Category Archives: Pulp fiction in the 70s and 80s

Pulp Friday: Newton Thornburg’s heist novel, Knockover

Knockover

“The scheme was so perfect, the take was so big, you couldn’t ask for anything more-but one of them did.

I’ve got a little gem of a Pulp Friday today, the very rare Australian release of Newton Thornburg’s little known heist novel, Knockover.

Although he was a great success in the seventies, the peak period of his literary output, Thornburg kept a low profile in successive decades. So much so that when he died in 2011, it took a month before the first proper literary obituary appeared.

He is best known for the 1976 novel, Cutter and Bone. While I love the book and the 1981 movie version, Cutter’s Way (and which I reviewed on this site here), I have a preference for, To Die In California, a 1973 novel about a father’s investigation into the murder of his son in post-Summer of Love Los Angeles.

Knockover, Thornburg’s second book was originally published by Fawcett Gold Medal in 1968. Thornburg said he wrote Knockover explicitly with the hope of a movie sale in mind. Apparently the rights were optioned but nothing ever came of it. The story revolves around a former advertising executive, Cross, who puts together a team of criminals to pull off an armoured car robbery.… Read more

Pulp Friday: the pulp of John D MacDonald

The Empty Trap popular Library 1957“He Sold His Soul For Another Man’s Wife.”

This weeks Pulp Friday is a selection of covers from the prolific US thriller writer, John D MacDonald.

MacDonald got his start writing for pulp magazines in the late forties, then rode the paperback boom that occurred in the fifties and early sixties. He was the author of over sixties books, as well as numerous short stories and articles.

He is probably best know for creating the fictional private investigator Travis McGee, who featured in 21 of McDonald’s books.

A number of his books have been adapted for film and television. His novel The Executioners was filmed as Cape Fear, starring Gregory Peck, Robert Mitchum and Polly Bergen, in 1962, and again by Martin Scorsese in 1991. One of the McGee books, Darker Than Amber, was made into a film of the same name, starring Rod Taylor, in 1970.

The following selection of covers spans the late fifties to the early seventies and include many of the Fawcett Gold Medal editions of McDonald’s work, as well as the UK Pan paperback additions.

Enjoy.

April-Evil3 You Live Once Fawcett Gold medal 1957

Cape Fear Coronet Books 1960

Death Trap Pan 1958

The Only Girl in the Game Fawcett Gold Medal 1960

The Only Girl in the Game Pan Books 1960

One Monday We Killed then all Fawcett Gold medal 1961

On The Run Gold Medal Books 1963

The Drowner Fawcett Gold medal 1963

The Quick Red Fox Pan Books 1964

Dress Her in Indigo GM version Fawcett gold medal 1969

Darker than amber. Pan Books 1966jpeg

The Damned Fawcett Gold medal

The Neon Jungle FG medal 1988Read more

Pulp Friday: Wild Beat, a tribute to Australian pulp writer Carl Ruhen, 1937-2013

The Rebels

Most people think of pulp publishing as American. But for several decades in the second half of the last century, Australia had a significant pulp paperback industry that produced a large range of popular fiction.

By the mid-to-late sixties, Horwitz, Australia’s largest pulp publisher, was producing up to 16 titles a month with initial print runs of 20,000 copies. Black magic, hippies, juvenile delinquents, spies, bored suburban housewives looking for thrills, and evil Japanese and German prison guards – nothing was off limits. Local pulp publishers pounced on mainstream society’s fantasies, fears and obsessions and turned them into cheap, disposable paperback thrills.

Carl Ruhen was at the centre of this industry and continued to ply his trade as a writer until the late eighties. AustLit, the Australian Literature Resource database, credits him with 78 books. He also penned numerous short stories and magazine articles.

On November 28 last year, Carl Ruhen died after a long illness, aged 76.

I’ve long been aware of Ruhen’s work. Unfortunately, I never met him. I found out about his passing in late December when an acquaintance who’d been in sporadic contact with Ruhen emailed me with the news. The only mention I’ve been able to find of his death was a short notice in the Sydney Morning Herald, dated December 2, 2013.

Read more

Pulp Friday: passion pits and twilight zones, Kings Cross pulp fiction

The Deserters“A startling and authentic story of wartime Sydney when the American ‘invasion’ turned Kings Cross into a passion pit of vice and black marketing.”

Earlier this week I reviewed Louis Nowra’s terrific social history Kings Cross A Biography for the Overland Journal website.

Kings Cross has always had a particular place in our popular imagination as Australia’s capital of sin, sleaze and crime.

The terrific 1995 television mini-series Blue Murder and the not-so-wonderful Underbelly: Razor and Underbelly: The Golden Mile all did their bit to maintain this unsavoury reputation.

In the sixties and early seventies, Kings Cross was also a favourite setting for locally published pulp novels.

As I have discussed many times on this site, pulp fiction is a warped reflection of mainstream society, its illicit desires, fears and fascinations. Thus it was with pulp’s depiction of the Cross as a virtual Sodom and Gomorrah of sex, gambling, crime and human depravity of every description.

Wild youth gangs, criminal syndicates, black magic, pulp took all of these and turned them into portable, pocket sized key pieces of key hole voyeurism. From a publishing perspective they sold a bomb to punters eager for vicarious thrills and a peek of the dark goings on in the Cross.

Nowra’s book didn’t touch on this this particular aspect of Kings Cross’s hold on our popular imagination.… Read more

Pulp Friday: prison pulp

The Ninth Hour“Gripping novel about a jailbreak – The bloody, death filled minutes while a murderous convict holds all the state of Massachusetts at bay.”

Jail breaks, prison life, men and woman wrongly convicted and languishing in hell hole jails, all these were popular themes in cinema in the fifties, sixties and early seventies. They were also popular topics for pulp fiction.

Exhibit A is this selection of prison pulps from my collection.

Between them, these books cover off on all the main themes associated with prison pulp.

There are tension filled jail breaks in Billy Braggs and The Ninth Hour (“Three desperate prisoners, armed with smuggled .45’s, were holed up in the Isolation Cell Block, with two guards as hostages”).

Wrongfully convicted men feature in The Fall of the Sparrow, Headed For the Hearse (“His address was Death Row and his lease was up in six days…”), and Patricia Highsmith’s The Glass Cell.

The travails of women behind bars, particularly their sensationalised sexual exploits, are the subject of the two Australian pulps represented below, The Lights of Skaro and Queen Rat (“From behind bars Dawn Arness ruled the lives of prisoners and guards alike. She was Queen Rat”).

Prison was particularly suited to my favourite sub-genre of pulp fiction, tabloid-style reporting dressed up as serious sociological inquiry.… Read more