Search
-
Recent Posts
- Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
- Book reviews: Deadly dames, midcentury Brit pulp and 1970s science fiction
- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
- Orphan Road book launch
- Orphan Road now available
- Pre-orders open for my new novel, Orphan Road
- Cover reveal: Orphan Road, my follow up to Gunshine State
- Breakfast in the Ruins podcast: New English Library Bikermania
- Why 1973 was the year Sidney Lumet took on police corruption
- Men’s Adventure Quarterly: Gang Girls issue
Categories
- 1960s American crime films
- 1970s American crime films
- 1980s American crime films
- 1990s American crime films
- Adrian McKinty
- Albert Dekker
- Andre De Toth
- Angela Savage
- Angie Dickinson
- Anthony Zerbe
- Asian noir
- Australian crime fiction
- Australian crime film
- Australian noir
- Australian popular culture
- Australian pulp fiction
- Australian television history
- Ava Gardner
- Beat culture
- Belmont Tower Books
- Ben Wheatley
- Billie Whitelaw
- Black pulp fiction
- Blaxsploitation
- Book cover design
- Book Reviews
- British crime cinema
- British pulp fiction
- Bryan Brown
- Burt Lancaster
- Carter Brown
- Charles Durning
- Charles Willeford
- Chester Himes
- Christopher G Moore
- Christopher Lee
- Cinema culture
- Claude Atkins
- Coronet Books
- Crawford Productions
- Crime Factory
- Crime Factory Publications
- Crime fiction
- Crime fiction and film from Africa
- Crime fiction and film from Cambodia
- Crime fiction and film from China
- Crime fiction and film from India
- Crime fiction and film from Indonesia
- Crime fiction and film from Japan
- Crime fiction and film from Laos
- Crime fiction and film from Latin and Central America
- Crime fiction and film from Malaysia
- Crime fiction and film from New Zealand
- Crime fiction and film from Scandinavia
- Crime fiction and film from Singapore
- Crime fiction and film from South Korea
- Crime fiction and film from Thailand
- Crime fiction and film from the Philippines
- Crime Fiction and film set in Vietnam
- Crime film
- Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985
- David Goodis
- David Peace
- David Whish-Wilson
- Derek Raymond
- Diana Dors
- Dirk Bogarde
- Don Siegel
- Don Winslow
- Donald Westlake aka Richard Stark
- Dystopian cinema
- Ernest Borgnine
- Eurocrime
- Fawcett Gold Medal Books
- Femme fatale
- Fernando Di Leo
- Filipino genre films
- Film Noir
- Forgotten Melbourne
- French cinema
- French crime fiction
- Garry Disher
- Gene Hackman
- George V Higgins
- Georges Simenon
- Ghost Money
- Giallo cinema
- Gil Brewer
- Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980
- Gloria Grahame
- Gold Star Publications
- Gregory Peck
- Gunshine State
- Heist films
- Horror
- Horwitz Publications
- Humphrey Bogart
- Ian Fleming
- Interviews
- Ira Levin
- James Caan
- James Crumley
- James Ellroy
- James Hadley Chase
- James Woods
- Jim Brown
- Jim Thompson
- Joel Edgerton
- John Frankenheimer
- Joseph Losey
- Karen Black
- Kerry Greenwood
- Kinji Fukasaku
- Larry Kent
- Laura Elizabeth Woolett
- Lee Marvin
- Leigh Redhead
- Lindy Cameron
- M Emmet Walsh
- Mad Max
- Mafia
- Malla Nunn
- Martin Limon
- Megan Abbott
- Melbourne International Film Festival
- Melbourne Writers Festival
- Men's Adventure Magazines
- Michael Caine
- Michael Fassbender
- Mickey Spillane
- Monarch Books
- Ned Kelly Awards
- Neo Noir
- New English Library
- Newton Thornburg
- Noir Con
- Noir fiction
- Non-crime reviews
- Oren Moverman
- Orphan Road
- Ozsploitation
- Pan Books
- Parker
- Paul Newman
- Peter Boyle
- Peter Corris
- Peter Strickland
- Peter Yates
- Poliziotteschi
- Pulp fiction
- Pulp fiction in the 70s and 80s
- Pulp fiction set in Asia
- Pulp Friday
- Pulp paperback cover art
- Qui Xiaolong
- Raymond Chandler
- Richard Burton
- Richard Conte
- Robert Aldrich
- Robert Mitchum
- Robert Ryan
- Robert Stone
- Rock Hudson
- Roger Smith
- Rollerball
- Rosaleen Norton
- Roy Scheider
- Rural noir
- Sam Levene
- Sam Peckinpah
- Samuel Fuller
- Science fiction and fantasy
- Scripts Publications
- Sidney Lumet
- Sidney Poitier
- Simon Harvester
- Snowtown
- Snubnose Press
- Spies
- Stanley Baker
- Sterling Hayden
- Steve McQueen
- Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980
- Stuart Rosenberg
- Tandem Books
- Tart noir
- Tartan Noir
- Ted Lewis
- Toni Johnson Woods
- True crime
- Vicki Hendricks
- Victor Mature
- Vintage mug shots
- Vintage pulp paperback covers
- Wallace Stroby
- War film
- Westerns
- William Friedkin
- Woody Strode
- Yakuza films
- Yaphet Kotto
Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
- Comics Down Under
- Everything second hand
- Existential Ennui
- Greenleaf Classic Books
- Irv O. Neil's Erotica is My Trade
- Killer Covers
- Lost Classics of Teen Lit 1939-1989
- Luminist Archives
- Men's Pulp Mags
- Mporcius Fiction Log
- Murder, Mayhem and Long Dogs
- Neglected Books
- Nocturnal Revelries
- Paperback Warrior
- Paperbacks of the Gods
- Pop Sensation
- Pulp artists
- Pulp Covers
- Pulp Crazy
- Pulp Flakes
- Pulp International
- Pulp Magazines Project
- Pulp Serenade
- Realms of the Night
- Romance Fiction Has a History
- Rough Edges
- Sin Street Sleaze
- Spy Guys and Gals
- The department of Afro American Research Arts & Culture
- The Dusty Bookcase
- The Haunted World of Richard Sala
- The Moon Lens
- The Nick Carter & Carter Brown Blog
- The Pulp & Paperback Fiction Reader
- Too Much Horror Fiction
- True Pulp Fiction
- Vault of Horror
- Vintage Nurse Romance Novels
- Vintage Romance Novels
- Welcome to the Pan Paperback
- Yellow and Creased
Support This Site
If you like what I do please support me on Ko-fi
Category Archives: Non-crime reviews
The Lighthouse
I loved Robert Eggers’s 2015 film, The Witch, so had high hopes for his second big screen effort, The Lighthouse. While The Lighthouse is not without problems, it is a satisfyingly creepy brew of nautical themed horror and troublesome masculinity. You can read my take on the movie for Australian Book Review Arts Update in full here.… Read more
M and my top 10 reads for 2019
It is no exaggeration to say I have been eagerly anticipating Samm Deighan’s monograph of Fritz Lang’s 1931 film. I love the film and I am a big fan of Deighan’s movie writing, so the combination is bound not to disappoint. And it didn’t.
As Deighan puts it in her introduction, M ‘exists in a liminal space between urban social drama, crime thriller, and horror film’. It was arguably the first serial killer film, long before the FBI coined the term in the early 1970s. Anchored by a superb performance by Peter Lorre as the paedophiliac child killer, Hans Beckert, it was certainly the first motion picture in which a serial killer was the central protagonist. Another crucial innovation was the way in which Lang depicted the character of Beckert in a not entirely unsympathetic light. This same sensibility would have a influence on some subsequent serial killer cinema, most notably in Alfred Hitchcock’s 1960 horror/thriller, Psycho.
Deighan discusses M’s broader social and political themes, including the film as a critique of modernity and a text for Germany on the brink of totalitarian control, appearing as it did a year before the Nazi’s assumed power and Lang had to flee the country.
Another fascinating aspect of the book is the discussion of how the themes in M would echo in Lang’s subsequent work, particular the threat of the lawless mob violence and what is perhaps the director’s most defining idea, how even the most noble individual is capable of brutal murderous thoughts and actions.… Read more
Posted in 1960s American crime films, Australian crime fiction, Australian noir, Black pulp fiction, Crime fiction and film from Latin and Central America, David Whish-Wilson, Dystopian cinema, Film Noir, Horror, Neo Noir, Noir fiction, Non-crime reviews, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp paperback cover art, Rollerball, Science fiction and fantasy
Tagged Alfred Hitchcock, alse Dawn, Angela Nagle, Chelsea Quinn Yarbro, David Whish-Wilson, Fitz Lang, Hannelore Cayre, Holloway House, Ira Levin, Jean-Patrick Manchette, Jeff Sparrow, Kill all Normies, Kinohi Nishkawa, Lawrence Osborne, M (1931), Nada, Nick Riddle, Only to Sleep, Peter Lorre, Psycho (1960), Rosemary’s Baby, Samm Deighan, Serial killer films, Street Players: Black Pulp Fiction and the Making of a Literary Undergound, The Damned (1963), The Godmother, Trigger Warning: Political Correctness and the Rise of the Right., True West
My top 10 reads of 2018
I reconciled myself long ago to the fact I will never get to the end of a year without thinking I have not read as much as I should have. That said, I have read some great books this year. Fiction and non-fiction, old books and new, in no particular order, here are my top ten reads for 2018.
Red Dragon, Thomas Harris
This year, I read a few bestsellers from the past to see if I can figure out what made them so successful, and this was my favourite. The book that introduced Hannibal Lector, it is a riveting rollercoaster ride into the serial killer mind. Beautifully written and acutely observed. Harris includes some incredible detail on forensics and police procedure without overdoing it. Red Dragon is the perfect mix of elevated airport novel and hardboiled crime story.
Twisted Clay, Frank Walford
Australian writer, Frank Walford’s 1933 account of a murderous young woman, a pathological liar and sociopath, was banned in Australia until the late 1950s. The story, which contains patricide, sex work, suicide and the young female main character’s burgeoning awareness and enjoyment of her lesbian sexuality, is a wonderfully lurid read. One can only wonder what readers must have made of it in the 1930s. Not surprisingly, they seemed to like it as it was a bestseller in the UK and US, where it was published.… Read more
Posted in 1970s American crime films, Book Reviews, Crime fiction, Noir fiction, Non-crime reviews, Science fiction and fantasy, True crime
Tagged 1966: The Year the Decade Exploded, Beautiful Revolutionary, Bran Mak Morn: Legion From the Shadows, Charles Taylor, Elka Ray, Frank Walford, Hard Boiled Hollywood: Crime and Punishment in Post-War Los Angeles, Jack Waters, Jon Lewis, Jon Savage, Karl Edward Wagner, Laura Elizabeth Woollett, Opening Wednesday at a Theater Or Drive-In Near You: The Shadow Cinema of the American 1970s, Patricia Highsmith, Red Dragon, Ripley's Game, Saigon Dark, Scott Adleberg, Scott Adlerberg, Thomas Harris, Twisted Clay
Interview: Iain McIntyre, author of On the Fly! Hobo Literature & Songs, 1879-1941
Regular readers of Pulp Curry may be familiar with the name Iain McIntyre, my co-editor on Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture, 1950-1980, and its follow up, Sticking It to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950-1980, out sometime in 2019. Iain is also the editor of a number of his own books, the most recent of which, On the Fly! Hobo Literature & Songs, 1879-1941, has just come out through PM Press. On the Fly! is an anthology which brings together dozens of stories, poems, songs, stories, and articles produced by hoboes to create an insider history of the subculture’s rise and fall. Iain was good enough to answer a few questions about his latest book, researching hobohemia, and the links between hobo culture and crime writing.
One of the points you make in the introduction to On the Fly! is that while there have been a lot of historical and academic studies about American hobo culture, there is very little currently available in the words of the members of the culture themselves. Where did you get the inspiration for this book?
I’d long been aware of hobohemia’s influence on American popular culture via country and folk music songs, Charlie Chaplin’s Tramp character, etc but it wasn’t until I met some modern train hoppers in the 1990s that my interest was really piqued.… Read more
Book review: Beautiful Revolutionary
I first came across Melbourne author Laura Elizabeth Woollett’s work when she participated in a Noir at Bar event I helped organise last year. That night she read one of the tales from her short story collection, The Love of a Bad Man. It is tempting to view her debut novel, Beautiful Revolutionary, as an extension of that collection – twelve terrific stories told from the point of view of the lovers and wives of various bad men in history. Indeed, if I remember correctly, one of the pieces in The Love of a Bad Man concerned the Reverend Jim Jones, a very bad man and the central focus of Beautiful Revolutionary.
Woollett’s novel spans the period of history from the assassination of Bobby Kennedy in June 1968 to the events that occurred in November 1978, when over 900 people died from drinking poison at the People’s Temple Agricultural Project, better known as ‘Jonestown’ in Guyana, founded by cult leader, Jim Jones. When I was younger, I remember Jonestown being described as a mass suicide but, as relatives of the dead have since pointed out, it was really a mass murder, as all but a few drank the poison under duress.
Although we never hear the story from his point of view, the book revolves around Jones, a self proclaimed socialist saviour, but also a sexual predator, quack faith healer and an increasingly unhinged demagogue.… Read more