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Recent Posts
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- Book reviews: Deadly dames, midcentury Brit pulp and 1970s science fiction
- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
- Orphan Road book launch
- Orphan Road now available
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- Why 1973 was the year Sidney Lumet took on police corruption
- Men’s Adventure Quarterly: Gang Girls issue
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Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
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- Existential Ennui
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- Irv O. Neil's Erotica is My Trade
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Category Archives: Noir fiction
Get Carter, again
It is impossible to discuss British author Ted Lewis’s 1970 novel, Jack’s Return Home, without mentioning its better-known 1971 film adaptation,Get Carter. Rarely has such an influential crime novel dwelt so deeply in the shadow of its cinematic adaptation. In the wake of the movie’s success, the book was quickly retitled Get Carter (which is how I’ll refer to it) and the main character forever associated with British actor Michael Caine, then at the height of his preternaturally long acting career, in a snappy suit and tie, grimly looking over the barrel of a shotgun.
Not that anything else Lewis wrote was particularly successful. As British crime writer Ray Banks observed in a piece on the site The Rap Sheet: “As far as forgotten books go, you could make a claim for pretty much anything Ted Lewis wrote.” But what Lewis lacked in sales, his books, particularly Get Carter, made up for in the glowing praise of crime writers, nearly all of it posthumous.
Get Carter and its subsequent prequels, Jack Carter’s Law (1974) and Jack Carter and the Mafia Pigeon (1977), have recently been rereleased by Syndicate Books, which marks the first time they have been available in North America for 40 years.… Read more
Adventures in noir land
It has been a while since I’ve posted here on Pulp Curry. This is because I’ve spent the last few weeks travelling in the US. I spent time in New York and Washington DC. I also visited the City of Brotherly Love, Philadelphia, the home of Edgar Allen Poe, David Goodis and, every two years, one of the most interesting literary festivals I have experienced, NoirCon.
NoirCon is not your common or garden-variety festival. No way. And that is a very good thing.
First of all, the focus is firmly on noir, mainly fiction, but also film, poetry or whatever (and that last category, ‘whatever’, encapsulates some pretty bizarre material). I’m not saying there’s not a place for broader events that include a wider range of contributors and crime fiction sub-genres. But it’s also great to sit in a room of people who are, for once, more or less, all on the same page in terms of their love of noir, and not have to feel you have to justify or explain the focus.
Second, although it’s not exactly an exclusive event, neither does it try to be any bigger than need be. I get the feeling that while organiser, Lou Boxer, does his best to come up with new presenters and topics, he’s happy for the event not to get out of control or stray beyond the noir remit.… Read more
Pulp Friday: the pulp of John D MacDonald
“He Sold His Soul For Another Man’s Wife.”
This weeks Pulp Friday is a selection of covers from the prolific US thriller writer, John D MacDonald.
MacDonald got his start writing for pulp magazines in the late forties, then rode the paperback boom that occurred in the fifties and early sixties. He was the author of over sixties books, as well as numerous short stories and articles.
He is probably best know for creating the fictional private investigator Travis McGee, who featured in 21 of McDonald’s books.
A number of his books have been adapted for film and television. His novel The Executioners was filmed as Cape Fear, starring Gregory Peck, Robert Mitchum and Polly Bergen, in 1962, and again by Martin Scorsese in 1991. One of the McGee books, Darker Than Amber, was made into a film of the same name, starring Rod Taylor, in 1970.
The following selection of covers spans the late fifties to the early seventies and include many of the Fawcett Gold Medal editions of McDonald’s work, as well as the UK Pan paperback additions.
Enjoy.
Posted in Fawcett Gold Medal Books, Gregory Peck, Noir fiction, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp paperback cover art
Tagged Cape Fear, Cape Fear (1962), Darker Than Amber, Death Trap, Dress Her in Indigo, Fawcett Gold Medal Books, John D MacDonald, Neon Jungle, On The Run, One Monday We Killed Them All, Pan Books, The Damned, The Drowner, The Only Girl In the Game, The Quick Red Fox, Travis McGee, You Live Once
Book review: Galveston
Nic Pizzolatto’s first novel, Galveston, was published in 2010. Prior to that he wrote a book of short stories that appeared in 2006. It’s fair to say most people didn’t hear about Galveston until the screening in January this year of Pizzolatto’s groundbreaking television show, True Detective.
Since then I have not been able to move on social media for the number of people talking about how good Galveston is (which begs the question, is True Detective the longest book trailer ever made?).
Given my obsession with True Detective (which I reviewed for the Overland Journal site here), I was keen to read Galveston as soon as possible.
The short version of this review is that if you like True Detective, you’ll love this book. It’s as simple as that. The book and the show have a number of things in common, including the same rural southern US setting, a number of similar plot devices and the writing style.
Roy Cady is a bagman and thug for a New Orleans’ mobster called Stan Ptitko. The same day a doctor tells Cady he has terminal cancer, Ptitko orders him and another man to visit the president of the local dockworkers local, now the target of a federal criminal investigation.… Read more
Posted in Book Reviews, Crime fiction, Noir fiction
Tagged Galveston, Nic Pizzolatto, True Detective