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Category Archives: Lee Marvin
Richard Burton and the face of a Villain
Richard Burton has been on my mind ever since I watched him a couple of weeks ago in the strange 1971 British film, Villain.
Burton was a regular fixture on the TV screen in our house when I was young. Like a lot of women of her generation, my mother loved him ever since he played Mark Anthony opposite Elizabeth Taylor in the 1963 classic, Cleopatra (the film on which the two met for the first time).
Dad liked his war films, of which there were a few, including Where Eagles Dare (1968), Raid on Rommel (1971), The Wild Geese (1978) and The Longest Day (1962). Burton only had a very brief role in the later, as an RAF pilot shot down over Normandy. A US marine cut off from his outfit stumbles across him lying in the bushes next to a dead German soldier, and Burton gets to utter the immortal line: “He’s dead. I’m crippled. You’re lost. Do you suppose it’s always like that? I mean war.”
Only recently have I come to discover and appreciate some Burton’s other films. His turn as Alec Leamas in the incredibly bleak and noirish 1965 spy thriller, The Spy Who Came in From the Cold still stands as the best and most realistic screen depiction of the Cold War.… Read more
Posted in British crime cinema, Crime film, Heist films, Lee Marvin, Richard Burton
Tagged 1974, Elizabeth Taylor, Ian McShane, Nigel Davenport, Peter Glenville, Raid on Rommel (1971), Richard Burton, Ronnie Cray, The Comedians (1967), The Klansman, The Longest Day (1962), The Spy Who Came in From the Cold (1965), The Wild Geese (1978), Villain (1971), Where Eagles Dare (1968)
The Don Siegel Rule
I had to give it a name, so I called it the Don Siegel Rule.
I was watching Charley Varrick recently, the 1973 heist film directed by Siegel, starring Walter Matthau as an ex-crop duster and stunt pilot turned bank who, along with his long suffering girlfriend, Nadine, and unreliable partner, robs a small bank in New Mexico. Unbeknownst to Varrick, the bank in question is actually a front for the mob. In response, the mob sends a hit man (played by Joe Don Baker) after him.
It’s a terrific little heist film. Tough in all the right places, just enough action and suspense to keep you interested, without the kind of over the top action gimmicks similar films exhibit these days. Matthau is terrific as the hangdog loner, Varrick.
Anyway, it got me thinking. There may be bad Siegel films out there, but I haven’t seen them.
Siegel was the king of the intelligent B movie (a title he shares with directors such as Walter Hill). His films have enormous energy and pace, but they also have an economy. Watching Siegel’s films, time and again he’s been able to get above obvious budget and script limitations to tell a gripping story.
The journeyman director cut his teeth making Westerns and noirs in the late forties and early fifties, and then pretty much excelled at whatever genre he tried.… Read more
Posted in Angie Dickinson, Crime film, Don Siegel, Heist films, Lee Marvin, Michael Caine
Tagged Charles Bronson, Charley Varrick (1973), Dirty Harry (1971), Don Siegel, Donald Pleasence, Hell is For Heroes (1964), Invasion of the Body Snatches (1956), Janet Suzman, Joe Don Baker, John Vernon, Lalo Schifrin, Lee Remick, Michael Caine, Point Blank (1967), Robert Siodmak, Telefon (1977), The Black Windmill (1974), The Killers (1946), The Killers (1964), Walter Hill
Warren Oates, Gloria Grahame & other subjects for fiction anthologies
The recent release of Crime Factory’s LEE, an anthology of crime fiction inspired by the life of iconic actor Lee Marvin, has got me thinking about who else would be a good subject for similar treatment.
There’s already been a bit of chatter on Twitter about other actors people would like to see as the subject of their own fictional anthology, and several authors have contacted me with ideas.
There are only two criteria involved I can think of in choosing a subject.
First, the subject concerned has got to be deceased, preferably passed a while ago. It’s just too complex, legally and other ways to do an anthology based on someone living.
Second, there’s got to be something about them. Not just an interesting body of cinematic work and an interesting life, but an ongoing cultural resonance or zeitgeist that sets them apart from other actors and allows crime writers discuss broader issues.
Here are my picks for actors I think would be good subjects. And I should stress, these are just my musings and in no way reflect what Crime Factory will do in the future.
That said, you never know….
Warren Oates
There’s already been a bit of social media chatter about the possibility of a Warren Oates inspired anthology.… Read more
Posted in 1960s American crime films, 1970s American crime films, Film Noir, Gloria Grahame, Lee Marvin, Richard Burton, Stanley Baker, Sterling Hayden
Tagged 92 in the Shade (1975), Asphalt Jungle (1950), Badlands (1973), Bit Heat (1953), Bring Me the Head of Alfredo Garcia (1969), Cockfighter (1975), Dillinger (1973), Hell Drivers (1957) The Criminal (1960), Hell is a City (1966), In a Lonely Place (1950), innocent Bystanders, Johnny Guitar (1954), LEE, Lee Marvin, Major Dundee (1965), Naked Alibi (1954), Odds Against Tomorrow (1959), Race with the Devil (1975), Sam Peckinpah, Stanley Baker, Stanley Kubrick, Sterling Hayden, Stripes (1981), The Godfather (1972), The Guns of Navarone (1961), The Killing (1956), The Wild Bunch (1969), Two Lane Black Top, Warren Oates
LEE, an anthology inspired by Lee Marvin, now available as e-book
Just a quick heads up to let you all know that Crime Factory Publication’s latest publication, LEE, an anthology of short fiction inspired by iconic US actor Lee Marvin is now available as an e-book for Kindle.
You can purchase LEE for your Kindle here for $2.99. The dead tree book is also available from the Crime Factory site for $15.00.
Regular readers will have heard me go on about the LEE anthology a few times on this site. I helped edit LEE, along with my fellow Crime Factory editor Cameron Ashley and founder of the original Crime Factory Magazine, Dave Honeybone, and I’m particularly proud of it.
It features seventeen crime writers, including established pros and newbies such as myself, riffing on various aspects of the fictional life of one of our favourite cultural icons, Lee Marvin.
There’s what Lee got up to off the set of the little known 1955 film, Shack Out on 101, Lee dealing with Apartheid during the filming of Shout at the Devil, Lee at the 1966 Oscars where he won a gong for Cat Bellou, fishing form marlin off the coast of Queensland, lending a helping hand to the props man on the classic Point Blank, coming off second best from an encounter with Andy Warhol at Studio 54.… Read more
Orders open for LEE, a fiction anthology inspired by Lee Marvin
A heads up that you can now order LEE, Crime Factory’s anthology inspired by iconic American actor Lee Marvin, from our the site.
There’s been a bit of buzz around the traps about LEE and at the risk of sounding immodest, it’s all justified. Seventeen stories ranging from gonzo to literary noir, penned by some of the hottest crime writers around. Here’s what others are saying:
“This collection of short fiction puts legendary actor Lee Marvin smack dab in the center of the action where he belongs.”
Dwayne Epstein, author of Lee Marvin: Point Blank
“This collection delivers. The writing is pungent, sly and muscular, dark and comic, and all of it has a tremendous energy. A love of film and love of noir is evident in every story. This does Lee proud.”
Christos Tsiolkas, author of The Slap and Dead Europe
I’m excited to say I’ve also got a story in the anthology. I won’t give too much away about it, except to say it titled ‘Gone Fishing’, hence the theme of the photo above.
If you want a sneak peak of LEE, ManArchy is running a excerpt from Irish crime writer Adrian McKinty’s contribution to the anthology, ‘Hospital Ship’, which you can find here.
And if too much Lee Marvin is not nearly enough, you might light to check out my review for ManAnarcy of the recently released Marvin bio by Dwayne Epstein, Lee Marvin Point Blank.… Read more