Category Archives: Horwitz Publications

Pulp Friday: The Hands of Orlac

The Hands of Orlac“Had a brilliant skin graft left him with a murderer’s hands? A tense and eerie film starring Mel Ferrer.”

French writer Maurice Renard’s 1920 novel The Hands of Orlac concerned a concert pianist called Paul Orlac who loses his hands in a terrible accident and is given new ones in a transplant. Unbeknownst to him, the donor was a recently deceased murderer. Not only is Orlac unable to play piano with his new hands, but he slowly starts to assume the deceased murderer’s predisposition for killing.

The Hands of Orlac was filmed as a movie three times. A silent movie, The Hands of Orlac, was made in 1924 by Austrian director Robert Weine. A US version appeared in 1935 as Mad Love. A British/French production starring Christopher Lee and Mel Ferrer was made in 1960.

Today’s Pulp Friday offering is the 1962 local Horwitz edition of the Four Square Books paperback tie in to the British/French movie.

The name of the author, which you might not be able to discern from the cover scan, was Robert Bateman. Bateman was a UK writer who worked in radio and TV. He also wrote a number of novels, including this one.

And please note, I will be giving an illustrated talk on Australian pulp fiction from the fifties, sixties and seventies as part of the upcoming Melbourne Writers Festival.… Read more

Announcing Beat Girls, Love Tribes and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 – 1980

Happening At san Remo Pyramid Books 1967Regular Pulp Curry readers will be aware of my deep interest in pulp fiction. What you won’t know, is I’ve been working for a while now on a pulp fiction related book with another Melbourne writer called Iain McIntyre.

I’m thrilled to announce this book, currently titled Beat Girls, Love Tribes and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 – 1980, will be published by Verse Chorus Press in October 2015.

The book will be the definitive look at youth and counter cultural pulp fiction from Australia, the United States and the UK. It will feature contributions from over twenty writers and includes reviews, feature articles and author interviews. These will cover all aspects of youth and counter cultural related pulp fiction, starting with juvenile delinquency and gang pulp in the fifties, Beats and bohemians in the early sixties, to hippies, bikers, musicians, Mods, punks, and everything in between.

The book will also feature a large selection of covers from the books concerned.

Some of the pulp writers we cover you might know. But there’ll be a lot more you probably haven’t heard of. One thing we can guarantee is that the words “guilty pleasure” will not be mentioned once to describe their work.

This is a book about mainstream society’s obsession with the notion of out of control youth, and the pulp fiction that capitalised on the fascination, fears and desires associated with it.… Read more

Pulp Friday: The Tip

Ray Slattery“A scorching novel of horse-racing and desperate men and exciting women and big gambler Johnny Broadway’s bid to parlay the killing of all time.”

Ray Slattery must rank as one of the most prolific of the in-house hacks employed by Australian pulp publisher Horwitz Publications in the sixties and early seventies.

He is also one about which the least is known. Despite his incredible output, very little information is available about him. Austlit credits him with 118 titles, including our featured book today, The Tip, published in 1965, but has no further biographic information about him.

His books cover all of Horwitz’s staple obsessions, including bikers, bondage, sleaze and sex books, war stories, surgeons and what I have seen referred to as “Nazi romance novels”, books with titles such as Camp of Terror (1963) and Women of Warsaw (1964), Buchenwald Hell (1967), Prisoner of Dachau (1967), Valley of Slaves (1967), to name but a few.

In addition to writing under his own name, he worked under at least six pseudonyms, including Roger Hunt, Frank O’Hara, Terry West, James Bent, Frank F Gunn and John Slater (the name he used for most of his sleaze and Nazi-themed pulp, of which he wrote 84).

There’s a little bit more information on Slattery here, as well as a full bibliography.… Read more

Pulp Friday: Notorious Women

Notorious Women

“They were beautiful, dangerous and shocking – high voltage wantons who stopped at nothing to get their men.”

This week’s Pulp Friday, Notorious Women, is another offering from former clerk turned prodigious pulp hack, James Holledge.

Holledge, who has featured previously on this site, wrote approximately 45 books between 1961 and 1970. Most of these were heavily sensationalised, salacious examinations of social issues such as prostitution and the occult, which he dressed up as serious sociological expose.

Notorious Women, published in 1962 by Horwitz Publications, Australia’s premier pulp publisher in the fifties and sixties, is fairly typical of Holledge’s work. Purporting to be an examination of “a few of the Wantons of the World who have been branded forever as Notorious Women,” the boom is divided into 13 chapters.

These include ‘Wanton on the beach’ (“A reckless, sensation-seeking Bohemian, she had a mania for performing unrehearsed striptease dances”) and ‘Women with the serpent’s tongue’ (“The police actually feared this heartless hussy who was obsessed by money hunger”). But my favourite is ‘Edward who was really Ellen’ (“One of Australia’s most baffling sex masquerades was was finally exposed in startling circumstances”).

The one undeniable fact about Holledge’s books is that they sold, presumably to working stiffs eager for a few cheap thrills.… Read more

Pulp Friday: Avakoum Zahov Vs 07 and Soviet spy fiction

Avakoum Zahov versus 07 cover

“A battle to the death between two crack Secret Agents of East and West!”

This week’s Pulp Friday is one of the strangest cultural artefacts to come out of Australian pulp publishing in the sixties, the spy thriller Avakoum Zahov vs 07 by Bulgarian author, Andrei Gulyashki.

While spies first came to prominence as popular culture figures during World War One, it was the first Bond novel, Casino Royale, published in 1953, that really kick-started the modern fascination with spies. A host of well known authors as well as a legion of lesser know writers and pulp imitators, all followed in Bond’s wake.

These days it’s easy to view Bond as little more than a clotheshorse with a few snappy lines of dialogue and a lot of high-tech gadgets, facing off against the latest embodiment of the West’s global fears.

But in the fifties and sixties, Bond was a blunt weapon in dinner suit whose sole purpose was to smash the West’s enemies. He was also the epitome of sexual and social permissiveness, licensed to kill and swing. The casual sex, alcohol consumption, fine living and travel to exotic destinations were all potent symbols of the West’s economic and cultural affluence in the sixties.

Not only were the Soviet authorities aware of the global popularity of James Bond, they saw him as a major propaganda coup for the West.… Read more