Category Archives: Neo Noir

Melbourne International Film Festival progress report part 2: Rampart, Gangs of Wasseypur

This week I caught two of my must see crime films at the Melbourne International Film Festival, Rampart (2010) and Anupama Copra’s Gangs of Wasseypur (2012).

Rampart is latest in a long line of movies that combine two of crime cinema’s great thematic strands, bad cops and the idea that policing is little more than military occupation. Training Day (2001), Colors (1988), Q&A (1990), Copland (1997) Narc (2002), Cop (1988) and television series like The Shield are just a few examples of this genre. But if you thought Vic Mackey was bad, he’s got nothing on Dave ‘Date Rape’ Brown (played Woody Harrelson).

Rampart was directed by Oren Moverman who did the 2009 movie, The Messenger, a hard hitting story about two US marines whose job is to deliver death notices to the loved ones of US service men and women killed in action. Moverman collaborated on the Rampart script with crime writer James Ellroy.

The late 1990s, the Rampart Division of the LAPD is already investigation for fabricating evidence, police brutality and a string of other offences. Into this shit storm walks Brown, a 24-year veteran of the force. While on patrol his car is involved a collision. Brown chases down the other driver and savagely beats him. It’s routine brutality on Brown’s part, except this time, unknown to him, someone has filmed it.… Read more

Book review: City of Light

Years ago I read a book called Big Bad Blood by a Sydney crime writer called Dave Warner.

I can’t remember much about it now, except it was set in Sydney’s vice centre, Kings Cross, in the mid-sixties and involved police corruption, organised crime and a series of grisly murders of local prostitutes. It was a dark, gritty read, set in an era I was (and still am) interested in learning more about. I thought it was great.

I didn’t give Warner a second thought until recently, when I discovered his first novel, City of Light.

Turns out, Sydney’s not Warner’s original stomping ground. He moved there from Perth, West Australian in the late nineties, for reasons which perhaps become clear in City of Light.

City of Light came after a colourful career as a front man for a punk rock band (“Australia’s first punk band” according to his website), stand up comic and play write. It won the West Australian Premier’s Award for best fiction in 1996.

The main character of City of Light is Snowy Lane, a young police constable and amateur footballer, working in suburban Perth in the late- seventies, who gets swept up in the investigation into a string of murders of young women by a serial killer dubbed ‘Mr Gruesome’.… Read more

The Empty Beach

One local blog I’ve been following for a while now is Permission to Kill, run by my mate, David Foster. Its main focus is all things espionage fiction and film related, but David also covers of on a wide variety of pulp miscellany, including crime fiction and film.

I was particularly pleased to see a recent review on his site of the excellent but little known1985 Australian crime flick, The Empty Beach. Starring Bryan Brown, Ray Barrett, Nick Tate and Belinda Gibbin, The Empty Beach is based on the Peter Corris novel of the same name. David was nice enough to let me re-post his review, which appears below.

Bryan Brown IS Cliff Hardy. It is perfect casting. It’s a shame that this film wasn’t a hit, because I would have loved to see Brown play Hardy again and again. He could be doing it to this day, pumping out a tele-movie each year – and I would be first seated, ready and eager to watch it. But alas, not to be.

For those not familiar with the character of Cliff Hardy, private investigator, he is a creation of Peter Corris and first appeared in the novel The Dying Trade in 1980. Since then he has been releasing Cliff Hardy stories regularly – at least thirty of them – the last I am aware of, is Appeal Denied which was released in 2007.… Read more

Post-traumatic noir part 2: Who’ll Stop The Rain

A while ago on this blog I wrote about the 1981 Ivan Passer movie, Cutter’s Way.

Based ased on the 1976 cult novel Cutter and Bone by Newton Thornburg, it’s one of the best crime films to deal with the impact of America’s war in Vietnam.

But it gets a run for it’s money by a little known film I’ve recently discovered, Who’ll Stop the Rain (AKA Dog Soldiers) made several years earlier in 1978.

Who’ll Stop the Rain a paranoid, hard-boiled road trip through America’s counter-cultural underbelly and a devastating indictment of the impact of the conflict.

The film opens with war correspondent John Converse (Michael Moriarty) trapped in the middle of friendly fire. His voice over as he surveys the resulting carnage tells us:

“Military command has decided that elephants are enemy agents because the Vietcong use them to carry supplies. So now we’re stampeding the elephants and gunning them down from the air…In a world where elephants are pursued by flying men, people are just naturally going to want to get high.”

A former liberal disgusted by the war, Converse decides to buy two kilos of uncut heroin in Saigon and smuggle it back to California, where he plans to sell it at an enormous profit.… Read more

New crime anthologies and Ned Kelly Awards

An interesting trend that seems to be occurring parallel with the rise of e-publishing is the growing popularity of short story anthologies.

I’m told by people who know about these things, that anthologies are not popular with mainstream publishers. Well, e-publishing is now allowing small niche publishers to get their product out there.

Exhibits A and B are two upcoming crime anthologies, both of which I have stories in.

In September, the first Crime Factory anthology will be available through US indie crime publisher, New Pulp Press.

Crime Factory: The First Shift contains 28 noir stories from established and emerging authors in the US, UK, South Africa and Australia. There’s names Australian crime readers may be familiar with, including Ken Bruen (author of The White Trilogy and London Boulevard), Adrian McKinty (Falling Glass), and local writer, Leigh Redhead (Thrill City).

First Shift is also a chance for Australian audiences to check out several members of the new wave of noir writers in the United States who are relatively unknown here, including Hilary Davidson, Dave Zeltserman, Scott Wolven and Dennis Tafoya. South African writer, Roger Smith, whose upcoming book Dust Devils is on my to read list, also contributed a story.

You can pre-order Crime Factory: The First Shift here at Barns and Noble and Amazon.… Read more