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Category Archives: James Hadley Chase
Pulp Friday: No Orchids for Miss Blandish
‘In 1939, amidst violence and wartime shortages, one hardboiled noir took the nation by storm, provoked moral outrage, and inspired legions of imitators.’
My latest piece for the CrimeReads site is a look at the popularity and controversy around James Hadley Chase’s 1939 blockbuster, No Orchids for Miss Blandish. You can read my story in full at the CrimeReads site here.
The article is a sequel of sorts to a story I did back in April on the popularity of mid-century faux American crime fiction in Australia and the career of one of the country’s least known most successful crime writers, Alan Yates, who wrote under the pseudonym, Carter Brown. A link to the full piece is here.
Posted in 1970s American crime films, Australian crime fiction, Australian pulp fiction, British crime cinema, British pulp fiction, Crime fiction, Film Noir, James Hadley Chase, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Vintage pulp paperback covers
Tagged British crime fiction, faux American crime fiction, hardboiled crimefiction, I the Jury (1947), James Hadley Chase, Mickey Spillane, mid-century crime fiction, No Orchids for Miss Blandish, Rene Lodge Brabazon Raymond
They Made Me a Fugitive
I recently wrote a yet to be published article on the critical furore that greeted the 1939 James Hadley Chase book, No Orchids for Miss Blandish, and the 1948 film version. Among my research was an article by British film academic James Chapman which discussed the film version of No Orchids as part of a cycle of British crime films that drew severe condemnation from censors, moralists and film critics for their depiction of sex and violence and their bleak take on post-war British life. Another was the 1948 adaptation of Graham Greene’s Brighton Rock. But it was the first of this cycle, appearing in 1947, that I had not seen and only vaguely heard about, They Made Me a Fugitive or I Became a Criminal, the title it was released under in the United States.
Fugitive stars Trevor Howard as Clem Morgan, a demobbed Royal Air Force pilot who joins a criminal gang headed by a flash gangster with a very nasty streak, Narcy (Griffith Jones). Narcy runs a funeral parlour business as a front for a black-market operation, the good smuggled in the coffins. Morgan and Narcy take an instant alpha male dislike to each other. Morgan is particularly critical of Narcy’s decision to traffic in what he calls ‘sherbet’, which I think is cocaine (although this is not spelt out in the film).… Read more
Posted in British crime cinema, British pulp fiction, Crime film, Film Noir, Heist films, James Hadley Chase
Tagged 'Cavalcanti', Alberto Cavalcanti, Brighton Rock (1948), British noir cinema, Graham Greene, Griffith Jones, Jackson Budd, James Hadley Chase, No Orchids for Miss Blandish (1948), Noel Langely, Sally Gray, They Made Me A Fugitive (1947), Trevor Howard, Went the Day Well (1942)