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Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
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Category Archives: Monarch Books
Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
After much thought I have decided that to experiment with moving the focus of my blogging from this site to a new Pulp Curry Substack newsletter.
Why am I doing this?
The first post on this website appeared on July 2010 (about the incredibly underrated 1979 Australian heist film, Money Movers – you can read the post here). I’ve been writing on the site with varying frequency ever since (579 posts in all), and for the most part have enjoyed it immensely.
But for the last 12 or so months I just haven’t been feeling it – or getting the hits to make it seem worthwhile – and have started to wonder whether it’s worth continuing with the effort. Posting on a website has been starting to feel like the equivalent of trying to read a broadsheet newspaper in a crowded tram carriage, unwieldy and inconvenient.
And, thinking about it, I suspect the blog format is starting to get a bit stale for me and is actually now a brake on my posting more regularly.
I know that I’m no Robinson Crusoe in this regard. The majority of the blogs I used to follow have gradually fallen by the wayside, as people have moved on, grown weary of the effort, found other interests, adopted other means to get their message out, or, in some cases (gulp), died.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Adrian McKinty, Albert Dekker, Andre De Toth, Angela Savage, Angie Dickinson, Anthony Zerbe, Asian noir, Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian pulp fiction, Australian television history, Ava Gardner, Beat culture, Belmont Tower Books, Ben Wheatley, Billie Whitelaw, Black pulp fiction, Blaxsploitation, Book cover design, Book Reviews, British crime cinema, British pulp fiction, Bryan Brown, Burt Lancaster, Carter Brown, Charles Durning, Charles Willeford, Chester Himes, Christopher G Moore, Christopher Lee, Cinema culture, Claude Atkins, Coronet Books, Crawford Productions, Crime Factory, Crime Factory Publications, Crime fiction, Crime fiction and film from Africa, Crime fiction and film from Cambodia, Crime fiction and film from China, Crime fiction and film from India, Crime fiction and film from Indonesia, Crime fiction and film from Japan, Crime fiction and film from Laos, Crime fiction and film from Latin and Central America, Crime fiction and film from Malaysia, Crime fiction and film from New Zealand, Crime fiction and film from Scandinavia, Crime fiction and film from Singapore, Crime fiction and film from South Korea, Crime fiction and film from Thailand, Crime fiction and film from the Philippines, Crime Fiction and film set in Vietnam, Crime film, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, David Goodis, David Peace, David Whish-Wilson, Derek Raymond, Diana Dors, Dirk Bogarde, Don Siegel, Don Winslow, Donald Westlake aka Richard Stark, Dystopian cinema, Ernest Borgnine, Eurocrime, Fawcett Gold Medal Books, Femme fatale, Fernando Di Leo, Filipino genre films, Film Noir, Forgotten Melbourne, French cinema, French crime fiction, Garry Disher, Gene Hackman, George V Higgins, Georges Simenon, Ghost Money, Giallo cinema, Gil Brewer, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Gloria Grahame, Gold Star Publications, Gregory Peck, Gunshine State, Heist films, Horror, Horwitz Publications, Humphrey Bogart, Ian Fleming, Interviews, Ira Levin, James Caan, James Crumley, James Ellroy, James Hadley Chase, James Woods, Jim Brown, Jim Thompson, Joel Edgerton, John Frankenheimer, Joseph Losey, Karen Black, Kerry Greenwood, Kinji Fukasaku, Larry Kent, Lee Marvin, Leigh Redhead, Lindy Cameron, M Emmet Walsh, Mad Max, Mafia, Malla Nunn, Martin Limon, Megan Abbott, Melbourne International Film Festival, Melbourne Writers Festival, Men's Adventure Magazines, Michael Caine, Michael Fassbender, Mickey Spillane, Monarch Books, Ned Kelly Awards, Neo Noir, New English Library, Newton Thornburg, Noir Con, Noir fiction, Non-crime reviews, Oren Moverman, Orphan Road, Ozsploitation, Pan Books, Parker, Paul Newman, Peter Boyle, Peter Strickland, Peter Yates, Poliziotteschi, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Qui Xiaolong, Raymond Chandler, Richard Burton, Richard Conte, Robert Aldrich, Robert Mitchum, Robert Ryan, Robert Stone, Rock Hudson, Roger Smith, Rollerball, Rosaleen Norton, Roy Scheider, Rural noir, Sam Levene, Sam Peckinpah, Samuel Fuller, Science fiction and fantasy, Scripts Publications, Sidney Lumet, Sidney Poitier, Simon Harvester, Snowtown, Snubnose Press, Spies, Stanley Baker, Sterling Hayden, Steve McQueen, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, Stuart Rosenberg, Tandem Books, Tart noir, Tartan Noir, Ted Lewis, Toni Johnson Woods, True crime, Vicki Hendricks, Victor Mature, Vintage mug shots, Vintage pulp paperback covers, Wallace Stroby, War film, Westerns, William Friedkin, Woody Strode, Yakuza films, Yaphet Kotto
Video of launch of Horwitz Publications, Pulp Fiction & the Rise of the Australian Paperback
If you missed the recent launch of my monograph Horwitz Publications, Pulp Fiction and the Rise of the Australian Paperback, organised by the Australian National University’s Centre for Australian Literary Cultures, the video of the event is now on Youtube for your viewing pleasure. The book, published in hardback by Anthem Publications, is price for higher education institutions at present, but a cheaper paperback version will be available mid-2023.
… Read morePosted in Book cover design, British pulp fiction, Crime fiction, Horwitz Publications, Monarch Books, New English Library, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Toni Johnson Woods, True crime, Vintage pulp paperback covers, Westerns
Tagged Anthem Press, Centre for Australian Literary Cultures, Horwitz Publication Pulp Fiction and the Rise of the Australian Paperback, Horwitz Publications
Pulp fiction at the Latrobe City Literary Festival
I am not sure how many Pulp Curry readers I have in Gippsland. In the event there are some, just a heads up that I’m appearing at the Latrobe City Literary Festival, in Traralgon, this coming Sunday, May 27. As part of a panel of talented folks, I’ll be talking about the history of Australian pulp fiction and the book I have co-edited, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture, 1950-1980. I’ll also have copies of the book for sale.
Full details of the event can be found here. It is free but numbers are limited so you need to register. Hope to see some of you there.… Read more
Posted in Australian popular culture, Australian pulp fiction, British pulp fiction, Fawcett Gold Medal Books, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Monarch Books, Pan Books, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp paperback cover art
Tagged Girl Gangs Biker Boys and Real Cool Cats Pulp Fiction and Youth Culture 1950-1980, Latrobe City Literary Festival, Pulp fiction
Pulp Friday: Teenage jungles – expose pulp about youth subcultures
The new book I have co-edited, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture, 1950-1980 is about many things.
It depicts the insatiable energy of post war youth and their desire to find expression through style, fashion, music and language. It is also about the just as insatiable appetite of pulp paperback publishers to hype and exploit youth culture for cheap thrills and cheap paperback sales.
One of the decisions that my co-editor, Iain McIntyre and I faced early on in putting the book together was whether or not to include the large body of nonfiction expose pulp about youth culture. For reasons of space, in the end, we decided against including these books. But they remain one of my favourite strands of pulp fiction.
These books, which were a major sub-genre of pulp from the 1950s to the early 1970s, were marketed as timely, hard hitting, insider accounts or journalistic exposes of various social issues and trends. They were factual only in the most generous sense of the word, usually taking as their starting point the latest public sensation or tabloid headline. And, more often than not, their target was the so called goings on of out of the control young people. In colourful language and with lurid, highly sexualised covers, these books capitalised on mainstream fears, concerns and, as was often the case, fascinations with young people and their activities.… Read more
Posted in Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Horwitz Publications, Monarch Books, New English Library, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Scripts Publications, True crime
Tagged expose pulp fiction, Girl Gangs Biker Boys and Real Cool Cats: Pulp Fiction and Youth Culture 1950 to 1980, Youthsploitation pulp
Pulp Friday: The Brides of Dracula
Halloween is almost upon us and to mark the occasion I’m going to be featuring a few horror themed offerings as part of my regular Pulp Friday posts.
Historically in Australia we don’t celebrate Halloween, and I’ve always been a bit iffy about what I consider to be an American cultural imposition. But Halloween actually originated with the Celts in parts of Europe. Specifically, it dates back to Celtic Festival of Samhain, which took place to mark the end of summer and the beginning of a long cold winter. The Celts believed on that night before the new year the boundary between the world of the living and the dead blurred.
Also, any excuse will do to post some horror themed pulp.
Anyway, a small Pulp Friday offering today, the 1960 paperback tie-in to the film released the same year, The Brides of Dracula. It starred Peter Cushing, David Peel, Martita Hunt and Yvonne Monlaur and was directed by Terence Fisher. The plot of The Brides of Dracula involves vampire hunter Van Helsing returning to Transylvania to destroy handsome bloodsucker Baron Meinster, who is conducted a reign of evil terror over the nearest village. I’ve re-watched it recently and think it is one of the better vampire films produced by Hammer.… Read more