiction
- Blaxsploitation
- Book cover design
- Book Reviews
- British crime cinema
- British pulp fiction
- Bryan Brown
- Burt Lancaster
- Carter Brown
- Charles Durning
- Charles Willeford
- Chester Himes
- Christopher G Moore
- Christopher Lee
- Cinema culture
- Claude Atkins
- Coronet Books
- Crawford Productions
- Crime Factory
- Crime Factory Publications
- Crime fiction
- Crime fiction and film from Africa
- Crime fiction and film from Cambodia
- Crime fiction and film from China
- Crime fiction and film from India
- Crime fiction and film from Indonesia
- Crime fiction and film from Japan
- Crime fiction and film from Laos
- Crime fiction and film from Latin and Central America
- Crime fiction and film from Malaysia
- Crime fiction and film from New Zealand
- Crime fiction and film from Scandinavia
- Crime fiction and film from Singapore
- Crime fiction and film from South Korea
- Crime fiction and film from Thailand
- Crime fiction and film from the Philippines
- Crime Fiction and film set in Vietnam
- Crime film
- Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985
- David Goodis
- David Peace
- David Whish-Wilson
- Derek Raymond
- Diana Dors
- Dirk Bogarde
- Don Siegel
- Don Winslow
- Donald Westlake aka Richard Stark
- Dystopian cinema
- Ernest Borgnine
- Eurocrime
- Fawcett Gold Medal Books
- Femme fatale
- Fernando Di Leo
- Filipino genre films
- Film Noir
- Forgotten Melbourne
- French cinema
- French crime fiction
- Garry Disher
- Gene Hackman
- George V Higgins
- Georges Simenon
- Ghost Money
- Giallo cinema
- Gil Brewer
- Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980
- Gloria Grahame
- Gold Star Publications
- Gregory Peck
- Gunshine State
- Heist films
- Horror
- Horwitz Publications
- Humphrey Bogart
- Ian Fleming
- Interviews
- Ira Levin
- James Caan
- James Crumley
- James Ellroy
- James Hadley Chase
- James Woods
- Jim Brown
- Jim Thompson
- Joel Edgerton
- John Frankenheimer
- Joseph Losey
- Karen Black
- Kerry Greenwood
- Kinji Fukasaku
- Larry Kent
- Laura Elizabeth Woolett
- Lee Marvin
- Leigh Redhead
- Lindy Cameron
- M Emmet Walsh
- Mad Max
- Mafia
- Malla Nunn
- Martin Limon
- Megan Abbott
- Melbourne International Film Festival
- Melbourne Writers Festival
- Men's Adventure Magazines
- Michael Caine
- Michael Fassbender
- Mickey Spillane
- Monarch Books
- Ned Kelly Awards
- Neo Noir
- New English Library
- Newton Thornburg
- Noir Con
- Noir fiction
- Non-crime reviews
- Oren Moverman
- Orphan Road
- Ozsploitation
- Pan Books
- Parker
- Paul Newman
- Peter Boyle
- Peter Corris
- Peter Strickland
- Peter Yates
- Poliziotteschi
- Pulp fiction
- Pulp fiction in the 70s and 80s
- Pulp fiction set in Asia
- Pulp Friday
- Pulp paperback cover art
- Qui Xiaolong
- Raymond Chandler
- Richard Burton
- Richard Conte
- Robert Aldrich
- Robert Mitchum
- Robert Ryan
- Robert Stone
- Rock Hudson
- Roger Smith
- Rollerball
- Rosaleen Norton
- Roy Scheider
- Rural noir
- Sam Levene
- Sam Peckinpah
- Samuel Fuller
- Science fiction and fantasy
- Scripts Publications
- Sidney Lumet
- Sidney Poitier
- Simon Harvester
- Snowtown
- Snubnose Press
- Spies
- Stanley Baker
- Sterling Hayden
- Steve McQueen
- Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
- Stuart Rosenberg
- Tandem Books
- Tart noir
- Tartan Noir
- Ted Lewis
- Toni Johnson Woods
- True crime
- Vicki Hendricks
- Victor Mature
- Vintage mug shots
- Vintage pulp paperback covers
- Wallace Stroby
- War film
- Westerns
- William Friedkin
- Woody Strode
- Yakuza films
- Yaphet Kotto
Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
- Comics Down Under
- Everything second hand
- Existential Ennui
- Greenleaf Classic Books
- Irv O. Neil's Erotica is My Trade
- Killer Covers
- Lost Classics of Teen Lit 1939-1989
- Luminist Archives
- Men's Pulp Mags
- Mporcius Fiction Log
- Murder, Mayhem and Long Dogs
- Neglected Books
- Nocturnal Revelries
- Paperback Warrior
- Paperbacks of the Gods
- Pop Sensation
- Pulp artists
- Pulp Covers
- Pulp Crazy
- Pulp Flakes
- Pulp International
- Pulp Magazines Project
- Pulp Serenade
- Realms of the Night
- Romance Fiction Has a History
- Rough Edges
- Sin Street Sleaze
- Spy Guys and Gals
- The department of Afro American Research Arts & Culture
- The Dusty Bookcase
- The Haunted World of Richard Sala
- The Moon Lens
- The Nick Carter & Carter Brown Blog
- The Pulp & Paperback Fiction Reader
- Too Much Horror Fiction
- True Pulp Fiction
- Vault of Horror
- Vintage Nurse Romance Novels
- Vintage Romance Novels
- Welcome to the Pan Paperback
- Yellow and Creased
Support This Site
If you like what I do please support me on Ko-fi
Category Archives: Pulp fiction in the 70s and 80s
Pulp Friday: Torn shirts & maneaters
Today’s Pulp Friday post looks at two pulp-related projects that I think should be on your radar.
The first is Michael Stradford’s Steve Holland: The Torn Shirt Sessions. Many of you have probably have not heard of Steve Holland but if you collect pulp paperbacks, I can almost guarantee that you will have seen his face on covers that you have from the 1950s to the 1980s. Holland was one of the foremost paperback cover models over this period and certainly the most used male model I am aware of.
While I was familiar with Holland’s chiselled features from the cover art of numerous books in my possession long before I realised who he was, since learning his name it seems like I, literally, cannot go into second-hand bookshop or browse pulp art the internet without stumbling across him. He not only modelled for paperbacks, but for the covers of men’s adventure magazines and comic books, in every conceivable genre. In the process, he worked with some of the foremost pulp illustrators of the 20th century, including Mort Kunstler, Roger Kastel, and Ron Lesser, just to name a few.
One of the characters Holland is most closely associated with is Doc Savage, The Man of Bronze. A fictional character who first appeared in American pulp magazines in the 1930s, Doc Savage transitioned to the paperback format in the mid-1960s.… Read more
Posted in Book Reviews, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Vintage pulp paperback covers
Tagged Bob Deis, Bob Larkin, Doc Savage Man of Bronze, Eva Lynd, Joe DeVito, Maneaters Killer Sharks In Men's Adventure Magazines, Mens Adventure Library Journal series, Michael Stradford, Mort Kunstler, New Texture, Roger Kastel, Ron Lesser, Sharks in pulp fiction, Steve Holland, Steve Holland: the Torn Shirt Sessions, Steve Holland: The World's Greatest Art Model, Wyatt Doyle
Interview: James Herbert
Regular readers of this site will be familiar with my fascination with New English Library paperbacks of the 1970s, as well as my confoundment that no one has yet written a comprehensive history of the incredibly influential mass market publisher. The first of the pulp and popular fiction histories that I co-edited for PM Press, Girl Gangs Biker Boys and Real Cook Cats: Pulp Fiction and Youth Culture, 1950-1980, focused in some depth on NEL’s youthsploitation books (bikers and the skinhead and other paperbacks written by James Moffat aka Richard Allen), including re-published important material written by British critic Stewart Home. NEL was also included in my second PM Press book, Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950-1980. I’ve read bits and pieces on NEL, how they worked, their authors and their books around the place, mainly on-line, but there is nothing comprehensive I am aware of that has really pulled all this disparate information together and properly analysed the significant of NEL to 1970s British print culture.
Anyway, when award winning writer, author and horror historian Johnny Mains mentioned to me during an online discussion that he had an interview with one of NEL’s best known authors, James Herbert, that didn’t have a home, I was keen to provide one.… Read more
Posted in Book cover design, British pulp fiction, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Horror, Interviews, New English Library, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp paperback cover art, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
Tagged Bill Phillipps, Bob Tanner, British horror fiction, Cecil Smith, Creed, Dot Lumely, Guy N Smith, James Herbert, James Moffat, Lenny Henry, New English Library, Richard Allen, Stewart Home, Survivor, Survivor (1976), Terry Harknett, The Edge, The Fog, the nasties, The Rats, The Secret of Crickley Hall, Walter Briggs
Dangerous Visions and New Worlds: Radical Science Fiction 1950-1985 Kickstarter
I have written on this site before about the upcoming book I have coedited, Dangerous Visions and New Worlds: Radical Science Fiction 1950-1985, due for release in the US in October. For the next month of so leading up to this, the publisher, PM Press are running a pre-sale campaign for Dangerous Visions and New Worlds via Kickstarter. Other than allowing people to be the first to get their hands on the book this features various offers, including some great book packs and bonuses, even sci-fi pulp themed underpants! Due to US Postal Services rates being so high the Australians among you may want to wait until our Melbourne launch (date and venue TBC) or place an order via your local bookshop. More details when I have them.
You can check out the Kickstarter campaign and the various offers as part of it at the link here.… Read more
Posted in Black pulp fiction, Book cover design, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, Dystopian cinema, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp paperback cover art, Science fiction and fantasy, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
Tagged Dangerous Visions, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1980, Kickstarter, New Worlds, radical science fiction, science fiction
Book Review: Jane Gaskell’s A Sweet, Sweet Summer
One of the authors I really wanted to include among those examined in the third book I have co-edited with my friend, Iain McIntyre, Dangerous Visions and New Worlds: Radical Science Fiction, 1950 to 1985, was British writer, Jane Gaskell. In particular her novel, A Sweet, Sweet Summer, first published in hardback by Hodder and Stoughton in 1969. To be honest, as is so often the case, what first attracted me to finding out more about this title was the cover of the 1971 Sphere edition, with its uniquely early 1970s dystopian take on the female juvenile delinquent. It’s a wonderful piece of photographic paperback art, of the sort that the British did so well at the time, no doubt cheaply done (in all likelihood the model was one of the typists in the Sphere office), but very effective.
Plans to include Gaskell in Dangerous Visions and New Worlds were scuppered by the fact that I simply could not find a copy of A Sweet, Sweet Summer anywhere at a price that I could even remotely afford. The book is incredibly rare and has not been republished. Indeed, as I discovered when I posted an image of the cover above on Twitter – long after Dangerous Visions and New Worlds had been put to bed – I just was one of many bibliophiles who had been on the lookout for an affordable second-hand copy of this Gaskill book.… Read more
Posted in Book cover design, Book Reviews, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, Dystopian cinema, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, New English Library, Pulp fiction in the 70s and 80s, Pulp paperback cover art, Science fiction and fantasy
Tagged A Sweet Sweet Summer, China Miéville, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1980, Dave Wallis, Hospital Ship (1976), Jane Gaskell, Martin Bax, Michael Moorcock, New English Library, Only Lovers Left Alive, the Atlan Saga, The Shiny Narrow Grin, Valencourt Books, Youthsploitation