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Category Archives: Horwitz Publications
Australia’s other lost literary heritage
There’s been a bit of discussion in literary circles recently about whether enough is being done to maintain the public’s interest in the classics of Australian literature. To my surprise it’s a debate I’ve only been able to drum up half-hearted enthusiasm for.
The catalyst was an article by Text Publisher Michael Heyward in late January, in which he criticised journalists, cultural commentators and university academics for failing to create an enduring tradition for appreciating and teaching Australian literature. He singled out universities in particular for the lack of courses about Australian writing.
Perhaps in response, the latest program put out by the Wheeler Centre includes a series of talks called Literature 101, in which contemporary writers talk about classic Australian texts.
You won’t get an argument from me about the importance of Australian literature in building our individual and collective sense of historical self. I also agree universities are failing to teach Australian literature, although I think the problem lies less in any wilful neglect on the part of academics than in the gradual privatisation of our higher education system. Persistent federal government underfunding has squeezed course diversity in favour of subjects that generate income, particularly full fee income. Australian literature is not Robinson Crusoe in this regard. Try studying ancient history or the language of a country that is not one of our major trading partners, and you’ll get the picture.… Read more
Posted in Australian crime fiction, Australian pulp fiction, Carter Brown, Horwitz Publications, Peter Corris, Peter Yates, Scripts Publications, Toni Johnson Woods, Vintage pulp paperback covers
Tagged Alan G Yates, Australian literature, Carter Brown, Gordon Clive Bleeck, Hip Pocket Sleave, John Harrison, Michael Heyward, Moneky Grip, Scripts Publications, Stag, Summer of the Seventeenth Doll, Text, The Wheeler Centre, Toni Johnson-Woods
Pulp Friday: Danger Circuit
“He braved death on the race tracks – and suddenly found himself involved in a sinister intrigue.”
Welcome to the first Pulp Friday for 2012. I will be trying to make this a regular feature on my blog but due to other commitments, particularly other writing commitments, I can’t promise I’ll make it every Friday.
Today’s post is a classic piece of Aussie pulp, Danger Circuit by David Bower.
Released by Australia’s premier pulp publisher, Horwitz, in 1963, it’s the story of Phoenix Palmer, a career racing car driver. He gets invited to race in the famed Indianopolis and ends up ensared in a web of intrigue and murder.
The back blurb is short and to the point.
“Tough racing driver Phoenix Palmer met the beautiful blonde at the same time as he accepted the offer to drive the streamlined new Aquila.
But the thrill of excitement soon changed to chilling horror, as he realised too late that he’d been ensnared in a ruthless intrigue….”
Enjoy.… Read more
Pulp Friday: Triple Shot of Carter Brown
“A cold corpse becomes a hot assignment to curvy blonde, Mavis Seidlitz.”
Today’s Pulp Friday is a triple shot of covers from one of my late father’s favourite pulp authors, Carter Brown.
Carter Brown AKA Alan Geoffrey Yates was a Australian-British author who wrote a massive 317 novels in a career that spanned from 1958-1985. Tens of millions of these were sold all over the anglo world.
Most of his stories were crime, although at the beginning of his career he also wrote horror and Westerns under the alias Tex Conrad. His books were published in Australia by Horwitz and in the US by Signet.
Cops and private investigators were his staple characters, the stories a mixture of sex and action, leavened with a bit of tough guy humour. The writing’s not brilliant, but, hey, that’s no surprise given how fast he churned books out.
His first Horwitz contract stipulated two novellas and one full length novel a month. He could write as much as 40,000 words overnight, reputedly with the assistance of Dexedrine which he used to stay awake for periods of up to 48 hours.
As was common practice on the part of Australian pulp writers in the fifties and sixties, all of his books were set in the United States.… Read more
Pulp Friday: Playback by Raymond Chandler
This week’s Pulp Friday offering needs no introduction, Raymond Chandler’s Playback.
Playback was Chandler’s last book, published in 1958, a year before his death, and based on a screenplay he had written several years earlier. It features his iconic creation Philip Marlowe.
This is an Australian version of the book, published locally by Horwitz Publications in 1961.
Based in Sydney but with offices in Melbourne, Horwitz Publications was established in 1921. It started out doing trade publications and sporting magazines, but by the fifties had branched into popular and pulp fiction, including mystery, thrillers, romance and westerns.
The company published locally sourced stories, as well as Australians editions of overseas works. Well know authors included Carter Brown, Marshall Grover and Marc Brody. Some of its best known names were pseudonyms used by multiple writers.
Horwitz ceased producing fiction in the late nineties.
Although Playback is considered the weakest of Chandler’s seven novels, I’m sure you’ll agree with me the cover is a beauty.
The blurb on the back is also a vintage hard boiled prose.
“The Redhead didn’t look like a tramp, not did she look like a crook.
But when hard-boiled Philip Marlowe was paid to tail her he got plenty besides information.” … Read more
Behind the bamboo screen: Asian pulp covers of the sixties and seventies
Regular readers of Pulp Curry will by now be familiar with my obsession with pulp paperbacks from the fifties, sixties and seventies (previous posts on which you can be see here, here and here).
The following selection, sourced from my collection, is one I’ve wanted to do for a while now – Asian themed pulp paperback covers from the sixties and seventies. These are mainly from the United States with a smattering of Pan Books from the United Kingdom thrown in.
Not surprisingly, given the hysteria generated by the Cold War, the threat posed by the so-called “red menace” is a key theme of most of these titles, such as The Bamboo Screen, the story of an innocent Westerner thrown into “a savage world of spies and Oriental beauty,” a place where “life was cheap and love was a tool”.
Hong Kong was a favoured location for many of the do or die battles with Communism, as can be seen in Assignment Hong Kong and Twelve Hours to Destiny. Operation Hong Kong is one of a number of titles put out by Solider of Fortune magazine in the seventies: “Rainey has to stop Chinese agents from turning Hong Kong into a bloodbath”.
Other popular locations were Vietnam (Simon Harvester’s Battle Road), and jungles of Malaya in Mark Darby’s The Tigress, a place where “death stalked…with a Sten gun in its hands.”… Read more