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- Orphan Road now available
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- Why 1973 was the year Sidney Lumet took on police corruption
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Nothing but noir
Recommended reading
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Category Archives: Parker
Guest post: Tony Knighton – character arc or is crime fiction literature?
Today I’m thrilled to host a guest post by my friend, Tony Knighton, Philadelphia’s only fire fighting crime writer and, I mean, he really is a fire fighter. Tony has a new book out, Three Hours Past Midnight, via Crime Wave Press, also the publishers of my first novel, Ghost Money. Three Hours Past Midnight is Tony’s second book. His first, was a terrific collection of short stories titled Happy Hour and Other Philadelphia. Three Hours Past Midnight is the story of a professional thief who teams with an old partner eager for one last score – a safe in the home of a wealthy Philadelphia politician. But they are not the only ones set on the cash. It’s on my Kindle. Read Tony’s guest post and then pick up a copy of Three Hours Past Midnight for yourself.
Take it away, Tony.
Andrew has graciously invited me to post an essay about my latest work Three Hours Past Midnight from Crime Wave Press. A novel, it is set in my hometown, Philadelphia, Pennsylvania, and features the un-named protagonist from an earlier story of mine, ‘Mister Wonderful’.
While speaking about the Richard Stark books and Stark’s master thief Parker, crime fiction writer Eryk Pruitt said, ‘The least interesting character in the Parker books is Parker’.… Read more
Pulp Friday: The Smashers
“A novel of The Organisation – girls, horses, dope, murder.”
Regular readers will be familiar by now with my admiration for the late Donald Westlake. Westlake was the hard boiled writer’s hard-boiled crime writer, having penned numerous books over his career, including the wonderful Parker novels under the pseudonym of Richard Stark.
Today’s Pulp Friday is one of Westlake’s early efforts, The Smashers, aka The Cutie, aka The Mercenaries. This edition is the first Dell publication in 1960.
The Smashers was Westlake’s official fiction debut under his real name. His previous fiction efforts, like those of his peer Lawrence Block, were soft porn paperbacks written under other names (here’s a nice post on one of these titles Back Stage Love – “The Shocking expose of what goes on behind the scenes at a summer stock theatre”).
The Smashers is the story of Clay, the right hand man of New York mob boss Ed Ganolese. Clay gets a late night call from a junkie with a dead woman on his hands and the police on his tail. The junkie claims he’s innocent and because he’s connected to Ganolese, Clay has to adopt the role of a PI and find out who the real killer is.
It’s an early and interesting take on the criminal as protagonist that Westlake was subsequently to perfect with his Parker books.… Read more
The Killers 1964 & 1946
The following is posted as part of Furious Cinema’s Scenes of the Crime Blog-a-Thon. It originally appeared in the Fall 2012 edition of Noir City.
One short story, Ernest Hemingway’s The Killers, which appeared in 1927, two film versions. Robert Siodmak directed the first in 1946. Don Siegel helmed the later in 1964. Both films begin with the premise of Hemingway’s 2951 word piece; two anonymous professional killers hired to murder a man, but in most other respects are completely different.
Siodmak’s movie opens, to the accompaniment of Miklos Rozsa’s brassy jazz score, with the arrival of the killers in a small town. It’s night and all we see are their silhouettes backlit by streetlights. First they check the filling station. Finding it closed, they cross the road, go into Henry’s Diner. You can tell they’re professionals, each enters a different way, cutting off any possibility of their quarry escaping.
In the space of a few minutes, Al (Charles McGraw) and Max (William Conrad), establish a sense of menace and disorientation as good as any classic noir cinema has to offer. After rubbishing the diner’s food and the customer’s small town ways, they tell George, the man behind the counter:
“I tell you what we’re going to do, we’re going to kill the Swede.”
Posted in 1960s American crime films, Albert Dekker, Angie Dickinson, Ava Gardner, Burt Lancaster, Film Noir, Lee Marvin, Parker
Tagged Albert Dekker, Angie Dickinson, Armoured Care Robbery (1950), Ava Gardner, Burt Lancaster, Charles McGraw, Clu Gulager, Don Siegel, Edmund O’Brien, John Boorman, John Cassevetes, Lee Marvin, M Squad, Miklos Rozsa, Norman Fell, Point Blank (1967), Pulp Fiction (1994), Quentin Tarantino, Richard Fleisher, Robert Siodmak, Ronald Reagan, Sam Levene
Pulp Friday: Parker
Today’s Pulp Friday is a selection of books by one of my favourite authors, Richard Stark AKA the late Donald Westlake.
Regular readers of Pulp Curry will know that my love of Westlake and his creation, the professional thief Parker, particularly his pre-1974 incarnation, knows no bounds.
I’ve been keen for a while now to share some of my collection of Parker covers. The impetus for finally getting my act together is two fold.
First, I recently picked up a cheap copy of the very rare 1977 Coronet Books edition of Butcher’s Moon and I wanted it show it off. It’s got a great early seventies feel.
Second, I’ve been re-reading one of the earlier Parker books, The Black Ice Score. The cover of the 1986 Allison and Busby edition is among those below “Stealing the Africans’ diamonds back appeals to the arch pro in Parker. But the opposition’s clumsy double cross activates the mean machine”.
Actually, re-reading is not quite accurate. I started it years ago but never finished. The story didn’t particularly appeal to me at the time and I’ve since talked to many people who believe it is one of Westlake’s lessor Parker efforts.
But I’m enjoying it this time around. Parker gets involved in a diamond heist being staged by a group of Africans who want to use the proceeds to overthrow their country’s corrupt ruler.… Read more
Posted in Coronet Books, Crime fiction, Donald Westlake aka Richard Stark, Fawcett Gold Medal Books, Noir fiction, Parker, Pulp fiction in the 70s and 80s, Pulp Friday
Tagged Butcher's Moon, Deadly Edge, Donald Westlake aka Richard Stark, Richard Stark, Slay-Ground, The Black Ice Score, The Jugger, The Man With the Getaway Face, The Outfit, The Split