Category Archives: Horwitz Publications

Upcoming talk: The motorcycle – rebel in pop culture

Posted on April 4, 2021 by Andrew Nette| 4 Comments

A heads up to Pulp Curry readers, that on Thursday April 22 EST, I’ll be giving a talk to coincide with the exhibition currently being hosted by the Queensland Gallery of Modern Art, The Motorcycle: Design, Art, Desire. The talk is entitled, ‘The Motorcycle: Rebel in Pop Culture’.

Throughout the decades, motorbikes have been portrayed as a symbol of freedom and rebellion in fiction, music and on the screen. I’ll be taking you on a journey through the different representations of the motorcycle in youth and popular culture history, mainly in the United States, Australia and Great Britain. I’ll be examining what has given the motorbike its cool reputation as well as discussing how it has also functioned as a lightning rod for post war concerns around various youth subcultures. The talk will focus on film, but I’ll also look at the representation of the motorbike in music and pulp fiction.

The talk, which will take place on Zoom, will start at 7pm EST, is free & your time zone permitting open to anyone anywhere to attend. All you have to do is book at this link. I hope you can attend.

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Posted in 1960s American crime films, 1970s American crime films, Australian crime film, Beat culture, Book cover design, British pulp fiction, Crime film, Dystopian cinema, Girl Gangs, Biker Boys and Real Cool Cats: Pulp Fiction & Youth Culture, 1950-1980, Horwitz Publications, Men's Adventure Magazines, Neo Noir, New English Library, Ozsploitation, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp Friday, Pulp paperback cover art, Rollerball, Vintage pulp paperback covers

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Rosaleen Norton ‘The Witch of Kings Cross’

Posted on February 14, 2021 by Andrew Nette| 7 Comments
Rosaleen Norton aka ‘The Witch of Kings Cross’

I was familiar with the name Rosaleen Norton long before I watched Sonia Bible’s excellent documentary about her, which takes as its title Norton’s long running nickname, The Witch of Kings Cross.

In an attempt to cash in on the upsurge of public interest in the occult that occurred throughout the west in the 1960s, the long defunct Sydney pulp publisher Horwitz Publications put together a number of salacious tabloid style non-fiction books on the so-called rise of witchcraft and Satanism in Australia. My favourite of these, which I wrote about on this site some years ago, the 1965 book Kings Cross Black Magic, was a direct attempt to piggyback on Norton’s fame.

Norton was also a semi-regular presence in the bachelor and barbershop magazines that proliferated on the shelves of Australia’s newsagents in the 1960s, titles like Adam, Man, Pix and Australasian Post. These magazines, incredibly tame by today’s standards, were once seen as very risqué. The activities of Norton slotted in well with their steady diet of stories about UFO sightings, white slavery, heroic Anzacs, shark hunting and out of control teens.

So great was interest in the occult in mid-1960s Australia that the subject even featured in a 1965 episode of the high rating locally produced Crawford TV crime show, Homicide.… Read more

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Posted in Australian popular culture, Australian television history, Crawford Productions, Horror, Horwitz Publications, Non-crime reviews, Pulp fiction, Rosaleen Norton, Scripts Publications

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Carter Brown and the Australian craze for faux American crime fiction

Posted on April 19, 2020 by Andrew Nette| 4 Comments
Author photo of Alan Yates aka Carter Brown in 1955

In 1950s Australia, one author – writing pulp novels about detectives and cities he’d never visited – gave birth to a phenomenon. I’m over at the CrimeReads writing about Australia’s most successful, least critically recognised, 20th century author, Alan Yates aka Carter Brown, and the popularity of faux American crime fiction in post-war Australia. You can read the entire article at their site here. … Read more

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Posted in Australian crime fiction, Australian noir, Australian popular culture, Australian pulp fiction, Carter Brown, Horwitz Publications, Pulp fiction, Pulp paperback cover art

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Lockdown recollections of the outside world and the wonder of Space Age Books

Posted on April 14, 2020 by Andrew Nette| 4 Comments
The shopfront of Space Age Books, 317 Swanston Street, Melbourne, in the early 1980s

I was saddened over the Eastern weekend to hear of the death of Mervyn ‘Merv’ Binns on April 7, at the age of 85. Binns was a major participant in Melbourne science fiction fandom going back to its earliest days in the 1950s, and established Space Age Books, Australia’s first specialist science fiction bookshop, and a frequent bolt hole for myself and no doubt so many other teenagers, desperate to escape the boredom of long suburban weekends in the 1970s and 1980s.

I only met Binns once, but his passing feels particular poignant given the circumstances we currently find ourselves in, unable to leave our houses and take part in Melbourne’s physical public culture, a field in which Binns once played a small but important role, to go to the pub with friends, browse in a bookshop or go to the cinema or film club screening.

But more than this, memories of Space Age Books briefly made concrete my fears about one of the unintended consequences of the (very necessary) restrictions evoked to combat the Covid-19 virus – its potential impact on the few remaining cultural holdouts that make living in Melbourne feel special compared to a lot of other places: bookshops, including the second-hand and antiquarian bookshops, independent cinemas and cinema clubs, record stores, and other speciality businesses that deal in material cultural items and experiences and, just as importantly, provide a space to engage in face to face discussion about them.… Read more

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Posted in Australian popular culture, Australian pulp fiction, Dystopian cinema, Horror, Horwitz Publications, Pulp fiction, Science fiction and fantasy

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Pulp Friday: Sharks in Australian pulp fiction

Posted on April 3, 2020 by Andrew Nette| 2 Comments

Pulp fiction has long been fascinated by sharks, and pulp published in Australia is no exception.

Being attacked by them, hunting them, sighting or being threatened by them, or just marvelling at large they grew, sharks were a perennial pre-occupation in local Australian pulp paperback fiction from the 1950s to the 1970s. They also appeared regularly in the pages of the Australian equivalent of men’s adventure pulp, publications like Adam and Man.

Although I have not included any of this material in the images below, sharks were also a staple of popular tabloid magazines like Pix and Australasia Post. Referred to in Australia as ‘barbershop magazines’, these now defunct weeklies presented punters with a steady diet of girls in bikinis, racy jokes, Hollywood gossip, and masculine adventure stories.

Many of these were set in heavily exoticised parts of the South Pacific and Asia. But there was also a rich variant that took place far-flung parts of tropical northern Australia and the outback. These latter stories depicted a sort of Australian weird – a land of gnarly, weather beaten eccentrics (much like Captain William E. Young on the cover the Shark Hunter, published by Horwitz in 1978), who had dangerous livelihoods in unimaginably remote parts of the country, and did battle regularly with the threat posed by the country’s uniquely lethal fauna, including sharks.… Read more

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Posted in Australian popular culture, Australian pulp fiction, Horwitz Publications, Pulp fiction, Pulp fiction in the 70s and 80s, Pulp fiction set in Asia, Pulp Friday, Pulp paperback cover art, True crime, Vintage pulp paperback covers

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