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Category Archives: Pulp fiction in the 70s and 80s
Pulp Friday: dark hungers and primitive passions
My post earlier this week on 50 Shades of Grey and, consciously or not, how it feeds into the rich seam of sleaze and sex pulp popular in the late fifties and sixties, generated a lot of interest.
Today’s Pulp Friday is a selection of titles from this sub-genre of pulp fiction. The following editions hail from the sixties and span pulp from the UK, US and Australia. They cover off all the main pulp obsessions.
There’s illicit young love in The Offenders and The Hot Summer (as the blurb for The Offenders puts it: “Old enough to know better – young enough not to care…”)
Primitive Passions, Dark Hunger, A Feast of Friends and Boarding House all deal with innocent women dealing with the dark sexual appetites of men. As the cover of Dark Hunger put it: “Her mind shrank from the horror that was happening to her – but her body cried for me.”
The sexual desires of wanton women also got a thorough going over in books such as House of Deceit (“She was an amateur in love – but a professional in sin”) and The Dream and the Flesh: “Into the sin pits of Paris she lured him. Into the nameless dark places of reckless thrills.”… Read more
Fifty Shades of Pulp
There’s been a lot of on-line talk lately about so-called ‘New Pulp’, what it is, who’s in, etc. It’s an interesting debate and one, as a fan and aspiring pulp hack, I’m happy to see occurring. What has surprised me is how this discussion has fed into my thoughts about another hotly debated issue on the Internet at the moment, the publishing sensation known as Fifty Shades of Grey.
Don’t get how the two are linked? Here goes.
Very few commentators have been bold enough to offer up a definition of New Pulp, which is probably just as well as by its very nature it’s all over the place. I’m certainly not going to try and do it here.
The guy who kicked off the most recent round of talk, Damien Walter, a writer with The Guardian newspaper in the UK, defined it as “fiction written with the same sensibilities, linear story telling, patterns of conflict, and creative use of words and phrases as original pulp, but crafted by modern writers, artists and publishers.”
Which sounds to me a lot like ‘Old Pulp’ only it’s being published now.
Let me try and summarise what else people have had to say on the subject.
New Pulp is about pace. Not just in terms of plotting but the speed with which it’s written.… Read more
Pulp Friday: mercenary pulp
This week’s Pulp Friday is a selection of covers from the seething, sweaty, bloody, intrigue laden world of mercenary pulp.
I picked them celebrate the fact that I have a story in issue 2 of Blood and Tacos, which launches today, called ‘Bastard Mercenary: Operation Scorpion Sting’. Well, it’s not my story. It was written by a guy called Arch Saxon, one of the mainstays of the local pulp fiction scene in the seventies and eighties.
I discovered Saxon living in a down at heel rooming house in Brunswick, while researching a piece for this site. After he’d drunk his own body weight in beer and caged a hundred dollars off me, he agreed to let me submit a story of his featuring his little known creation Bruce ‘Boomer’ Kelly to Johnny Shaw’s Blood and Tacos series.
Kelly aka Bastard Mercenary is hard-bitten Bangkok-based Australian mercenary who’ll undertake any job so long as the beer is cold and the money right. Much like Saxon himself.
The rest as they say is history.
Blood and Tacos is an affectionate homage to the crazy, over the top world of late seventies, eighties pulp fiction. A time when titles such as Penetrator, The Liquidator, Death Merchant, Black Samurai and The Executioner rubbed muscular shoulders with each other on the pulp paperback rack of the local newsagency.… Read more
Posted in Australian pulp fiction, Belmont Tower Books, Crime fiction and film from Africa, Horwitz Publications, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Vintage pulp paperback covers
Tagged Black Samurai, Blood and Tacos, death Merchant, Johnny Shaw, Mercenary pulp, Penetrator, Soldier of Fortune, The Executioner, The Liquidator
Pulp Friday: pulp from the seventies and eighties
“When he has to, Shannon can be as vicious as the worst Mafia thug who ever used a blow torch on a stoolie.”
We usually associate pulp fiction with the classic hard-boiled covers of the fifties and sixties. But pulp endured well into the seventies and beyond, before finally dying out and in the late eighties.
Today’s Pulp Friday is a selection of pulp covers from that latter period of pulp, the seventies and eighties.
I’m not sure why, but the pulp from this period seemed more extreme than it’s earlier iterations, if that’s possible, more turbo changed and over the top. The violence was more pronounced. The characters were PIs, mercenaries, spies and adventurers, like their predecessors, but they were even more starkly drawn, often to the point of being bizarre.
If you doubt me, check out the following.
Shannon #3: The Mindbenders features a private eye who lives “in a penthouse on Manhattan’s swank Upper East Side, but most of his work is done in the gutter”. He is the number one agent for a boutique government spy agency called Morituri, run by a priest referred to as Number One. Shannon is handsome, independently wealth and writes PI novels in his spare time. This book involves the suicide of a woman Shannon was close to which he ties to other deaths involving the UN.… Read more
Pulp Friday: biker pulp
“Lusting females with sadism and sex on their mind.”
Bikers were one of the major themes of pulp fiction in the late sixties and seventies.
Society’s fascination with bikers obviously dates back much further than this, but by the late sixties it had well and truly seeped into popular culture, thanks to the well publicised violence at Aldamont, movies like Easy Rider (1969) and the success of Hunter S Thompson’s 1965 gonzo journalism classic, Hells Angels.
Australia was no exception to this trend, with concerns about law and order arising from the growth of the counter culture and the popularity of movies like Stone (1974) and Mad Max (1979) resulting in our own fascination with bikie culture.
The result was wave of pulp novels focusing on the exploits of outlaw biker gangs and the cops trying to break them. The books mirrored mainstream society’s fascination/loathing of bikie culture, real and imagined, mixed with lashings of gratuitous sex and hard-core violence.
Wheels of Death (1975) and Bikie Birds (1973) are two Australian examples of biker pulp fiction. Both were written by Stuart Hall, who penned approximately 45 pulp novels between 1970 and 1980, including a number of biker pulps for Scripts, the adults-only inprint of Sydney-based pulp publisher Horwitz Publications.
In addition to writing about the denim clad male members of these bikie gangs, Hall devoted considerable attention to the women (or ‘birds’ as women were often referred to in popular working class Australian slang) who rode with them, characters every bit as sexually loose and violent as their male counterparts.… Read more
Posted in Australian crime fiction, Australian pulp fiction, Fawcett Gold Medal Books, Horwitz Publications, New English Library, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Scripts Publications, Vintage pulp paperback covers
Tagged Alex R Stuart, Angels on My Mind, Bikie Birds, Bikie Rumble, Birds of Destruction, Blood Circus, Easy Rider (1969), Fawcett Gold Medal Books, Hells Angels, Hip Pocket Sleaze, Horwitz Publications, Hunter S Thompson, Jon Harrison, Mad Max (1979), Mick Norman, New English Library, Scripts Publications, Stone (1974), Stuart Hall, The Devil's Rider, Thomas K.Fitzpatrick, Vengeance is a Woman, Wheelie, Wheels of Death