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Recent Posts
- Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
- Book reviews: Deadly dames, midcentury Brit pulp and 1970s science fiction
- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
- Orphan Road book launch
- Orphan Road now available
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- Cover reveal: Orphan Road, my follow up to Gunshine State
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- Why 1973 was the year Sidney Lumet took on police corruption
- Men’s Adventure Quarterly: Gang Girls issue
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Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
- Comics Down Under
- Everything second hand
- Existential Ennui
- Greenleaf Classic Books
- Irv O. Neil's Erotica is My Trade
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Category Archives: Noir fiction
Book Review: Getting Carter, Ted Lewis & the Birth of Brit Noir
The time is past when one could accurately describe Ted Lewis as a lost or under appreciated author. His best books have recently been re-released, Mike Hodge’s 1971 film, Get Carter, based on Lewis second novel, Jack’s Return Home, continues to be seen as a crime cinema classic, and Lewis’s profound, albeit posthumous, influence on the origins on Brit Noir is regularly reiterated by many of the leading lights of crime fiction.
But we know little about Lewis as a person and the influences on his work. Nick Triplow’s Getting Carter: Ted Lewis and the Birth of Brit Noir is obviously the product of considerable time, energy and shoe leather spent hunting down the facts of Lewis’s life. That Triplow doesn’t completely succeed in unravelling all the mysteries surrounding Lewis’s spectacular rise and fall is not for want of trying and, it must be stressed, the book is none the worse for it.
Contemporary literary culture, with its focus on the writer’s journey, literature as personal confession and the book scribe as media celebrity, is a relatively new phenomena. Lewis went to his grave without leaving a detailed archive of papers or journals and having only done a handful of newspaper interviews. He had neither the time nor, one suspects, inclination to record his inner most thoughts.… Read more
Posted in Book Reviews, British crime cinema, British pulp fiction, Crime fiction, Crime film, David Goodis, Neo Noir, Noir fiction, Pulp fiction, Stanley Baker, Ted Lewis
Tagged Cy Endfield, David Goodis, GBH, Get Carter (1971), Getting Carter: Ted Lewis and the Birth of Brit Noir, Hell Drivers (1957), Hell is a City (1960), Jack Carter and the Mafia Pigeon, Jack Carter's law, Jack's Return Home, Joesph Losey, Mike Hodges, Nick Triplow, Ted Lewis, The Criminal (1960), Val Guest
Guest post: Tony Knighton – character arc or is crime fiction literature?
Today I’m thrilled to host a guest post by my friend, Tony Knighton, Philadelphia’s only fire fighting crime writer and, I mean, he really is a fire fighter. Tony has a new book out, Three Hours Past Midnight, via Crime Wave Press, also the publishers of my first novel, Ghost Money. Three Hours Past Midnight is Tony’s second book. His first, was a terrific collection of short stories titled Happy Hour and Other Philadelphia. Three Hours Past Midnight is the story of a professional thief who teams with an old partner eager for one last score – a safe in the home of a wealthy Philadelphia politician. But they are not the only ones set on the cash. It’s on my Kindle. Read Tony’s guest post and then pick up a copy of Three Hours Past Midnight for yourself.
Take it away, Tony.
Andrew has graciously invited me to post an essay about my latest work Three Hours Past Midnight from Crime Wave Press. A novel, it is set in my hometown, Philadelphia, Pennsylvania, and features the un-named protagonist from an earlier story of mine, ‘Mister Wonderful’.
While speaking about the Richard Stark books and Stark’s master thief Parker, crime fiction writer Eryk Pruitt said, ‘The least interesting character in the Parker books is Parker’.… Read more
Guest post: AC/DC noir
I am very happy to welcome crime writer Thomas Pluck to Pulp Curry this week. He’s got a new crime novel out called Bad Boy Boogie. He’s based in New Jersey but is also a massive – and I mean massive – fan of the iconic Australia rock band, AC/DC. You reckon the book and the band aren’t connected? You reckon wrong.
I’ll let Thomas explain.
I remember first hearing the snarl of Bon Scott’s voice on the radio in my grandmother’s basement. I promptly wrote “Dirty Deeds – Done Dirt Cheap” on a scrap of lumber and put out my shingle on her desk, waiting for clients who needed whatever help a nine-year-old raised on Encyclopedia Brown could offer.
I didn’t get to give anyone concrete shoes or use TNT. I think my sister hired me to find her imaginary dog. But AC/DC stuck with me. They sounded like no other rock band I’d heard before. And I wasn’t totally sheltered. My uncle ran bars in Manhattan and the jukebox service was mob controlled, so you played what records they gave you and when they swapped them out, he came home with shoeboxes of KISS, Creedence Clearwater Revival, Marvin Gaye, Wings, and Steve Wonder.
But no AC/DC.
I wouldn’t hear much of them again until high school, when I had my own money from delivering papers and occasionally working off the books on construction sites.… Read more