Category Archives: Melbourne International Film Festival

Melbourne International Film Festival progress report part 2: Rampart, Gangs of Wasseypur

Posted on August 17, 2012 by Andrew Nette| 1 Comment

This week I caught two of my must see crime films at the Melbourne International Film Festival, Rampart (2010) and Anupama Copra’s Gangs of Wasseypur (2012).

Rampart is latest in a long line of movies that combine two of crime cinema’s great thematic strands, bad cops and the idea that policing is little more than military occupation. Training Day (2001), Colors (1988), Q&A (1990), Copland (1997) Narc (2002), Cop (1988) and television series like The Shield are just a few examples of this genre. But if you thought Vic Mackey was bad, he’s got nothing on Dave ‘Date Rape’ Brown (played Woody Harrelson).

Rampart was directed by Oren Moverman who did the 2009 movie, The Messenger, a hard hitting story about two US marines whose job is to deliver death notices to the loved ones of US service men and women killed in action. Moverman collaborated on the Rampart script with crime writer James Ellroy.

The late 1990s, the Rampart Division of the LAPD is already investigation for fabricating evidence, police brutality and a string of other offences. Into this shit storm walks Brown, a 24-year veteran of the force. While on patrol his car is involved a collision. Brown chases down the other driver and savagely beats him. It’s routine brutality on Brown’s part, except this time, unknown to him, someone has filmed it.… Read more

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Posted in Crime fiction and film from India, Crime film, James Ellroy, Melbourne International Film Festival, Neo Noir, Oren Moverman

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Melbourne International Film Festival: progress report

Posted on August 9, 2012 by Andrew Nette| Leave a comment

A couple of weeks ago I posted on the crime movies I was going to catch at the Melbourne International Film Festival. Nearly half way through, here’s my progress report.

First, the bad news. Killer Joe, which I checked out last night. I’m very partial to cinematic tales of money, lust and murder set in the underbelly of rural small town life. Throw in a corrupt lawman who moonlights as a pimp/pusher/contract killer, whatever, and as far as I’m concerned you’re on a winning formula. No matter how many turkeys he’s made, I’ve also got a major reserve of goodwill towards the director, William Friedkin for To Live and Die in LA (1985) and The French Connection (1971).

Killer Joes has all the signposts associated with this sort of movie, down at heel locations, sleazy sex and a criminal plot that quickly spirals out of control. But none of this makes up for the poor performances and a scarcely believable story line.

A small town cop cum contract killer (Matthew McConaughey) is hired by a white trash Texan family to murder their mother for the insurance money. The key conspirator, Chis (Emile Hirsch), scarcely has the brains to tie his own shoelaces let alone instigate a murder plot. When he can’t pay his would be assassin up front as expected, Joe takes Chris’s sister, Dottie (Juno Temple) as collateral and seduces her.… Read more

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Posted in Crime fiction and film from India, Crime fiction and film from Latin and Central America, Crime fiction and film from Thailand, Crime film, Jim Thompson, Melbourne International Film Festival, William Friedkin

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Crime time at the 2012 Melbourne International Film Festival

Posted on July 20, 2012 by Andrew Nette| Leave a comment

Last year’s Melbourne International Film Festival was the best I can remember in terms of bringing global crime cinema to Melbourne. And MIFF 2012 looks like it’s going to be every bit as good. I’m particularly pleased to have received media accreditation to this year’s festival (thank you MIFF), which means I’ll be aiming to see more than my usual quota of cinema.

Here’s what I’ll be catching in terms of crime during the Festival.

Foremost on the list is the 2011 Mexican film Miss Bala (that’s Miss Bullet in Spanish), the story of a 23-year old Tijuana woman who decides to enter a beauty contest in the hope of winning much needed money. Instead, she ends up becoming a drug mule and arms trafficker for a cartel boss called Lino.

Miss Bala is supposedly based on a real incident in 2008, in which the then Miss Sinaloa, Laura Zuniga, was arrested with suspected cartel members in a truck filled with munitions. The lead actress in Miss Bala, newcomer Stephanie Sigman, is reported to be excellent in the role.

I’ve been waiting for ages to see Rampart, directed by Oren Moverman who also did The Messenger in 2009, a hard hitting film about two US marines whose job is to deliver death notices to the loved ones of US service men and women killed in action.… Read more

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Posted in Crime fiction and film from India, Crime fiction and film from Latin and Central America, Crime fiction and film from Thailand, Crime film, James Ellroy, Melbourne International Film Festival, Oren Moverman, William Friedkin

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The Yellow Sea

Posted on August 10, 2011 by Andrew Nette| 1 Comment

South Korea seems to be leading the pack at the moment in terms of knocking out top-notch crime movies that are not afraid to play with genres. Take for example, The Yellow Sea, released in 2010.

This 156-minute film starts off as a tightly plotted and gritty neo noir, transforming half way through into a blood soaked chase/revenge movie. Topping it off is a big dollop of social realism about the plight of Chinese of Korean decent or the Joseonjok.

The Yellow Sea begins in Yanji, a city in the Chinese region between North Korea and Russia. It’s your standard Chinese industrial town, endless rows of anonymous apartment blocks swathed in low hanging haze.

Gu-Nam is a Joseonjok taxi driver whose life is rapidly disintegrating. He’s heard nothing from his wife since she left to work in Seoul six months earlier. Gu-Nam strongly suspects he is being cuckolded and has drunken dreams about her sleeping with other men. More seriously, he’s racked up 60,000 Yuan in mah-jong gambling debts to a fearsome local gangster and people trafficker, Myun-Ga.

Myun-Ga offers to wipe the debt if Gu-Nam agrees to go to Seoul and kill a man. It’s a chance for Gu-Nam to start again. There’s also the lure of being able to search for his missing wife.… Read more

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Posted in Crime fiction and film from South Korea, Crime film, Melbourne International Film Festival, Neo Noir

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Viva Riva!

Posted on August 1, 2011 by Andrew Nette| 4 Comments

Can someone please tell me why we are still obsessing about crime fiction and film from places like Scandinavia when there is so much interesting material coming out of Africa and Asia?

I ask this because last week I saw the 2010 Congolese crime film, Viva Riva! and thought it was great.

Viva Riva! is set in Kinshasa, the capital of the Democratic Republic of Congo. The nearly three-decade rule of Mobutu Sese Seko, Africa’s most corrupt despot (and that’s saying something) is over, and the city is recovering from brutal street fighting in the aftermath of the disputed 2006 elections.

Small-time gangster, Riva, has returned from neighbouring Angola with a truckload of stolen petrol. Kinshasa is in the middle of a fuel shortage. Riva and his crew aim to get rich quick by selling the lot at top dollar.

Hot on his trail is Cesar, an enforcer for the Angolan interests Riva has stolen the fuel from. Cesar wants the petrol back and proceeds to cut a bloody swathe through Kinshasa to get it. Helping Cesar is the Commandant, a female Congalese military commander whose sister is being held captive by the Angolans.

Everyone in this film is on the make, whether it’s for money, sex, food, or safety. And everyone is corrupt.

… Read more

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Posted in Crime fiction and film from Africa, Crime film, Melbourne International Film Festival

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