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Category Archives: Pulp fiction in the 70s and 80s
Pulp Friday: Island of Flames
“Nine people were on the island, so conflict erupted into a conflagration of sex, jealously and death. Then there were seven.”
Here’s a quick Pulp Friday offering before I retreat to the bunker I’ve dug in the backyard to await the results of Saturday’s federal election.
Island of Flames was published by Horwitz Publications in 1967.
According to the Austlit database, Geoff Wyatt quit high school at 14 and joined the Royal Australian Navy at 17. He also worked as a labourer and factory worker before becoming a journalist.
In the late 1960s and early 1970s he published stories and articles in the skin magazines that had popped up in Sydney in the early sixties, before going on to write a dozen or so books for Horwitz.
The plot line for Island of Flames is a deranged, counter-cultural version of the hit show, Survivor, featuring every archetype in the arsenal of sixties pulp fiction. But the back cover blurb can explain it way better than I ever could.
“Nine men and woman isolated on a tropical island.
Kay Perry – a prostitute.
Miles Nash – an editor, fire from his job.
Leon Hudson and Arthur Fell – two petty criminals.
Rex Hamilton – a journalist with ambitions.
Eric Rigby – an artist from the Cross.… Read more
Pulp Friday: The Last Refuge
Today’s Pulp Friday is a little known but interesting book, The Last Refuge by Edward Lindall, published in 1972.
It’s interesting for two reasons.
First, it was an attempt to set a spy thriller amid the radical student politics taking place in Australia in the early seventies.
The second reason is the publisher, a little known Melbourne-based pulp publishing outfit called Gold Star Publications.
The main character of The Last Refuge is Jay Landon, an Australian Security and Intelligence Organisation agent, assigned the mission of infiltrating and destabalising a group of Maoists, led by Peking agent, Clyde Mansell. The Maoists have left their inner city terraces for the wide expanse of the Australia’s north to wage guerrilla war against US multinationals stripping the country of its mineral wealth.
Lindall’s real name was Ernest Edward Smith, an Adelaide based journalist and writer who penned 13 books, mainly crime and thrillers, but also some science fiction. He died in 1979. The Last Refuge, the only of his books released by Gold Star Publications, taps into the very real politics of what was the most physically and politically aggressive of the radical student groups operating on Australian campuses in the early seventies.
Here’s the back cover blurb:
“There’s always two sides to any story.… Read more
Pulp Friday: more adventures behind the bamboo screen
One of the most successful pulp fiction related posts to date on this site was a selection of Asian themed pulp fiction paperback covers I put up in 2011, Behind the bamboo screen: Asian pulp covers of the sixties and seventies.
For a while now I’ve been planning a follow up and here it is.
As was the case in the original post, the covers below portray the anti-communist hysteria created by the rise of the so-called ‘red menace’ as well the fate of innocent (and not so innocent) Westerners thrown into chaos and intrigue of the ‘Far east’, a place of intrigue, “notorious pleasure palaces” and “forbidden desire”.
Hong Kong was a popular setting of Asian themed pulp fiction, as evidenced by titles such as A Coffin From Hong Kong (“A seemingly innocent telephone call led him to the murder of a Chinese call-girl who had talked to much and into the teeming, sordid nightlife of colourful Hong Kong”).
Other locales portrayed below include, Korea (The Turncoat), China (Shanghai Incident – “I had two callers my first night in Shanghai – death and a honey blonde”), the “South Seas” (November Reef), India (Men and Angels), Burma (The House of Bamboo – “In a Burmese girl’s warm, seductive beauty he found escape from the flames of forbidden desire”), and Thailand (Port Orient).… Read more
Posted in Crime fiction and film from Cambodia, Fawcett Gold Medal Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp paperback cover art, Vintage pulp paperback covers
Tagged Asian themed pulp fiction, Dan Cushman, Fu Manchu, James Eastwood, James Hadley Chase, Lawrence Block, Sax Rohmer
Pulp Friday: The Deadly Prey
“A sadistic maniac was developing a deadly virus by using children as guinea pigs.”
Vigilantes were one of the key themes of the muscular over the top world of seventies pulp fiction. And one of the biggest, meanest and weirdest of them was John Yard aka The Hunter.
Published in 1975, The Deadly Prey is one of four books I know of in The Hunter series, the other titles being Scavenger Kill, Track of the Beast and A Taste for Blood. All of them were released by New York pulp publisher, Leisure Books. You’ll find the covers to the other three books here on my Pinterest site.
Yard is a former African game hunter who has changed professions and, along with his side kick, Moses Ngala, now works as a gun for hire.
The subject of his attentions in The Deadly Prey is a mad scientist who is testing a lethal super virus on the inhabitants of an Appalachian hippy commune. Unfortunately for the scientists and his backers in the military industrial complex, one of the kids he kills happens to be the son of one of Yard’s former hunting partners and, of course, a former Green Beret.
Whatever, the back cover blurb does much more justice to the story than I ever could.… Read more
Pulp Friday: Black Samurai
“The Black Samurai tangles with a human Satan in a hellish den of torrid sex and deadly violence.”
Today’s Pulp Friday is a series of covers featuring one of the best characters of US seventies pulp, Robert Sand aka Black Samurai.
Black Samurai was the creation of Black American writer Marc Olden. Olden wrote a total of seven books featuring Black Samurai, a US GI stationed in Japan who gets trained by a Japanese martial arts master and unleashed in to a series of bizarre adventures.
As was often the case with seventies pulp, Black Samurai’s plots were a mash up various hard boiled popular culture themes, including Eastern mysticism, the occult, organised crime, as well as lots of sex and bone breaking martial arts action.
My favourite of the covers featured in this post is The Warlock, in which Black Samurai tangles with an occult mastermind and his army of killer dwarfs.
Another of the releases featured in this post, The Katana sees Sand having to recover an ancient Samurai sword stolen by a army of thugs commanded by the Mafia and financed by Arab oil wealth.
The Black Samurai series were among the approximately 40 books, mainly suspense and thrillers, written by Olden, himself an expert in Akaido and Karate.… Read more