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- Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
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- Mackenna’s Gold (1969): Gold, Ghosts and Frontier Violence
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- Orphan Road now available
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- Why 1973 was the year Sidney Lumet took on police corruption
- Men’s Adventure Quarterly: Gang Girls issue
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Nothing but noir
Recommended reading
The lurid world of pulp
- 20th century Danny Boy
- American Pulps
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- Bloody, Spicy, Books
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Category Archives: Kerry Greenwood
Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
After much thought I have decided that to experiment with moving the focus of my blogging from this site to a new Pulp Curry Substack newsletter.
Why am I doing this?
The first post on this website appeared on July 2010 (about the incredibly underrated 1979 Australian heist film, Money Movers – you can read the post here). I’ve been writing on the site with varying frequency ever since (579 posts in all), and for the most part have enjoyed it immensely.
But for the last 12 or so months I just haven’t been feeling it – or getting the hits to make it seem worthwhile – and have started to wonder whether it’s worth continuing with the effort. Posting on a website has been starting to feel like the equivalent of trying to read a broadsheet newspaper in a crowded tram carriage, unwieldy and inconvenient.
And, thinking about it, I suspect the blog format is starting to get a bit stale for me and is actually now a brake on my posting more regularly.
I know that I’m no Robinson Crusoe in this regard. The majority of the blogs I used to follow have gradually fallen by the wayside, as people have moved on, grown weary of the effort, found other interests, adopted other means to get their message out, or, in some cases (gulp), died.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Adrian McKinty, Albert Dekker, Andre De Toth, Angela Savage, Angie Dickinson, Anthony Zerbe, Asian noir, Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian pulp fiction, Australian television history, Ava Gardner, Beat culture, Belmont Tower Books, Ben Wheatley, Billie Whitelaw, Black pulp fiction, Blaxsploitation, Book cover design, Book Reviews, British crime cinema, British pulp fiction, Bryan Brown, Burt Lancaster, Carter Brown, Charles Durning, Charles Willeford, Chester Himes, Christopher G Moore, Christopher Lee, Cinema culture, Claude Atkins, Coronet Books, Crawford Productions, Crime Factory, Crime Factory Publications, Crime fiction, Crime fiction and film from Africa, Crime fiction and film from Cambodia, Crime fiction and film from China, Crime fiction and film from India, Crime fiction and film from Indonesia, Crime fiction and film from Japan, Crime fiction and film from Laos, Crime fiction and film from Latin and Central America, Crime fiction and film from Malaysia, Crime fiction and film from New Zealand, Crime fiction and film from Scandinavia, Crime fiction and film from Singapore, Crime fiction and film from South Korea, Crime fiction and film from Thailand, Crime fiction and film from the Philippines, Crime Fiction and film set in Vietnam, Crime film, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, David Goodis, David Peace, David Whish-Wilson, Derek Raymond, Diana Dors, Dirk Bogarde, Don Siegel, Don Winslow, Donald Westlake aka Richard Stark, Dystopian cinema, Ernest Borgnine, Eurocrime, Fawcett Gold Medal Books, Femme fatale, Fernando Di Leo, Filipino genre films, Film Noir, Forgotten Melbourne, French cinema, French crime fiction, Garry Disher, Gene Hackman, George V Higgins, Georges Simenon, Ghost Money, Giallo cinema, Gil Brewer, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Gloria Grahame, Gold Star Publications, Gregory Peck, Gunshine State, Heist films, Horror, Horwitz Publications, Humphrey Bogart, Ian Fleming, Interviews, Ira Levin, James Caan, James Crumley, James Ellroy, James Hadley Chase, James Woods, Jim Brown, Jim Thompson, Joel Edgerton, John Frankenheimer, Joseph Losey, Karen Black, Kerry Greenwood, Kinji Fukasaku, Larry Kent, Lee Marvin, Leigh Redhead, Lindy Cameron, M Emmet Walsh, Mad Max, Mafia, Malla Nunn, Martin Limon, Megan Abbott, Melbourne International Film Festival, Melbourne Writers Festival, Men's Adventure Magazines, Michael Caine, Michael Fassbender, Mickey Spillane, Monarch Books, Ned Kelly Awards, Neo Noir, New English Library, Newton Thornburg, Noir Con, Noir fiction, Non-crime reviews, Oren Moverman, Orphan Road, Ozsploitation, Pan Books, Parker, Paul Newman, Peter Boyle, Peter Strickland, Peter Yates, Poliziotteschi, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Qui Xiaolong, Raymond Chandler, Richard Burton, Richard Conte, Robert Aldrich, Robert Mitchum, Robert Ryan, Robert Stone, Rock Hudson, Roger Smith, Rollerball, Rosaleen Norton, Roy Scheider, Rural noir, Sam Levene, Sam Peckinpah, Samuel Fuller, Science fiction and fantasy, Scripts Publications, Sidney Lumet, Sidney Poitier, Simon Harvester, Snowtown, Snubnose Press, Spies, Stanley Baker, Sterling Hayden, Steve McQueen, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, Stuart Rosenberg, Tandem Books, Tart noir, Tartan Noir, Ted Lewis, Toni Johnson Woods, True crime, Vicki Hendricks, Victor Mature, Vintage mug shots, Vintage pulp paperback covers, Wallace Stroby, War film, Westerns, William Friedkin, Woody Strode, Yakuza films, Yaphet Kotto
The comfort of crimes past? Why we love period crime procedurals
You only have to take a quick look at the television guide or go to the crime section of your nearest bookstore to know that period crime procedurals – crime stories set in the past – are popular.
Showing or having recently aired on free-to-air television have been Foyle’s War, a police procedural show set during or immediately after the Second World War; Dr Blake Mysteries, set in Ballarat in the 1950s; Miss Fisher’s Murder Mysteries, based on the successful books by Melbourne writer Kerry Greenwood set in late-1920s Melbourne; andAquarius, dealing with the murders committed by Charles Manson in 1960s California. These programs feed into a much wider canon of popular period shows – everything from Downton Abbey, to Mad Men and Wolf Hall, the adaption of Hilary Mantel’s 2009 bestselling Booker Prize-winning novel.
Our desire for period crime procedurals is just as big on the printed page. In Australia alone, there are Sulari Gentill’s books featuring the 1930s sleuth, Roland Sinclair, Robert Gott’s police procedurals set in the newly formed homicide squad in 1940s Melbourne, and Geoffrey McGeachin’s award winning Melbourne police detective Charlie Berlin, to name a few.
What is driving this? Is this a symptom of our refusal to come to grips with modern reality?… Read more
SheKilda and women’s crime writing in Australia
It’s when someone asks you to contribute a blog post on the state of female crime writing in Australia from the point of someone watching the industry, that you realise you just don’t read enough.
Not nearly enough.
That said, in my view, female crime writing in this country looks in rude health.
Exhibit A is SheKilda this weekend, the women’s crime writing conference I’ve been asked to write this blog post to coincide with. There’ll be 60 speakers spanning fiction, true crime, young adult, ‘crimance’ and screenwriting. With the exception of the Crime and Justice Festival, there’s nothing else like it.
The 53 books by local female writers entered in the current Davitt awards for female crime writing, is Exhibit B.
It’s when you make statements like these that you come up against claims female crime writers are discriminated in reviewing and awards. Certainly, studies overseas have shown that female writers are vastly underrepresented in the review sections of newspapers. I presume the same is true here.
Awards? Let’s look at the top categories for the last ten years of the Ned Kelly Awards, 2002 – 2011.
The results are fairly split in the category of true crime. Five women have won it (it was tied between two women in 2007) and five men (with the result being tied between two men in 2002).… Read more
Posted in Australian crime fiction, Crime fiction, Kerry Greenwood, Lindy Cameron, Malla Nunn
Tagged Carolyn Morwood, Clan Destine Press, Crimes in Southern Indianna, Davitt Awards, Frank Bill, Gabrielle Lord, Honey Brown, Kerry Greenwood, Lindy Cameron, Malla Nunn, Shekilda, Sisters in Crime, The Good Daughter
Not another post about the crisis of the publishing industry
This is not going to be another post about the crisis in the publishing industry.
Well, not quite.
The Emerging Writers’ Festival has been running over the last week in Melbourne.
The events I attended, including the crime genre panel at the Wheeler Centre last Thursday night (more about that later), were great. Good speakers, interesting discussion, a refreshing absence of hipsterdom.
I’ll certainly be marking the week off in my diary next year and trying to attend more events.
Not surprisingly, a central theme of the proceedings was the future of publishing. Much of the discussion focused on whether it was in crisis or not.
Before going any further, it’s important to set the record straight. I love books. I mean the paper kind you can smell and touch and thumb through. I’m not going to be coy about it, I really hope the manuscript of my crime novel set in Cambodia gets to become a book made out of a dead tree.
Hopefully you’ll be able to buy it from a neighbourhood bookstore owned by someone you’re on first name terms with. Shit, I even hope I make some money off it.
I also love newspapers, party politics, Hawaiian shirts and a whole lot of other things that have an uncertain future.… Read more
Crime time at the Emerging Writers’ Festival
Melbourne’s Emerging Writers’ Festival gets underway later this week. The agenda features a mind-boggling array of writers, editors, publishers and other literary types.
This year, the Festival includes a series of panels on genre writing. Young adult, speculative fiction, romance and crime are all going to get a going over.
And guess who’s got a slot on the crime fiction panel on Thursday, June 2?
Yes, I’m going to be one of the three panel members. I’m the emerging writer (go team!).
Also on the panel is Jarad Henry, policy advisor to the Victorian police by day and author of two books, the most recent of which is the 2008 novel Blood Sunset.
The third person is veteran crime writer, Kerry Greenwood. Greenwood is the author of approximately fifty books, including the well-known series featuring the female sleuth, Phryne Fisher.
I’m sure it will be a great discussion so come along.
This is going to be my first literary panel and I have to admit I’m a little nervous, especially given the experience of my co-panelists. Carmel has asked me to send her my thoughts about being an emerging author. Hmm, I’m going to have to think about that. Any aspiring or emerging writers reading this post who’ve got ideas about what I should say, are encouraged to drop me a line.… Read more