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Category Archives: Crime fiction and film from Japan
Dishing up Pulp Curry in a new way: why I am starting a Substack newsletter
After much thought I have decided that to experiment with moving the focus of my blogging from this site to a new Pulp Curry Substack newsletter.
Why am I doing this?
The first post on this website appeared on July 2010 (about the incredibly underrated 1979 Australian heist film, Money Movers – you can read the post here). I’ve been writing on the site with varying frequency ever since (579 posts in all), and for the most part have enjoyed it immensely.
But for the last 12 or so months I just haven’t been feeling it – or getting the hits to make it seem worthwhile – and have started to wonder whether it’s worth continuing with the effort. Posting on a website has been starting to feel like the equivalent of trying to read a broadsheet newspaper in a crowded tram carriage, unwieldy and inconvenient.
And, thinking about it, I suspect the blog format is starting to get a bit stale for me and is actually now a brake on my posting more regularly.
I know that I’m no Robinson Crusoe in this regard. The majority of the blogs I used to follow have gradually fallen by the wayside, as people have moved on, grown weary of the effort, found other interests, adopted other means to get their message out, or, in some cases (gulp), died.… Read more
Posted in 1960s American crime films, 1970s American crime films, 1980s American crime films, 1990s American crime films, Adrian McKinty, Albert Dekker, Andre De Toth, Angela Savage, Angie Dickinson, Anthony Zerbe, Asian noir, Australian crime fiction, Australian crime film, Australian noir, Australian popular culture, Australian pulp fiction, Australian television history, Ava Gardner, Beat culture, Belmont Tower Books, Ben Wheatley, Billie Whitelaw, Black pulp fiction, Blaxsploitation, Book cover design, Book Reviews, British crime cinema, British pulp fiction, Bryan Brown, Burt Lancaster, Carter Brown, Charles Durning, Charles Willeford, Chester Himes, Christopher G Moore, Christopher Lee, Cinema culture, Claude Atkins, Coronet Books, Crawford Productions, Crime Factory, Crime Factory Publications, Crime fiction, Crime fiction and film from Africa, Crime fiction and film from Cambodia, Crime fiction and film from China, Crime fiction and film from India, Crime fiction and film from Indonesia, Crime fiction and film from Japan, Crime fiction and film from Laos, Crime fiction and film from Latin and Central America, Crime fiction and film from Malaysia, Crime fiction and film from New Zealand, Crime fiction and film from Scandinavia, Crime fiction and film from Singapore, Crime fiction and film from South Korea, Crime fiction and film from Thailand, Crime fiction and film from the Philippines, Crime Fiction and film set in Vietnam, Crime film, Dangerous Visions and New Worlds Radical Science Fiction 1950 to 1985, David Goodis, David Peace, David Whish-Wilson, Derek Raymond, Diana Dors, Dirk Bogarde, Don Siegel, Don Winslow, Donald Westlake aka Richard Stark, Dystopian cinema, Ernest Borgnine, Eurocrime, Fawcett Gold Medal Books, Femme fatale, Fernando Di Leo, Filipino genre films, Film Noir, Forgotten Melbourne, French cinema, French crime fiction, Garry Disher, Gene Hackman, George V Higgins, Georges Simenon, Ghost Money, Giallo cinema, Gil Brewer, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Gloria Grahame, Gold Star Publications, Gregory Peck, Gunshine State, Heist films, Horror, Horwitz Publications, Humphrey Bogart, Ian Fleming, Interviews, Ira Levin, James Caan, James Crumley, James Ellroy, James Hadley Chase, James Woods, Jim Brown, Jim Thompson, Joel Edgerton, John Frankenheimer, Joseph Losey, Karen Black, Kerry Greenwood, Kinji Fukasaku, Larry Kent, Lee Marvin, Leigh Redhead, Lindy Cameron, M Emmet Walsh, Mad Max, Mafia, Malla Nunn, Martin Limon, Megan Abbott, Melbourne International Film Festival, Melbourne Writers Festival, Men's Adventure Magazines, Michael Caine, Michael Fassbender, Mickey Spillane, Monarch Books, Ned Kelly Awards, Neo Noir, New English Library, Newton Thornburg, Noir Con, Noir fiction, Non-crime reviews, Oren Moverman, Orphan Road, Ozsploitation, Pan Books, Parker, Paul Newman, Peter Boyle, Peter Strickland, Peter Yates, Poliziotteschi, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, Qui Xiaolong, Raymond Chandler, Richard Burton, Richard Conte, Robert Aldrich, Robert Mitchum, Robert Ryan, Robert Stone, Rock Hudson, Roger Smith, Rollerball, Rosaleen Norton, Roy Scheider, Rural noir, Sam Levene, Sam Peckinpah, Samuel Fuller, Science fiction and fantasy, Scripts Publications, Sidney Lumet, Sidney Poitier, Simon Harvester, Snowtown, Snubnose Press, Spies, Stanley Baker, Sterling Hayden, Steve McQueen, Sticking it the the Man Revolution and Counter Culture in Pulp and Popular Fiction 1950 1980, Stuart Rosenberg, Tandem Books, Tart noir, Tartan Noir, Ted Lewis, Toni Johnson Woods, True crime, Vicki Hendricks, Victor Mature, Vintage mug shots, Vintage pulp paperback covers, Wallace Stroby, War film, Westerns, William Friedkin, Woody Strode, Yakuza films, Yaphet Kotto
Video of my talk, The motorcycle – rebel in pop culture, now available
For those of you who were unable to attend my recent talk hosted by the Queensland Gallery of Modern Art, ‘The Motorcycle: Rebel in Pop Culture’, there is now a video of the entire presentation on Youtube. The wonderful folks at QAGOMA have even done an Auslan interpretation of it for the vision impaired.
My talk will take you on a journey through the various representations of the motorcycle in youth and popular culture history, mainly in the United States, Australia and Great Britain. I examine what has given the motorbike its cool reputation and discuss how it has also functioned as a lightning rod for post war concerns around various youth subcultures. In addition to film, I also look at the representation of the motorbike in music and pulp fiction. You can also find it on YouTube here.… Read more
Posted in 1960s American crime films, 1970s American crime films, Australian crime film, Australian popular culture, Australian pulp fiction, Book cover design, British pulp fiction, Crime fiction and film from Japan, Dystopian cinema, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Horwitz Publications, Mad Max, Men's Adventure Magazines, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp paperback cover art, Scripts Publications, Steve McQueen, True crime, Vintage pulp paperback covers
Tagged Andrew Nette, Bikers, Bikies, Marlon Brando, QAGOMA, The Motorcycle Design Art Desire, The motorcycle in pop culture, Youthsploitation, Youthsploitation pulp
My top 10 books of 2015
It’s time for my annual top 10 reads for the year. In no particular order they are as follows:
Bad Penny Blues, Cathi Unsworth
Bad Penny Blues kicks off in London in the early 1960s. A young police constable finds the body of a murdered prostitute. His subsequent investigation into the crime and similar murders, spanning the better part of a decade, propels him into the heart of the city’s Soho vice district. Interspersed with this is the story of a young and up and coming fashion designer, Stella, who is plagued by nightmares about dead women.
The fact I found this book a pinch too long didn’t detract from my enjoyment of it. Bad Penny Blues is a solid piece of noir fiction and a great evocation of sixties London, taking in everything from the occult, teddy boys, bent cops, radical bohemians and debauched upper class aristocrats.
The Tattoo Murder Case, Akimitsu Takagi
First published, albeit in a slightly different form, in 1948, a young forensic medical student with post-traumatic stress after a stint as a medic in the Philippines begins a passionate affair with a beautiful woman who is covered with strange, sexually alluring traditional Japanese tattoos. Soon after the affair begins, she is murdered, dismembered and her tattooed torso stolen from the scene of the crime.… Read more
Posted in Australian noir, Book Reviews, Crime fiction, Crime fiction and film from Japan, Crime Fiction and film set in Vietnam, Robert Stone, Science fiction and fantasy
Tagged Akimitsu Takagi, American Pulp: How Paperbacks Brought Modernism to Main Street, Arkady and Boris Strugatsky, Bad Penny Blues, Candice Fox, Cathi Unsworth, Dog Soldiers, Don Carpenter, erent Vice, Hades, Hard Rain Falling, Mark Dapin, Paula Rabinowitz, R&R, Roadside Picnic, Robert Stone, The Secret Speech, The Tattoo Murder Case, Thomas Pynchon, Tim Robb Smith
My 10 anticipated films of the Melbourne International Film Festival
The Melbourne International Film Festival (MIFF) is almost upon us and, this year, I am seeing more than my usual quota of films. I won’t go into detail regarding everything I’ve booked, but here are the ten films I am most excited about.
The Duke of Burgundy
Confession: I missed this in my first pass of the MIFF program and, thankfully, was alerted by a friend to the fact it was playing. Despite some problems with the last quarter of the film I adored Berberian Sound Studio (2013), Peter Strickland’s tasteful, authentic non-Tarantinoesque homage to Italian giallo films of the seventies. So The Duke of Burgundy, a tribute to the Euro sleaze films of Jess Franco and Walerian Borowczyk has me very excited.
Sunrise
My search for a decent Indian neo noir continues with Partho Sen-Gupta’s 2014 feature, Sunrise. In 2012 I sat through all six hours of Gangs of Wasseypur, the sprawling saga of two rival crime families in the Indian state of Bihar. It held together well for the first half before degenerating into a Spaghetti Western-like shoot ‘em up. In 2013, it was Monsoon, a Mumbai based crime drama about a rookie cop and his corrupt older partner. It showed promise but I felt it was too focused on achieving the right aesthete at the expense of story.… Read more
Posted in Crime fiction and film from India, Crime fiction and film from Japan, Kinji Fukasaku, Melbourne International Film Festival, True crime, Yakuza films
Tagged Battles With Honor and Humanity (1973), Berberian Sound Studio (2013), Burroughs: The Movie, Cartel Land (2105), Dark Age (1987), David Gulpilil, Deep Web (2015), Downriver (2015), Grant Sciciuna, Heaven Knows What (2014), Josh and Benny Safdie, Partho Sen-Gupta, Peter Strickland, Peter Weir, Sunrise (2014), The Duke Of Burgundy (2015), The Last Wave (1977)
2015 mid-summer reading report back: Perfidia, Japanese tattoos, eighties sleaze
Summer in Melbourne is usually the one time of the year I can be guaranteed to get a fair amount of personal reading done. As has become my annual practice, a short report back on the books I have got through is in order.
Perfidia, James Ellroy
I need to preface my comments on Perfidia by stressing I am a massive Ellroy fan. I have read all of his books – ALL of them – many more than once. I even liked The Cold Six Thousand and Blood’s A Rover, the two books that most divided readers. So, it is with a heavy heart that I say Perfidia is very disappointing. The long awaited prelude to Ellroy’s LA Quintet, Perfidia takes place in Los Angeles over 23 days in December 1941, a period in which American went from being at piece to the attack on Pearl Harbour and the country being at war.
The focal point of the book is the brutal murder on the eve of Pearl Harbour of a Japanese family. The killings have all the hallmarks of traditional Japanese ritual deaths. Drawn into the murder investigation are future LAPD chief William H Parker, the meanest crime fiction cop ever created, Dudley Smith, a brilliant young Japanese police forensic scientist, and Kay Lake, a woman with a major thing for bad men.… Read more
Posted in Book Reviews, Crime fiction, Crime fiction and film from Japan, Eurocrime, James Ellroy, True crime
Tagged Akimitsu Takagi, Blood's A Rover, Dudley Smith, Eric Beetner, Jacks and Jokers, James Ellroy, James Hopwood, LA Quintet, Massimo Carlotto, Matthew Condon, Paul Bishop, Perfidia, Pulse Fiction, Scott Alderberg, Spiders and Flies, The Cold Six Thousand, The Master of Knots, The Tattoo Murder Case, Three Crooked Kings, Tommy Hancock, Vol 1