Category Archives: Pulp fiction in the 70s and 80s

Pulp Friday: Mafia pulp fiction

Posted on November 23, 2012 by Andrew Nette| Leave a comment

The Mafia, Cosa Nostra, the Mob, the Family, the Outfit, the Syndicate, call them whatever you like, it’s hard to overstate the influence organised crime had over pulp fiction.

My post on the Andrew Dominik movie Killing Them Softly earlier this week, got me thinking about how the Mafia have been portrayed in popular fiction and film.

One of the aspects of Killing Me Softly I found so interesting was its depiction of organised crime in the traditional sense as being just a shadow of its former glory. For the most part, the gangsters were a bunch of clapped out old men and cautious time servers, clinging desperately to the last trappings of their power base.

It wasn’t always so. Stretching right back to the late forties, organised crime was one of the central pre-occupations of pulp writers. The phenomenal success of Mario Puzo’s book, The Godfather, published in 1969 and the subsequent movie version by Francis Ford Coppola in 1972, saw pulp’s fascination with the Mafia stretch well into the seventies.

In addition to novels examining every aspect of the Mafia’s rituals and existence, so all pervasive and powerful was the Mafia’s reach, pulp writers invented a series of characters that existed just to fight it.

Robert Briganti or ‘the Assassin’ as he is known, “lives only to destroy the Mafia.”… Read more

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Posted in Belmont Tower Books, Crime fiction, Fawcett Gold Medal Books, Mafia, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, True crime, Vintage pulp paperback covers

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Pulp Friday: spy pulp part 2, Assignment Asia

Posted on November 16, 2012 by Andrew Nette| 6 Comments

To commemorate the 50th anniversary of James Bond, last week’s Pulp Friday was a selection of spy themed pulp covers.

This week’s post takes us to one of the main battlegrounds for pulp spies in the sixties and seventies – Asia.

The Cold War was in full swing and those Reds were getting up to all kinds of nefarious activity behind the bamboo curtain, everything from kidnapping, sabotaging America’s space program, developing bubonic plague, drug running, to assassination.

And secret agents like Mark Hood (The Bamboo Bomb) Butler (Chinese Roulette) Death Merchant (Chinese Conspiracy), Joe Gall (The Star Ruby Contract) and Drake (“The man with nobody’s face” in Operation Checkmate), Nick Carter (The Defector) and Sam Durell (the Assignment series, over 48 of which were written), were in the thick of it.

They usually committed a lot of violence, had a lot of sex, and travelled to exotic locations. The books below are set in China, Singapore, Hawaii, Hong Kong, Taiwan, Thailand, Japan and Sri Lanka.

And, of course, there were some great covers. My favourite is the Robert Mcginnis illustration for Scott S Stone’s The Dragon’s Eye. But I’m also rather taken with the sleazy eighties feel of the photograph on the cover of Assignment Bangkok.… Read more

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Posted in Coronet Books, Crime fiction and film from China, Crime fiction and film from India, Crime fiction and film from Japan, Crime fiction and film from Singapore, Fawcett Gold Medal Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Spies, Vintage pulp paperback covers

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Pulp Friday: witches, warlocks and drums of the dark gods

Posted on October 26, 2012 by Andrew Nette| 4 Comments

“A Horrifying excursion into a world ruled by the prince of darkness”

We don’t do Halloween in Australia, but it’s as good an opportunity as any to post some of the terrific occult pulp paperbacks covers I’ve collected over the last few months.

The supernatural and occult were major pre-occupations of popular culture in the sixties and the first half seventies. I am not exactly sure why, but some observers have linked it to regular outbreaks of witch mania that historically coincided with periods of major social change and dislocation.

Occultists, witches, Satanists, ruled much of the cinema screen. As was often the case, relatively highbrow offerings, Roman Polanski’s 1968 film Rosemary’s Baby, The Exorcist (1973) and The Omen (1976), coexisted along side more sensationalist exploitation fare. Devil’s Rain (1975), Brotherhood of Satan (1971), The Witches (1966) and Race with the Devil (1975), are just some of the many, many examples.

And where cinema went, pulp fiction followed. Old stories were spiced up, new ones penned in rapid succession.

Rest in Agony concerns what transpires when a husband and wife discover a little black book that reveals their dear deceased Uncle Amby lived a secret double life as a Satanist. Not surprising when some of his mates included Vandal James “Satan’s playmate” and Amora Cartwirght “Goddess of dark waters”.… Read more

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Posted in Ben Wheatley, Horwitz Publications, Monarch Books, New English Library, Pan Books, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Scripts Publications, Vintage pulp paperback covers

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Pulp Friday: Narcotic pulp

Posted on September 7, 2012 by Andrew Nette| 8 Comments

Dope, smack, heroin, cocaine, the evils of narcotics have always been a central pre-occupation of pulp fiction, as can be seen by the selection of paperback covers below.

In Second Ending the victim in question was one of pulp’s favourite characters, a way ward jazz musician who starts taking drugs for kicks, “small time stuff at first”, Benzedrine, then marijuana, “and soon graduates to the killer drug – heroin.”

The main character in Nelson Algren’s classic, The Man With the Golden Arm, is a card shark and former heroin addict fresh out of jail who fights find a new life and avoid slipping back into his habit.

Open Your Hand and Close Your Eyes is a story of drug use and crime amid “a terrifying world where the razor gang rules and a teenage girl will do unspeakable things to get the drug she craves.”

Pulp’s obsession with drugs and their link with crime and changing sexual standards was often thinly dressed as sociological inquiry. A classic example is Drug Scene Kings Cross by Robert Connell, which promises to unveil the real drug scene in Sydney’s Kings Cross, including the aphrodisiac powers of marijuana or “‘pot’ as it is termed by its devotees”.

Better known is Go Ask Alice by Anonymous, an anti-drug propaganda tale about a teenage girls descent into junkie hell.… Read more

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Posted in Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, True crime, Vintage pulp paperback covers

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Pulp Friday: Parker

Posted on August 31, 2012 by Andrew Nette| 4 Comments

Today’s Pulp Friday is a selection of books by one of my favourite authors, Richard Stark AKA the late Donald Westlake.

Regular readers of Pulp Curry will know that my love of Westlake and his creation, the professional thief Parker, particularly his pre-1974 incarnation, knows no bounds.

I’ve been keen for a while now to share some of my collection of Parker covers. The impetus for finally getting my act together is two fold.

First, I recently picked up a cheap copy of the very rare 1977 Coronet Books edition of Butcher’s Moon and I wanted it show it off. It’s got a great early seventies feel.

Second, I’ve been re-reading one of the earlier Parker books, The Black Ice Score. The cover of the 1986 Allison and Busby edition is among those below “Stealing the Africans’ diamonds back appeals to the arch pro in Parker. But the opposition’s clumsy double cross activates the mean machine”.

Actually, re-reading is not quite accurate. I started it years ago but never finished. The story didn’t particularly appeal to me at the time and I’ve since talked to many people who believe it is one of Westlake’s lessor Parker efforts.

But I’m enjoying it this time around. Parker gets involved in a diamond heist being staged by a group of Africans who want to use the proceeds to overthrow their country’s corrupt ruler.… Read more

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Posted in Coronet Books, Crime fiction, Donald Westlake aka Richard Stark, Fawcett Gold Medal Books, Noir fiction, Parker, Pulp fiction in the 70s and 80s, Pulp Friday

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