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Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
- Bear Alley
- Bloody, Spicy, Books
- Comics Down Under
- Everything second hand
- Existential Ennui
- Greenleaf Classic Books
- Irv O. Neil's Erotica is My Trade
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- The Pulp & Paperback Fiction Reader
- Too Much Horror Fiction
- True Pulp Fiction
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- Welcome to the Pan Paperback
- Yellow and Creased
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Category Archives: Larry Kent
Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
After much thought I have decided that to experiment with moving the focus of my blogging from this site to a new Pulp Curry Substack newsletter.
Why am I doing this?
The first post on this website appeared on July 2010 (about the incredibly underrated 1979 Australian heist film, Money Movers – you can read the post here). I’ve been writing on the site with varying frequency ever since (579 posts in all), and for the most part have enjoyed it immensely.
But for the last 12 or so months I just haven’t been feeling it – or getting the hits to make it seem worthwhile – and have started to wonder whether it’s worth continuing with the effort. Posting on a website has been starting to feel like the equivalent of trying to read a broadsheet newspaper in a crowded tram carriage, unwieldy and inconvenient.
And, thinking about it, I suspect the blog format is starting to get a bit stale for me and is actually now a brake on my posting more regularly.
I know that I’m no Robinson Crusoe in this regard. The majority of the blogs I used to follow have gradually fallen by the wayside, as people have moved on, grown weary of the effort, found other interests, adopted other means to get their message out, or, in some cases (gulp), died.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Adrian McKinty, Albert Dekker, Andre De Toth, Angela Savage, Angie Dickinson, Anthony Zerbe, Asian noir, Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian pulp fiction, Australian television history, Ava Gardner, Beat culture, Belmont Tower Books, Ben Wheatley, Billie Whitelaw, Black pulp fiction, Blaxsploitation, Book cover design, Book Reviews, British crime cinema, British pulp fiction, Bryan Brown, Burt Lancaster, Carter Brown, Charles Durning, Charles Willeford, Chester Himes, Christopher G Moore, Christopher Lee, Cinema culture, Claude Atkins, Coronet Books, Crawford Productions, Crime Factory, Crime Factory Publications, Crime fiction, Crime fiction and film from Africa, Crime fiction and film from Cambodia, Crime fiction and film from China, Crime fiction and film from India, Crime fiction and film from Indonesia, Crime fiction and film from Japan, Crime fiction and film from Laos, Crime fiction and film from Latin and Central America, Crime fiction and film from Malaysia, Crime fiction and film from New Zealand, Crime fiction and film from Scandinavia, Crime fiction and film from Singapore, Crime fiction and film from South Korea, Crime fiction and film from Thailand, Crime fiction and film from the Philippines, Crime Fiction and film set in Vietnam, Crime film, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, David Goodis, David Peace, David Whish-Wilson, Derek Raymond, Diana Dors, Dirk Bogarde, Don Siegel, Don Winslow, Donald Westlake aka Richard Stark, Dystopian cinema, Ernest Borgnine, Eurocrime, Fawcett Gold Medal Books, Femme fatale, Fernando Di Leo, Filipino genre films, Film Noir, Forgotten Melbourne, French cinema, French crime fiction, Garry Disher, Gene Hackman, George V Higgins, Georges Simenon, Ghost Money, Giallo cinema, Gil Brewer, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Gloria Grahame, Gold Star Publications, Gregory Peck, Gunshine State, Heist films, Horror, Horwitz Publications, Humphrey Bogart, Ian Fleming, Interviews, Ira Levin, James Caan, James Crumley, James Ellroy, James Hadley Chase, James Woods, Jim Brown, Jim Thompson, Joel Edgerton, John Frankenheimer, Joseph Losey, Karen Black, Kerry Greenwood, Kinji Fukasaku, Larry Kent, Lee Marvin, Leigh Redhead, Lindy Cameron, M Emmet Walsh, Mad Max, Mafia, Malla Nunn, Martin Limon, Megan Abbott, Melbourne International Film Festival, Melbourne Writers Festival, Men's Adventure Magazines, Michael Caine, Michael Fassbender, Mickey Spillane, Monarch Books, Ned Kelly Awards, Neo Noir, New English Library, Newton Thornburg, Noir Con, Noir fiction, Non-crime reviews, Oren Moverman, Orphan Road, Ozsploitation, Pan Books, Parker, Paul Newman, Peter Boyle, Peter Strickland, Peter Yates, Poliziotteschi, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Qui Xiaolong, Raymond Chandler, Richard Burton, Richard Conte, Robert Aldrich, Robert Mitchum, Robert Ryan, Robert Stone, Rock Hudson, Roger Smith, Rollerball, Rosaleen Norton, Roy Scheider, Rural noir, Sam Levene, Sam Peckinpah, Samuel Fuller, Science fiction and fantasy, Scripts Publications, Sidney Lumet, Sidney Poitier, Simon Harvester, Snowtown, Snubnose Press, Spies, Stanley Baker, Sterling Hayden, Steve McQueen, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, Stuart Rosenberg, Tandem Books, Tart noir, Tartan Noir, Ted Lewis, Toni Johnson Woods, True crime, Vicki Hendricks, Victor Mature, Vintage mug shots, Vintage pulp paperback covers, Wallace Stroby, War film, Westerns, William Friedkin, Woody Strode, Yakuza films, Yaphet Kotto
Interview: Australian pulp fiction historian Toni Johnson Woods
Dr Toni Johnson Woods is someone I’ve been keen to interview on this blog for a while now.
A Research Fellow at University of Queensland, she is passionate about Australian books. Not just capital ‘L’ literature, but the local mass produced pulp fiction of the forties, fifties and early sixties, the existence of which has all but disappeared from our collective cultural memory.
Her commitment to the cause of local pulp includes having listened to hours of popular radio serials (Carter Brown Mystery Theatre and Larry Kent’s I Hate Crime), scanned thousands of pulp fiction covers and read every nearly all 300 Carter Brown novels.
She very generously agreed to answer the following questions about her work by e-mail.
What attracted you to researching pulp fiction in the first place?
One very unremarkable day I was chatting with colleagues in the tearoom. As you can imagine our conversations are very lofty – not. I asked the most basic question: who is Australia’s most popular author.
Well, we batted that around for several minutes arguing about what “popular” means, i.e. best selling, most widely read, most known author. All of these things are not the same. The discussion then turned to what is an Australian author, i.e. someone who was born in Australia?… Read more
Posted in Australian crime fiction, Australian pulp fiction, Carter Brown, Horwitz Publications, Interviews, Larry Kent, Pulp fiction, Toni Johnson Woods, Vintage pulp paperback covers
Tagged Alan G Yates, Bleeck Collection, Carter Brown, Cleveland, Erskine Caldwell, Gordon Clive Bleeck, Horwitz Publications, Larry Kent, Mickey Spillane, Signet, Toni Johnson-Woods
Books my father read
July 24 was the fourth anniversary of the death of my father, William Nette.
He died peacefully in hospital on the Queensland Gold Coast, where he had retired with my mother many years earlier. He was 86.
Like many father-son relationships, we didn’t always get on. That’s putting it mildly. But he brought a lot of positive influences to my life.
He turned me onto the joy of jazz, Ella Fitzgerald, Louis Armstrong, Art Blakey and Dave Brubeck. He had a large collection of 78s wrapped in brown paper that he’d secreted out of Papua New Guinea, where he was an armed forces disc jockey during the war, along with cartons of cigarettes he later sold in Australia.
Only recently have I realised he’s also responsible for much of the delight I find in reading and my particular fondness of crime fiction.
I remember the pivotal moment quite clearly. I was thirteen. He came home from work one day and, to my complete horror, announced he was withholding my allowance until I started reading books (comics, which I loved, didn’t count).
He set the first two books, Robinson Crusoe, followed by Treasure Island. They were heavy looking volumes with no pictures that had belonged to my father when he was a boy.… Read more
Posted in Australian crime fiction, Australian pulp fiction, Carter Brown, Crime fiction, Horwitz Publications, Larry Kent, Pan Books, Pulp paperback cover art, Vintage pulp paperback covers
Tagged Alistair Maclean, Authur Hailey, Carter Brown, Harold Robbins, James Bond, John MacDonald, Larry Kent, Mickey Spillane
The dying trade? Private investigators in Australian crime fiction
In the 1940s and 50s, some of the biggest names in Australian fiction were authors unknown today. People such as Gordon Clive Bleeck, Carter Brown, Don Haring and KT McCall were the leading lights of a huge local pulp fiction industry. It produced countless cheap westerns, science fiction and above all crime novels, printed cheaply with lurid covers and sold at news-stands on the street and in train stations. This piece was originally commissioned by the Wheeler Center and appeared on their website here.
In 1938, the federal government decided to levy foreign print publications. As a result of this decision, local publishing houses sprang up to fill the void, releasing hundreds of novels a month, including Westerns, racing and boxing stories, science fiction and crime. Hard-boiled and not so hard-boiled PIs became a standard feature of the pulp crime scene that flourished in Australia for two decades thereafter.
The authors are unknown today, despite some selling in the millions in Australia and abroad. Gordon Clive Bleeck wrote over 200 novels, including PI stories, while working full time for NSW Railroads. Carter Brown, the alias of UK immigrant Alan G Yates, is associated with nearly 300 titles.
Starting off as a hugely popular radio program on the Macquarie Network, the PI Larry Kent inspired a series of novels by Don Haring, an American who lived in Australia or a time, and Queenslander Des R Dunn.… Read more
Posted in Angela Savage, Australian crime fiction, Australian pulp fiction, Carter Brown, Horwitz Publications, Kerry Greenwood, Larry Kent, Lindy Cameron, Peter Corris, Pulp paperback cover art, Toni Johnson Woods, Vintage pulp paperback covers
Tagged Alan G Yates, Carter Brown, Don haring, Gordon Clive Bleeck, KT McCall, Larry Kent, Toni Johnson-Woods