Category Archives: Neo Noir

My top fiction and non-fiction reads of 2014

Posted on December 15, 2014 by Andrew Nette| 7 Comments

Time for me to present Pulp Curry readers with the list of my best reads for 2014. As is customary, I will start off by admitting, yet again, I feel I have not read nearly as much as I should have. My reading this year has been dominated by books for work, including material for freelance articles and the various literary festival panels I’ve been involved in. A considerable amount of my attention has also been directed to reading related to the non-fiction book I have been co-editing, Beat Girls, Love Tribes and Real Cool Cats: Pulp Fiction and Youth Culture, 1950-1980, which is scheduled to be published in October 2015.

With all that said, here’s the top ten books I read in 2014. I’ve split my list in two this year – fiction and non-fiction.

My top fiction reads are as follows:

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Escape Dominique Manotti

I have long been interested in the political history in Italy in the seventies and eighties, the so-called ‘years of lead’, when left wing paramilitary groups and right wing extremists in the military and police were locked in a shadowy, violent conflict. Dominique Manotti’s Escape is set in the late eighties and deals with the aftermath of that conflict. Filippo is a common street hood that shares a prison cell with Carlos, a charismatic former Red Brigade member.… Read more

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Posted in Crime fiction, Eurocrime, Fawcett Gold Medal Books, Megan Abbott, Neo Noir, Noir fiction, Rural noir, True crime, Wallace Stroby

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Get Carter, again

Posted on December 2, 2014 by Andrew Nette| 5 Comments

It is impossible to discuss British author Ted Lewis’s 1970 novel, Jack’s Return Home, without mentioning its better-known 1971 film adaptation,Get Carter. Rarely has such an influential crime novel dwelt so deeply in the shadow of its cinematic adaptation. In the wake of the movie’s success, the book was quickly retitled Get Carter (which is how I’ll refer to it) and the main character forever associated with British actor Michael Caine, then at the height of his preternaturally long acting career, in a snappy suit and tie, grimly looking over the barrel of a shotgun.

Not that anything else Lewis wrote was particularly successful. As British crime writer Ray Banks observed in a piece on the site The Rap Sheet: “As far as forgotten books go, you could make a claim for pretty much anything Ted Lewis wrote.” But what Lewis lacked in sales, his books, particularly Get Carter, made up for in the glowing praise of crime writers, nearly all of it posthumous.

Get Carter and its subsequent prequels, Jack Carter’s Law (1974) and Jack Carter and the Mafia Pigeon (1977), have recently been rereleased by Syndicate Books, which marks the first time they have been available in North America for 40 years.… Read more

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Posted in Book Reviews, British crime cinema, Crime film, Michael Caine, Neo Noir, Noir fiction, Ted Lewis, True crime

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Adventures in noir land

Posted on November 18, 2014 by Andrew Nette| 10 Comments

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It has been a while since I’ve posted here on Pulp Curry. This is because I’ve spent the last few weeks travelling in the US. I spent time in New York and Washington DC. I also visited the City of Brotherly Love, Philadelphia, the home of Edgar Allen Poe, David Goodis and, every two years, one of the most interesting literary festivals I have experienced, NoirCon.

NoirCon is not your common or garden-variety festival. No way. And that is a very good thing.

First of all, the focus is firmly on noir, mainly fiction, but also film, poetry or whatever (and that last category, ‘whatever’, encapsulates some pretty bizarre material). I’m not saying there’s not a place for broader events that include a wider range of contributors and crime fiction sub-genres. But it’s also great to sit in a room of people who are, for once, more or less, all on the same page in terms of their love of noir, and not have to feel you have to justify or explain the focus.

Second, although it’s not exactly an exclusive event, neither does it try to be any bigger than need be. I get the feeling that while organiser, Lou Boxer, does his best to come up with new presenters and topics, he’s happy for the event not to get out of control or stray beyond the noir remit.… Read more

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Posted in Joseph Losey, Neo Noir, Noir Con, Noir fiction

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Kinda Hot: The making of Peter Bogdanovich’s Saint Jack

Posted on October 14, 2014 by Andrew Nette| 10 Comments

Towards the end of Kinda Hot: The Making of Saint Jack in Singapore, Peter Bogdanovich tells the book’s author Ben Slater: “Some of the best things are things that just happen once and then don’t happen again. They just don’t. No matter how much you want them to.”

It’s a fitting observation for a film I have always regarded as a one of a kind, Bogdanovich’s 1979 adaption of the book by the same name by Paul Theroux, about a small time Italian American hustler (played by Ben Gazzara in the film) living in Singapore in the early seventies whose ambition is to open up his own high-class brothel.

As the film begins, Flowers is very much a bottom feeder, eking out a precarious existence on the fringes of Singaporean society. He’s so skint he has to haggle with his Chinese bosses for the taxi fare to pick up William Leigh (Denholm Elliott in the film), a mild mannered English accountant sent from head office in Hong Kong to audit the books. The one currency Flowers has no shortage of is contacts. Taking Leigh and a visiting American businessman on a tour of the island’s nightlife, Flowers is on first name terms with every hooker and tout he meets.

Flowers eventually establishes his brothel in a magnificent British colonial villa.… Read more

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Posted in Crime fiction and film from Singapore, Neo Noir

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Mud, madness and masculinity: William Friedkin’s Sorcerer

Posted on August 8, 2014 by Andrew Nette| 4 Comments

scheiderPerfect films usually only ever appear so in retrospect. A case in point is Sorcerer, William Friedkin’s 1977 reimagining of the Henri-Georges Clouzot 1953 classic, The Wages of Fear.

The gloriously remastered print of Sorcerer, showing as part of the Melbourne International Film Festivals ‘Masters and Restorations’ program, is an incredible tale of failed masculinity, predatory capitalism and madness.

It was a commercial flop upon release, only recouping nine million of its original twenty one million dollar budget, largely due to appearing at almost the exact same time as the first instalment of Star Wars. Friedkin viewed it as the toughest job of his career. Shooting was littered with accidents and problems, including the film’s riveting central scene, where trucks must cross a rickety rope and timber bridge over a raging river in the middle of a fierce tropical storm. The sequence, due to weather and other reasons, occurred over two countries and took three months to shoot.

Three men, on the run from past mistakes, have ended end up in a run down, impoverished town in an unspecified Latin American banana republic (the real location being the Dominican Republic, which at the time was under an actual military dictatorship).

Jackie (Roy Scheider) was part of a heist on a Catholic Church that ended in a car crash in which all the other members of the gang are killed.… Read more

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Posted in 1970s American crime films, Gene Hackman, Melbourne International Film Festival, Neo Noir, Robert Mitchum, Roy Scheider, William Friedkin

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