Category Archives: Joel Edgerton

Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter

Posted on October 26, 2023 by Andrew Nette| 2 Comments

After much thought I have decided that to experiment with moving the focus of my blogging from this site to a new Pulp Curry Substack newsletter.

Why am I doing this?

The first post on this website appeared on July 2010 (about the incredibly underrated 1979 Australian heist film, Money Movers – you can read the post here). I’ve been writing on the site with varying frequency ever since (579 posts in all), and for the most part have enjoyed it immensely.

But for the last 12 or so months I just haven’t been feeling it – or getting the hits to make it seem worthwhile – and have started to wonder whether it’s worth continuing with the effort. Posting on a website has been starting to feel like the equivalent of trying to read a broadsheet newspaper in a crowded tram carriage, unwieldy and inconvenient.

And, thinking about it, I suspect the blog format is starting to get a bit stale for me and is actually now a brake on my posting more regularly.

I know that I’m no Robinson Crusoe in this regard. The majority of the blogs I used to follow have gradually fallen by the wayside, as people have moved on, grown weary of the effort, found other interests, adopted other means to get their message out, or, in some cases (gulp), died.… Read more

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My cultural highlights of 2022

Posted on December 19, 2022 by Andrew Nette| 5 Comments

The end of the year nears. That means it is time for my year cultural highlights of 2022. So, without further introduction, let’s get into it.

Film

Possibly the best new release I saw in the past 12 months was Iranian director Ali Abbasi’s The Holy Spider (2022). The story of a young female journalist (a powerhouse performance by Zar Amir-Ebrahimi) investigating a religious serial killer in a rural Iranian city, little did I know when I saw it as part of Melbourne International Film Festival in September that it’s damning commentary on the male dominated nature of Iranian society, would find such a strong real world echo in the female led protest movement shaking the country to its foundations today. While The Holy Spider is not for the faint hearted, its horror is brilliantly conveyed through show don’t tell storytelling. Seriously, a lot of directors could learn from watching this film that you don’t always have to hit the audience over the head with a narrative sledgehammer.

Two other 2022 releases make my best of film list for the year. The first is Emily the Criminal. This is a whip smart neo noir about a young woman who falls into crime, featuring Aubrey Plaza in the lead role. I call it a millennial revenge film, which I think is THE upcoming crime genre with a bullet.… Read more

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Posted in 1970s American crime films, Book Reviews, British crime cinema, Burt Lancaster, Crime fiction, Crime film, David Peace, David Whish-Wilson, French crime fiction, Georges Simenon, Horror, Joel Edgerton, Melbourne International Film Festival, Neo Noir, Spies, True crime, Yaphet Kotto

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Wish You Were Here

Posted on May 7, 2012 by Andrew Nette| 5 Comments

Wish You Were Hear sort of blind sided me. That doesn’t happen very often.

I’d been hearing about it for a while without actually putting all the pieces around it together: an Australian made suspense, partly shot in southern Cambodia, backed by Blue Tongue Films, the outfit behind Animal Kingdom and The Square, two solid local crime films I’d favourably reviewed on this site previously.

I can’t say too much about Wish You Were Here without giving away the plot. It fits nicely into the genre of suspense film dealing with what happens when nice middle class white people go somewhere exotic and exciting, a place where they’re freed from the expectations of their everyday lives, and behave badly, with serious consequences for their mental and physical health.

In this instance, the place is the tourist beach resort of Sihanoukville on Cambodia’s southern coast. The nice middle class people are two couples, pregnant Alice (Felicity Price) and her husband Dave (Blue Tongue regular Joel Edgerton), and Alice’s Younger sister Steph (Teresa Palmer) and her charming and mysterious boyfriend Jeremy (Antony Starr).

Their exciting, carefree holiday adventure is brilliantly established in the first moments of the film, culminating in a drug fuelled dance party. Next thing we see is Dave staggering half naked and blood stained through the harsh dawn light.… Read more

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Posted in Australian crime film, Crime fiction and film from Cambodia, Joel Edgerton

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Animal Kingdom

Posted on December 19, 2010 by Andrew Nette| 7 Comments

There’ll come a day when the Australian film and television industry will have to create a special award for Melbourne’s crime families in recognition of their services in providing so much rich material for screenwriters. Present to accept the award will be whatever members of the Pettingill family who are not dead or incarcerated.

For those readers not familiar with the name, the Pettingill family were Melbourne’s most notorious crime family. They were involved in drug dealing, murder and armed robbery. Two of the sons stood trial in 1998 for the shooting of a couple of Victorian police officers. They were acquitted but are still widely suspected of committing the killings.

Their exploits have also formed the basis for some of the country’s best crime television, including the ABC series Janus and Phoenix, and more recently the film, Animal Kingdom.

Animal Kingdom is the best known of the three Australian crime films released in 2010. Unusually for an Australian film, not only has it received international critical acclaim (including a Golden Globes nomination for actress Jacki Weaver),  it was a success locally.

Most interestingly, Animal Kingdom, along with Red Hill and The Horseman, the two other local crime releases in 2010, were all made by first time film directors, a big improvement on the lackluster Australian crime cinema scene in 2009.… Read more

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Posted in Australian crime film, Joel Edgerton

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The Square: small town noir Australian style

Posted on August 2, 2010 by Andrew Nette| 2 Comments

Tales of money, betrayal, lust and murder set in the underbelly of rural small town life are a major thematic strand of film noir. Australia’s contribution to this, released locally to mixed reviews in 2008, is The Square.

The location selected by first time director and writer Nash Edgerton is the central coast of New South Wales, where the laid back life-style and stunning countryside exist side by side with pockets of deep poverty and a highly casualised workforce.

The opening scene of The Square takes place at dawn. Two people are having sex in the back seat of a car to the accompanying drone of cars crossing a nearby overpass. They finish, pausing long enough for us to notice their wedding rings, before going their separate ways.

The man, Ray, pulls into a clearing in the middle of thick bushland and enters the portable office from which he is supervising the construction of a resort for honeymooners. The young woman, Carla, drives to her job in a hairdressing parlour.

Before long, Ray is getting a hard time down from Gil, the developer (long time Australian actor, Bill Hunter) for failing to keep costs down. There’s no need for anything fancy, Gil tells him, all they are building is a place were “couples can root in Jacuzzis”.… Read more

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Posted in Australian crime film, Australian noir, Crime film, Joel Edgerton

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