Category Archives: Horwitz Publications

Interview: Australian pulp fiction historian Toni Johnson Woods

Dr Toni Johnson Woods is someone I’ve been keen to interview on this blog for a while now.

A Research Fellow at University of Queensland, she is passionate about Australian books. Not just capital ‘L’ literature, but the local mass produced pulp fiction of the forties, fifties and early sixties, the existence of which has all but disappeared from our collective cultural memory.

Her commitment to the cause of local pulp includes having listened to hours of popular radio serials (Carter Brown Mystery Theatre and Larry Kent’s I Hate Crime), scanned thousands of pulp fiction covers and read every nearly all 300 Carter Brown novels.

She very generously agreed to answer the following questions about her work by e-mail.

What attracted you to researching pulp fiction in the first place? 

One very unremarkable day I was chatting with colleagues in the tearoom. As you can imagine our conversations are very lofty – not.  I asked the most basic question: who is Australia’s most popular author.

Well, we batted that around for several minutes arguing about what “popular” means, i.e. best selling, most widely read, most known author.  All of these things are not the same. The discussion then turned to what is an Australian author, i.e. someone who was born in Australia?… Read more

Pulp Friday: Sin in Hong Kong

“Lassington Dhal was condemned to die of pleasure. What was the secret that had earned him free grog, free women and a drunkard’s death?”

Today’s Pulp Friday is a wonderful specimen of Asian themed Australian pulp fiction, Sin in Hong Kong by James Workman, published by Horwitz Publications in 1965.

You can almost smell the polluted water of Kowloon Harbour and feel the beer sweat oozing from the pores of this book. The combination of the cover illustration and the suggestive title do a wonderful job of evoking a sense of the mysterious, sleazy Orient, one of the mainstays of pulp publishing in the fifties and sixties. Criminals, Communists, Asians. What’s the difference? Remember, this was 1965. The Cold War was in full swing, Vietnam was just starting to wind up, Australia was years away from recognising Red China, fear and ignorance of Asia was widespread (and it could be argued in some quarters still is).

As is the case with nearly every local Australian pulp cover I present on this site, I’ve no idea who did the art work for Sin in Hong Kong.

James Workman appears to have been one of the many house pseudonyms used by Horwitz. In this case, the real author appears to have been well known Australian novelist James Edmond MacDonnell.… Read more

Pulp Friday: Flat 4 Kings Cross

“A raw and revealing novel of abandoned passions in Sydney’s twilight zone.”

Today’s Pulp Friday book is Flat 4 Kings Cross, by Geoffrey Tolhurst, published by Horwitz Publications in 1963.

As I’ve previously written on this site, the early to mid-sixties was the transition point during which the Australian pulp publishing industry stopped relying completely on reprints of overseas titles and stories and characters set in the US, and started to pump out stories set locally.

As was the case in the UK and America, much of this was kitchen sink and exploitation fiction, often dressed up as lurid exposés of drug use and sexual promiscuity. These fed off mainstream society’s fears of youth rebellion and changing sexual standards. The setting for much of this work was Sydney’s Kings Cross, which during the sixties, seventies and eighties was Australia best-known center of drug use and prostitution.

Prostitutes, beatniks, con men, drug dealers, bent cops, organized crime lords, innocent tourists and American servicemen on leave all rubbed shoulders in  ‘the Cross’ as it is referred to locally. To this, local pulp authors added Chinese Triad gangs enslaving white women, witches and warlocks and a host of other less believable characters.

Flat 4 Kings Cross is a great example of this sub-genre of Australian pulp. … Read more

Pulp Friday: mercenary pulp

This week’s Pulp Friday is a selection of covers from the seething, sweaty, bloody, intrigue laden world of mercenary pulp.

I picked them celebrate the fact that I have a story in issue 2 of Blood and Tacos, which launches today, called ‘Bastard Mercenary: Operation Scorpion Sting’. Well, it’s not my story. It was written by a guy called Arch Saxon, one of the mainstays of the local pulp fiction scene in the seventies and eighties.

I discovered Saxon living in a down at heel rooming house in Brunswick, while researching a piece for this site. After he’d drunk his own body weight in beer and caged a hundred dollars off me, he agreed to let me submit a story of his featuring his little known creation Bruce ‘Boomer’ Kelly to Johnny Shaw’s Blood and Tacos series.

Kelly aka Bastard Mercenary is hard-bitten Bangkok-based Australian mercenary who’ll undertake any job so long as the beer is cold and the money right. Much like Saxon himself.

The rest as they say is history.

Blood and Tacos is an affectionate homage to the crazy, over the top world of late seventies, eighties pulp fiction. A time when titles such as Penetrator, The Liquidator, Death Merchant, Black Samurai and The Executioner rubbed muscular shoulders with each other on the pulp paperback rack of the local newsagency.… Read more

Pulp Friday: biker pulp

“Lusting females with sadism and sex on their mind.”

Bikers were one of the major themes of pulp fiction in the late sixties and seventies.

Society’s fascination with bikers obviously dates back much further than this, but by the late sixties it had well and truly seeped into popular culture, thanks to the well publicised violence at Aldamont, movies like Easy Rider (1969) and the success of Hunter S Thompson’s 1965 gonzo journalism classic, Hells Angels.

Australia was no exception to this trend, with concerns about law and order arising from the growth of the counter culture and the popularity of movies like Stone (1974) and Mad Max (1979) resulting in our own fascination with bikie culture.

The result was wave of pulp novels focusing on the exploits of outlaw biker gangs and the cops trying to break them. The books mirrored mainstream society’s fascination/loathing of bikie culture, real and imagined, mixed with lashings of gratuitous sex and hard-core violence.

Wheels of Death (1975) and Bikie Birds (1973) are two Australian examples of biker pulp fiction. Both were written by Stuart Hall, who penned approximately 45 pulp novels between 1970 and 1980, including a number of biker pulps for Scripts, the adults-only inprint of Sydney-based pulp publisher Horwitz Publications.

In addition to writing about the denim clad male members of these bikie gangs, Hall devoted considerable attention to the women (or ‘birds’ as women were often referred to in popular working class Australian slang) who rode with them, characters every bit as sexually loose and violent as their male counterparts.… Read more